Sound of Fractures

SCENES is an experiment in what music can be beyond streams—artist-owned, participatory, and built on real connection. 🎶 350+ memories, 6 songs, and a community redefining how we experience music. Join the journey & and stay up to date with all my process: open.substack.com/pub/soundoffra…

Big shout to @cheads for putting together this interview about my new event project Alone Together ❤️ When Strangers Start to Meet — Sound of Fractures on Alone Together - C-Heads Magazine c-heads.com/2026/04/29/whe…

@iamnickdoteth @FWBtweets open.spotify.com/track/7bLgfvki…

we're running a highly curated group chat for people in tech, media, design, venture, hospitality, music if you're interested in joining reply with a song, album, live performance or mix that you love and if you're a fit we'll get you in subtext.cool/music

Twitter isn’t entirely useless - it has brought me the work of @bigvibessss

Talking through music and talking about music at @eli1ah and Charlie Darks event last week. Love seeing the thread from yellow squares to now, it’s inspiring to see. It reminded me a lot of what I’ve been trying to explore over the last few years: the emotional value of music, and how you actually create the conditions for people to feel and connect through it. What I loved was the format. Something that ran through the day so I could bring my kids, but also a rave at the end for those who wanted that. Same space, different ways of engaging. It felt generous. Thoughtful. Human. It also felt close to what I was trying to do with SCENES, and what I’m building towards with Alone Together — using music as a starting point for connection, not the end point. Unfortunately my kids were… as restless as always. But the highlight was my 4-year-old asking for a button on his DJ player that makes the seat shake after hearing Charlie talk about sound systems. Which, to be honest, might be the purest takeaway of all.

In an interview four years in the making, I sat down with IceMorph to discuss how their label CloudCore used passwords and digital scarcity to build a genuine online club music community, and their new beginnings mixmag.net/feature/icemor…

About to @cxy who has been executive of a lot of these experiments through supporting subscriptions and infrastructure all the world building around the forthcoming Alone Together project

Today I tested two ideas: • Visuals that respond to the audience moving in the space • An endless ambient layer so the room feels alive before I even play Both are rough. Both might not work. But that’s kind of the point. I think learning new tools — whether that’s AI, plugins, or anything unfamiliar — is one of the best ways to get unstuck as an artist. For me, that looks like: Starting ideas in Claude Turning them into something I can test Then building them properly in Cursor No pressure for it to be perfect. Just testing ideas.

@Xcelencia Yea we need to catch up 🙏

@sofractures damn working on this too! will share learnings and build a super tool

@dominosmusic ✌🏻

@sofractures Let’s go

2 things I vibe coded today to develop my live show into a more immersive and interactive experience.. more to come Both using Claude 4.7 and or Cursor.

I'm @bopping_to Things Are Gonna Get Better by @sofractures Gotta Get Thru This - D'N'D Radio Edit by @danielbedingfld The Garden Prelude by @jessieware ▶ @cxy" target="_blank" rel="nofollow noopener">bopping.to/@cxy

Things Are Gonna Get Better - Out now ❤️ symphony.to/sound-of-fract…

New song out on Friday 🤞🏻☀️ Presave it here: symphony.to/sound-of-fract…

@mrmitchmusic Vibe. Love this

I created a platform Mitch0S 88 Every time someone listens to the song it degrades. No one will hear the same version of the song Enjoy it while it’s here mrmit.ch

How artists can build their own platforms 👇 A lot of artists are worried about AI right now. And rightly so. But I keep coming back to this… what if these tools aren’t about replacing us, but helping us build exactly what we need? I’ve never had to raise money for an event before. And I’m working on something that doesn’t really fit in a box. So I built my own system. A way to research festivals, brands, venues, people… map them into a world… and slowly build a network around the project. It’s messy. It’s new. But it’s helping me make sense of something that felt pretty overwhelming. That’s been the biggest shift for me. Not the output… just having somewhere to organise the thinking. To map things out. To come back to. I don’t think tools like this replace the work. They just make it easier to start. #vibecoding #independentartist #creatortool

Does Ai music kill creativity = no Example:

Put the quality up to 2k

@tom__kell I’ll bring one when I next see You 💯

@sofractures Yes mate. I need a pack of those cards

I made a mini doc to give some insight into the Alone Together pilot, the first event we held to test out how we can design space to encourage more meaningful connections between people who attend. It all stems from a belief that music holds a huge amount of emotion value, and we created a world that brings that to the front of people’s minds,l.