Paul Sanders

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Paul Sanders

Paul Sanders

@ratpie

The state51 Music Group - Few would dare.

London Katılım Mayıs 2009
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Paul Sanders
Paul Sanders@ratpie·
Earlier this year I took a look at independence in music, and why it might not be so great if exits do get stymied by a community that relies on external funding to provide essential infrastructure and capability: ratpie.org/2025/05/07/wha…
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Paul Sanders
Paul Sanders@ratpie·
Trying to stop VC and PE owned businesses being sold seems hopeful - the exit is the purpose of the business. In fact, it's something to celebrate - a music investment is nominated for the 'Exit of the Year' award at the @GPBullhound Allstars awards gpbullhound.com/events/allstar…
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Todd Spence
Todd Spence@Todd_Spence·
John Belushi & Dan Aykroyd as the “Surf Police” arresting Brian Wilson because he's not surfing enough. From the 1976 NBC special “The Beach Boys: It’s OK” So good.
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Andrew Orlowski
Andrew Orlowski@AndrewOrlowski·
The Huddersfield Baptist on fire in 1961 (addressing the Commons as Shadow Chancellor)
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Placido Domingo
Placido Domingo@PlacidoDomingo·
🎶✨ What an incredible journey it has been! I had the great honor of serving as Head of the Jury for the Grand Final of Virtuosos— a celebration of young classical talent from around the world. The level of artistry, passion, and dedication these young musicians showed was truly inspiring. And we have also prepared a special song for you with my fellow jury members: José Carreras, HAUSER and Dimash! We’ll be singing “My Way”. 🎻🌍 From breathtaking performances to emotional moments, this finale is one you won’t want to miss. Join me in supporting the next generation of classical stars! 📺 Watch the full final here: youtu.be/pAMiQKzpcMc @PlacidoDomingo @VirtuososTalent
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The state51 Conspiracy
The state51 Conspiracy@state51·
We’re delighted to be distributing Madness’s RSD exclusive - Take Cover!
Madness@MadnessNews

.@RSDUK is this Saturday 12th April! Do go and support your local record shop and look out for ‘Take Cover’ on red, translucent vinyl. Mike and Suggs will be signing copies at @RoughTrade East, Ely’s Yard at 1 PM (Note: the venue is no longer at Denmark Street)

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Paul Sanders
Paul Sanders@ratpie·
As an industry we need to articulate our strengths much better. We know how to regenerate, and create new growth. We export. We attract world class talent. Our copyright management expertise is second to none. Shame for our government to take an axe to our knees in this way!
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Paul Sanders
Paul Sanders@ratpie·
As citizens we are entitled to ask our lawmakers, 'for whom do you speak?' Music has made a strong contribution to our economy, and to our culture and identity for many decades. It has not required bailouts or subsidies, unlike so many government pet projects.
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Paul Sanders
Paul Sanders@ratpie·
This is probably disingenuous, and definitely absurd. If copyright owners can easy opt out, they can just as easily opt in, without needing their assets to be strip-mined from underneath them by some of the biggest and richest companies in the world.
Jakob Mökander@jakobmokander

How should UK copyright law apply to AI model training? The text and data mining (TDM) exception with opt-out for rights holders proposed by the government offers a balanced, workable approach bit.ly/3XEQvdh The application of UKcopyright law to AI training remains contested, causing uncertainty for artists, rights holders, AI developers and society at large. Bold, pragmatic solutions are thus needed to provide legal clarity, support the creatives and unlock investments Unfortunately, the debate around AI & copyright is too often framed as a zero-sum game. This misrepresents both the challenge and opportunity before us. The real question is not whether AI will transform the creative industries (it already is) but how to make this transition beneficial for all stakeholders A new report by the @InstituteGC argues that the UK can and should be home to both flourishing creative industries and cutting-edge AI development. The report also provides a holistic and detailed policy framework to achieve that end The UK government’s proposal for a TDM exception with opt-out is a good starting point, but will require careful implementation to be effective in practice. Moreover, it is only part of the puzzle. To make the UK a leader in arts and AI, the government should also: 🌍 Strengthen international AI preference standards for rightsholders, to ensure that the opt-out mechanism is robust 🪟 Improve transparency across AI supply chains, incl. reasonable disclosures from AI developers about training data 👫 Establish standards for AI & creativity, incl. guidelines on how to distinguish between human and AI-generated works 💸 Increased support to creatives in the AI age, incl. more dedicated funding and the founding of a new Centre for AI & Creative Industries   Why does our analysis support this policy option over alternatives like 'do nothing' 'strengthening copyright' or 'a broad TDM exception'?   1) It's important to separate AI outputs from model training. While AI outputs should not be allowed to reproduce unlicensed copyrighted works, prohibiting AI model training on publicly available data would be misguided 2) Rights holders should have control of their data, hence the opt-out. But there are better ways to support creators than strict copyright laws, incl. support to hone skills, access resources and develop new business models 3) A whole-of-government approach is needed to deliver the AI Opportunities Action Plan. Restrictive copyright laws could push AI development out of the UK, undermining the Gov’s growth agenda 4) Stricter UK copyright laws would not prevent online data from being used to train AI elsewhere. Closing that loophole through extraterritorial enforcement could lead to AI tools not being accessible in the UK 5) Far from heralding the end of human creativity, AI presents new ways of being original. We should enable and celebrate all forms of expression Credit to the author team: @ZandermannKL, @josephcbradley, @AmandaBrockUK & @MickGrierson – plus @FERNANDOGARIBAY for foreword!   Huge thanks also to all experts who provided comments on drafts (input ≠ endorsement) incl. @whoisgallifrey, @LeeTiedrich, @philiptorr, @lilianedwards, @Prorata_ai, @natejhake, @UKAIofficial, @KR21org, @ChrisMammenIP – and many others

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Paul Sanders
Paul Sanders@ratpie·
This is a point that could be made more often and more forcefully. Songs do not help AI solve any problem other than how to make new songs without paying songwriters. A pump primed with theft will pump more theft, not pure drinking water for those without.
Matt Rogerson@MattRogerson

Alphafold wasn't built with the beach boys, or the contents of BBC iPlayer, it was made using the protein data bank. An asset funded by billions of dollars in public funding, curated by many thousands of human beings. Discoveries like this are not about broad copyright exceptions

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Paul Sanders
Paul Sanders@ratpie·
We expect governments to make sure we can trade our work fairly in open and well regulated markets. We do not expect government to side with global capital in its attempts to expropriate and alienate us from our creative work. I hope this deal is not yet done.
Ed Newton-Rex@ednewtonrex

This speech by @JamesFrith in parliament yesterday is what it looks like to stand up for the creative industries. I hope the rest of the @UKLabour party takes note. "Proposals for new, broad exceptions to copyright—and the burden of opting out of having one’s life’s work taken without permission—undermine the very principles of copyright and of trade and commerce." Strongly encourage watching the whole thing.

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The state51 Conspiracy
The state51 Conspiracy@state51·
Merry Christmas! Thanks to all the labels, artists and musicians who make what we do possible, and all of the shops, music services and music fans too. Have a great Christmas and a happy new year. 🎄🎄🎄
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DINKED
DINKED@dinkededition·
@william_average it's very nice indeed to be doing a record release with @state51.
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