Kazumasa Teshigawara

新作をどうぞ throughtubes.qubibi.org

浅く浅く浅いところへ。上澄へ表面へ向かうのだ。隣の人が喜ぶことをひたすらに。生き甲斐なんてそんなもの

“The Unworn Hours” 🔊 A set of still works and a live code piece. Releasing shortly. Through Tubes, We Now Are™︎

音が出て何かが描かれてアニメーションする昔でいうKid Pixみたいなお絵描きツールを作っていて（誰にも触らせない）、それを育てつつそれで描いてる作品がこちらにあります。ツールの名前はThrough Tubes, We Now Are™︎ throughtubes.qubibi.org

【デザイナーの永井一正さん 死去】 news.yahoo.co.jp/pickup/6571745

Through Tubes, We Now Are.

Lately, I've been thinking more and more about which parts of my creative process should involve my own hands. Or to put it another way — which parts I'm unwilling to hand over to anything other than myself. Through Tubes, We Now Are™ is the name I've given to a drawing tool I'm currently nurturing. It's really nothing more than a simple drawing tool — we can draw anything with it: a coffee cup on the table (no idea when we last drank from it), a person's face (we can't quite remember whose), a hand (unclear how many fingers it has). We've always hated drawing. Yet for some reason, this tool lets us draw with ease. Not that it draws beautiful lines for us — but as development has progressed, generated lines began to appear alongside our own, sounds started to emerge, and those sounds gradually became something like music. Perhaps this is a kind of instrument. Either way, what we're making is drawn, played — with our own hands. For now, the things that come out of this process tend to look, for some reason, like weathered lumps of something. Going forward, we plan to release works made with this tool across several platforms. All works will also be shown on this website. This tool is still young and finding its way — but please, watch over the drawings, animations, and music as they come to life.

@hgw これからの航路に向けて。良いタイトル

くるりの新譜『儚くも美しき12の変奏』を紐解いた、大変美しくも音楽的な解析と解説。楽器やられてる方やソングライターにお勧めです読んでください。著者はSSWの青沼詩郎さんです。 #変12 note.com/quruli/n/n585c…

勢いでAmazonで買った2リットルペットボトルのサントリー角ウイスキーが自宅に届いたんだけど、なにかを踏み外してしまったような感じがした。

カーソルもなかなか良いでしょ？でも誰にも触らせるつもりはないんだよなーへへへ

最近のアートワークは全て自作のツールで作っています。でもそれ自体がツールなのか作品なのかわかりません。もしかしたら映像かもしれない、静止画かもしれない、全てかもしれない！

"坂本：あと、さすがに、メッセージ的なものが何もない音楽って、今どうなんだろうって、ちょっと思いますね。" / “坂本慎太郎はなぜ“人類滅亡後の音楽”を構想したか「全体主義的なものに対する抵抗がある」” htn.to/PHp72R8iwn