Ozzie
5.6K posts

Ozzie
@ozziecode
writer of prescriptions and ekphrastic poems | 🐈 | public and artist relations
Katılım Ekim 2021
2.2K Takip Edilen2.6K Takipçiler

William Mapan at Art Basel 2026
We are thrilled to be able to present Paysages Plausibles, a solo exhibition by @williamapan at @ArtBasel, Zero 10, June 16 - 21, 2026 in Switzerland.
Paysages Plausibles is an algorithmic exploration of overlapping shapes, textures and digital media layers to create imaginary landscapes using pigments based on the natural world.
Mapan spent nine months of research, a give and take between sketchpad and computer, to develop the algorithm, which will be applied in both digital and physical formats at the exhibition.
At our Zero 10 booth, visitors will be able to view hand-painted oil works, plotter drawings, and a live generator, all based on Mapan's creative algorithmic logic.
Selected outputs may be purchased and plotted live at the booth.

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@NFCsummit in 3 weeks.
Main stage speaking slots are basically closed, booths are sold out, and most integrations are locked.
BUT.
There are still a few special ways to be part of NFC Summit 2026:
• Speakers & VIP Dinner
• Official Closing Party
• VIP Lounge & rooftop experiences
• Large-format LED visibility
• Side events & virtual presence
If you want to join us in Lisbon, now is the time to reach out.

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@eli_schein Congrats Eli… these artists speak the language of digital art fluently.
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Zero 10 is coming to Art Basel in Switzerland this June.
Co-curated by Trevor Paglen, this edition is the most ambitious to date. It tracks the computer and digital art movement to its origins in the 1950s.
Galleries include Hauser & Wirth, Spruth Magers, Marian Goodman, Almine Rech, Max Estrella, Andrew Kreps, eastcontemporary and Esther Schiller, joining @fellowshiptrust @nguyenwahed @artblocks_io @AspreyStudio @Interface_art @GazelliArtHouse @office_impart @bitforms @artmetaofficial. Plus a special presentation by HEK.
Presenting artists:
@_deafbeef
@williamapan
@andreasgysin
@lennyjpg
@JanRobertLeegte
@john__gerrard
Vera Molnar
Harold Cohen
Ryoji Ikeda
Avery Singer
Andreas Gursky
Agnieszka Kurant
Aziza Kadyri
Hito Steryl
Rafael Lozano-Hemmer

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While the last few months have been all about my newborn 👶 🍼, I am slowly getting prepared to Art Basel @ArtBasel and the Digital Art Summit by @artmetaofficial in June 🎨🖼️✨
Who will be around?!

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preparing a lecture of UAL students for next week and had to dig into lots of past moments over the last few years and just stumbled upon this set up video for @prooofofpeople
eeek emotional to say the least 🥲
youtube.com/watch?v=mg3kff…

YouTube
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Back when platform takeover offers actually made sense.
SuperRare John 💎@SuperRareJohn
@letsglitchit The negotiations were challenging but we finally settled on 4 rare pepes and a small castle in scotland
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Thankful we still have artists like @kimasendorf taking the time and energy to mint these absolute bangers in these times. It’s been a while since I could enjoy top-shelf art.
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@sebastianss527 @Columbia Dibs on grading Limitations in Displaying and Marketing Digital Art
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my @Columbia class is coming to a close next week.
as a final project i have the students define an issue or challenge in the digital art ecosystem that they critically research, analyze and explore creative solutions for based on their personal goals and interests. then they give a 15 minute presentation and write a research paper on it.
some topics from yesterdays class include:
Does Artificial Intelligence Possess True Artistic Ability?
What We Think We Own vs What We Actually Own: The Reality of Digital Ownership
Limitations in Displaying and Marketing Digital Art
NFTs: from $25B to ‘Dead’ - The Rise, Fall, and Reinvention of NFTs
AI and the Future of Fashion Imagery
let’s see what next week brings :)
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@ozziecode Yeah it makes sense. The thing is that generative artist can be very creative to build CPU intensive artwork. Hopefully tv manufacturer will take this into consideration
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I think that if we want to continue growing the digital/generative art market, we collectively need to work on how to display it. Currently, there is simply no solution for displaying generative art at the scale of a building. Either you need to put a mini-PC behind each screen which is a nightmare to maintain and create schedule/playlist or existing hardware digital-signage solutions like BrightSign have very limited computing power and can’t run code-based art properly
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