basket bat🍀

@BleacherReport @NBCSWarriors and this is the number 1 seed ???

Kyrie Irving said he, Anthony Davis, and Kevin Durant talked about playing together in Boston back in 2018, with the hope of playing alongside Jayson Tatum “It was a dream for Kyrie, AD, KD to be on one team and still keep JT and let him grow and see how it goes.” (via @TimBontemps)

Hardy strikes me as a real Brando type: excels at thuggish types with wounded souls, definitely at least bisexual, loves doing a funny voice, getting puffier with age, a 5 megaton diva on set.

This edit is frying me son 😭

Boston is a preferred destination for Giannis Antetokounmpo according to Bill Simmons on his latest podcast. Here are the full comments and some thoughts: masslive.com/celtics/2026/0…

> be Tom Hardy > start drugs at 11 > expelled for crack and theft > say you'd sell your mum for a rock > wake up at 25 in blood and vomit > get sober. stay sober 23 years > replace it with the gym and martial arts > become bane. mad max. venom > sneak into a local BJJ tournament as "edward hardy" > choke out a stranger who didn't know it was you > become a trustee of the veterans charity you fight for > in 2026 get fired for being too intense he survived everything except a producer's email.

Who had the best Joker Laugh?

when you thought they were the last person you'd fall in love with but they turned out to be the last time you'd ever want to love

This is what peak autism looks like

An extremely rare THX trailer has been discovered.

Michael Mann couldn't shoot Collateral on film. The cameras couldn't see Los Angeles at night the way he wanted. So he picked a digital camera no other major Hollywood movie had used. The crew was still building parts for it during the shoot. Mann was chasing a specific look. Around 10 or 11pm in LA winters, a low cloud bank drifts in off the ocean and settles about 1,200 feet up. The orange sodium streetlamps below light up the bottom of those clouds and turn the whole sky into a soft, hazy glow. Mann said it looked like winter in England. Movie film couldn't see that. To shoot a single downtown block clearly, the crew would have had to bring in massive lights and brighten up entire streets just to make the buildings visible. Even with the lens open as wide as it goes to pull in any available light, almost nothing outside the foreground would stay in focus. The camera Mann picked was the Thomson Viper, brand new and not really ready for production. There was no memory card or storage inside the body. It had to be plugged into a separate hard drive with a cable. About 80% of Collateral was shot digital. The other 20% on regular film was mostly the Korean nightclub shootout, where the bright club lighting gave the crew plenty to work with. The coyote scene only exists because of the digital camera. Mann didn't plan it. A small pack of coyotes wandered across an empty street between takes, and because the camera could see in near-darkness, the crew just rolled. On film, that shot would have required lighting up the whole intersection first. The helicopter shots over the city work the same way. Palm trees against the night sky, the downtown skyline lit only by the city's own light. On 35mm film, none of that would have shown up. The movie cost $65 million to make and earned $220 million worldwide. It won Best Cinematography at the BAFTAs, the British version of the Oscars, and helped push Hollywood toward digital cameras for night shoots. One catch. That orange light Mann chased is mostly gone now. Starting in 2009, LA began replacing its sodium vapor streetlamps with white LEDs. By 2013 the city had swapped out 141,000 of them. Today the lighting system is 98% LED. The Los Angeles you see in Collateral doesn't exist anymore.

how many zombies would rob zombie rob if rob zombie could rob zombies

I dunno how as Celtics fans we can watch the game we saw last night and think all we need to do is just run it back with “the Jays”

Lol even the doll 😂

Wemby shot from here with the game on the line man What the hell

Still one of the craziest edits to this day

@BestMovieMom Isn’t Batista like 6 6 and elordi is 6 4 ….I mean Connery was 6 2

Jacob Elordi at 7 feet tall creates a structural casting problem. Bond villains historically need to physically dominate the lead. Bautista opposite Craig in Spectre worked because Craig was 1.78 meters. Elordi would tower over almost any antagonist. x.com/BestMovieMom/s…