✨ Lizard Queen | @pvineetha.bsky.social ✨

Guess it's official now. I'll be working toward a PhD with @mattblaze at @Penn.

this edit didn’t have to go this hard but it did anyway credit: (at the end) ❤️✨

The accuracy tho😂😂😂😂😂😂😂

En Taiwán, los semáforos son de Tony Tony Chopper para promocionar el live-action de One Piece. 😭

Kimi's been waiting to show us this one 🤙😜 #F1

"i wonder what dressing i'll have with my fries" the humble ketchup and mustard:

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Jesus, I'm going through some files on my old phone and the amount of Yuki content I've saved there is wholesome 😭🤲

The Internet can be still saved

other guys on the grid liking problematic stuff on instagram while kimi is out here reposting zucchini fagottini recipes

Este sábado compite Dani Juncadella en el mismo equipo que Max Verstappen con su Mercedes-AMG en la Nürburgring Langstrecken-Series (NLS) para preparar las 24h de Nürburgring. La carrera será de 12 a 16h y con 136 coches en parrilla de salida. Se podrá ver gratis aquí: @vlnofficial?si=gsnfC7t8ARx1LHVv" target="_blank" rel="nofollow noopener">youtube.com/@vlnofficial?s…

And we’re off at the Nordschleife 🙌

말레이시아어 속성 강의 받는 키미

🚨| Antonelli and Ferrari, to say no it was Maurizio Arrivabene: — Andrea Kimi Antonelli brought Italy back to the top of the Formula 1 podium with a victory at the Chinese Grand Prix, marking a significant achievement for the young driver. Speaking to Corriere dello Sport, Antonelli expressed his feelings about racing for Mercedes instead of Ferrari: “I don't want to overshadow any myth, Ferrari remains Ferrari, immense. I understand all the love for the Red, but it's nice that the fans know that I found a family in Mercedes, who chose me when I was a teenager and put me in a position to grow at my best.” — Luca Cordero di Montezemolo shared his regret about Antonelli not joining Ferrari, recalling to Sky: “I'm very angry that he's not at Ferrari. I have to tell the truth: I am very sorry, because I know that Massimo Rivola wanted to choose him.” — Antonelli recounted his early contact with Ferrari to Sport Mediaset: “I had a contact with Ferrari. I was very young, 10-11 years old. But Mercedes wanted to venture at the end of 2017, Toto contacted us and told us that he needed us in the Academy, I am very grateful to him.” — Giovanni Minardi confirmed the story to Gazzetta dello Sport, explaining the decision-making process: “We started working to bring it into an Academy as soon as possible. We spoke with both Ferrari and Mercedes, we had to move well and choose who could give the greatest guarantees. For Ferrari, Kimi was still too small, but Mercedes could give better guarantees about a future perspective.” — Marco Antonelli, Andrea's father, recounted the pivotal moment in 2025 to Resto del Carlino: “He was called up to Ferrari as a karting promise, noticed by Massimo Rivola. Kimi was 11 years old, he also tried the Maranello simulator, the one reserved for the Academy's children. Everything was alright. Except that Maurizio Arrivabene, who led the racing department at the time, said that my child was still too young. A few months later, Mercedes contacted us and you know the rest of the story...” #scuderiaferrari 🇮🇹 #kimiantonelli #mercedesamgf1 🇩🇪 #f12026 VIA: [formulapassion]

When Max Verstappen said at least there I can go flat out without worrying about the battery, he meant it. Max at the Nurburgring 🔥

映画F1で関心を持って鈴鹿に向かうファン層はこの笑撃を知らないと聞いて

kimi antonelli's unhinged interview for rai radio 2, subtitles by me :) (divided in 4 parts)

I still can’t believe Lewis saw my nails (AND HOLD MY HANDDDDD)

🏁Vroom Vroom #BbokAri #felix #skzoo #F1 #crochet

This is the sound of Formula One Honda F1 V10 being pushed to 21,000 RPM

George Russell si fuera un animal: