𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و

43.5K posts

𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و banner
𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و

𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و

@sleepytimaeus

25 🂱 black & nd 🂱 i do the arts n i do the vibes 🂱 beware i rt artistic nudityミ★

any pronouns Katılım Ağustos 2014
106 Takip Edilen126 Takipçiler
𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
DaVinci
DaVinci@BiancoDavinci·
One of my favorite sculptures, Sylphide, by Ukrainian artist Volodymyr Tsisaryk, Lviv.
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
uneventide
uneventide@uneventide·
they investigate the supernatural... or at least they do when they get along #ocs
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
The Cake Lady
The Cake Lady@got_cake·
In 1978 Victoria Santa Cruz transformed rhythm into resistance and Blackness into pride. Through her iconic poem Me Gritaron "iNegra!", she turned a moment of racism into a declaration of self-worth that still resonates across the intersection of Hispanic and Black communities worldwide. At a time when Peru denied its Black population, Santa Cruz made Afro-Peruvian life visible through theater, dance, and rhythm, insisting that culture itself is a path to freedom and healing. The poem marks Santa Cruz's realization at age seven that her skin color carried social weight. In the original poem, the repetition of "Black!" (Negra!) transitions from a painful insult to a rhythmic, joyful declaration of pride. ❤️🖤💚🇵🇪
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
Minnie
Minnie@saintdutchess·
“you know, the fact is, nobody knew that they were prosthetic legs. They were the star of the show - these wooden boots peeking out from under this raffia dress - but in fact, they were actually legs made for me." —Aimee Mullins on McQueen Spring/Summer 1999
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S.@Vulphira

Alexander McQueen Spring/Summer (1999)

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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
pussy should face the world!
Their boobs are forming a yin and yang symbol I love gay people
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
Dejah
Dejah@umojasapphic·
i love indigenous afrikan architecture so badd like it is literally the reason why i wanna study architecture 😭😭
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
lina ★ @gittana on bsky
lina ★ @gittana on bsky@gittanart·
desenhando a braba
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
SHAV★
SHAV★@shavnyuy·
This building was dug from the ground it stands on. The 32° East Arts Centre in Kampala is made from rammed earth and earth brick,both pressed from soil excavated on site. The timber used as formwork for the walls was reused as roof shingles. The sandstone came from 40km away. Nothing imported. Nothing wasted. Africa has the earth. Africa has the knowledge. The decision to use them is all that keeps being missing. More photos in the comments. 📍 32° East Arts Centre, Kampala, Uganda 🇺🇬 🏛 New Makers Bureau + Localworks 📷 Timothy Latim, New Makers Bureau
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
Unknown
Unknown@_is_kunta·
Tongoro by Senegalese designer Sarah Diouf
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
𝑨𝒓𝒕 🎨
𝑨𝒓𝒕 🎨@_ArtMuseum·
The Water Nymphs, by Antoine Calbet (1860-1944)
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
y4nJing
y4nJing@YanCl50·
clooooove #VALORANTfanart
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𝒏𝒆𝒑𝒉𝒊𝒆 (•̀ᴗ•́)و retweetledi
kamiaomiao
kamiaomiao@kamiaodeyemao·
kamiaomiao tweet media
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