cxy.eth, music nerd

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cxy.eth, music nerd

cxy.eth, music nerd

@cxy

Executive producing; productizing patronage; nerding with @clt on @musicnerdxyz

Seattle Katılım Nisan 2007
2.9K Takip Edilen2.9K Takipçiler
17 years of song a day
17 years of song a day@songadaymann·
I JUST MADE A GAME CALLED 🔥LINDSAY GRAHAM IN HELL🔥 The goal of the game is to save all your girlfriends. Your girlfriends are Birdo. PLAY IT: mann.cool/hell There may or may not be a hidden Mitch Mcconnell somewhere down here...
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cxy.eth, music nerd retweetledi
🇺🇸ℜ𝑂𝑩NΞSS
🇺🇸ℜ𝑂𝑩NΞSS@ROBNESSOFFICIAL·
NOTICE EVERYONE: THE WORST THING JUST HAPPENED TO A VET LIKE ME. MY V1,V2,V3 WALLETS GOT HACKED AND I'M GETTIN' DRAINED. JUST TO PUT IT OUT THERE @0xBlockLayer AND @punk4053 ARE SCAMMERS AND THEY BAITED ME INTO A STREAMYARD/SAYLLY(SAYLLY IS FRAUDULENT) WEB INTERVIEW. SHARE TO EVERYONE PLEASE.
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marc
marc@marcgmbh·
software creation is going to zero software moves at the speed of culture distribution rules
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cxy.eth, music nerd
My antidote to this experience is FWB FEST @FWBtweets
binji@binji_x

(1/2): I have met this person at nearly every crypto conference I have ever attended, and by now I can usually identify him before he even reaches the registration desk, because he arrives wearing the unmistakable expression of a man who has crossed three time zones, answered forty-seven Telegram messages from people he does not like, and paid twelve euros for airport water in order to be physically present at a gathering devoted to the future, only to discover, almost immediately, that the future appears to consist largely of men standing beneath purple lighting and discussing distribution. He checks into the hotel, opens the conference app, scrolls through a schedule containing panels called things like “Reimagining Coordination at Scale” and “The New Institutional Frontier,” and feels, for one brief and embarrassing moment, the stirring of hope, because perhaps this will be the one, perhaps this will be the conference where somebody says something real, where a conversation escapes the gravitational pull of fundraising announcements, ecosystem grants, and whatever the phrase “go-to-market motion” is currently being asked to conceal. By ten in the morning he has received a tote bag made from allegedly regenerative fabric, a metal water bottle that leaks from the lid, a lanyard large enough to function as a municipal permit, and three invitations to side events taking place simultaneously in different parts of the city, each one described as “intimate,” despite having eight hundred RSVPs and a DJ flown in from Berlin. He goes to the first panel. A founder says we are still early and venture capitalist says the next billion users are coming. Eventually a moderator, with the glazed composure of somebody who has already moderated this exact conversation in Singapore, Dubai, Paris, Denver, and a yacht off Mykonos, asks what needs to happen for mass adoption. Everyone agrees that UX must improve and the audience nods with the solemnity of a parliamentary vote. Nothing has technically been said, but the applause is loud. By lunch he has participated in six conversations, all of which begin with “What are you working on?” and end with “We should definitely find a way to collaborate,” which in conference language means that both parties will add one another on Telegram, exchange a fire emoji beneath a future announcement post, and never again occupy the same emotional universe. He meets a man building infrastructure for autonomous agents, although the infrastructure is not yet built and the agents are not yet autonomous. He meets another man launching a protocol for decentralized reputation, who spends most of the conversation explaining which well-known investors already trust him. He meets a founder who says he is obsessed with user sovereignty, then glances every twenty seconds toward the entrance in case someone more important has arrived. By the evening he is standing in a cavernous venue once used to manufacture turbines, now filled with dry ice, ornamental lasers, and several thousand people discussing credible neutrality while trying to get past a velvet rope. There is free food, technically, although it consists of two miniature tacos placed on a slate tile by a person wearing black gloves, and there is free alcohol, abundantly, which may explain why the revolution against extractive intermediaries has temporarily organized itself around a sponsored bar requiring three wristbands and a QR code.

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anthony
anthony@fascinated·
lmao car towed first morning in toronto
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17 years of song a day
17 years of song a day@songadaymann·
My wife says she didn't marry me because I'm handsome, funny or stable, but because she knew she'd have an interesting life. bid on the 1/1: songaday.world/6397
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Sound of Fractures
Sound of Fractures@sofractures·
1 week since Alone Together - designing physical space for meaning making, using music as a seed. this really was so hard to get people to understand, because everyone loves a narrative of connection, but in reality the issue is still no music company, label or sponsor can get their head around anything other than short term likes, streams and views. Some time in the future, they will start to get the real value of deeper connections and meaningful experiences rather than just peddling them as takes… I hope that we can build something that people look back as being ahead of the curve like SCENES was. now we can show people what Alone Together is and does, and what the value is for participants, commissioners and sponsors I’m feeling excited about what comes next. artists of all types lack the opportunity to show , prove and experiment, and social media has made that worse, because the places you need to get money from are still stuck in the platform mind set. Some people have called it pioneering as a project, and I do think that’s true but we also need pioneers to back experimental projects, and for me that has been @cxy who has come on as the first executive producer of Alone Together Project, providing grants to allow it to exist in its ideal form. We are building a squad of people with shared values so if you want to jump on a call with me and CY to learn why and what being a executive producer of Alone Together is, then get in touch. We are always looking for individuals and sponsors to take these ideas to their next level. Independent music needs new ideas, and ways to fund experiments is so important, I hope that others will start to see the value in backing artists on the coal face of what new music careers look like. People, brands, patrons, sponsors who want to be known for creating new ideas and new models instead of just copying a reel they saw and paying a marketing company to “do one of those for us” so we can put it on our socials. The experience marketing and immersive market is booming right now, and music is always present, but the value is not being captured music musicians, or is a tag on or dressing at the end… yet it defines the mood of the space. In Alone Together music is the seed, the glue and the focus.. it’s an ongoing conversation between the music, the audience and memory. Alone Together is modular, it exists as a full Exhibtion, an installation, an activation and in pop up form. - if you know someone who shares our values then tell them all about it, personal connection, and introductions have got this project to where it is, because people believe in it and fall in love with it. soundoffractures.substack.com/p/alone-togeth…
Sound of Fractures tweet mediaSound of Fractures tweet mediaSound of Fractures tweet media
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YURI
YURI@bigvibessss·
SHOULD BE DONE SOME TIME NEXT WEEK
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YURI
YURI@bigvibessss·
I'M WORKING ON A MYSPACE TOP8 FRIENDS GRAPH JUST FOR FUN
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PHLOTE
PHLOTE@teamphlote·
HOW MUCH UNRELEASED MUSIC ARE YOU SITTING ON? A. Almost none B. A few tracks C. 10–25 ideas D. 25–100 ideas E. More than I can count
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cxy.eth, music nerd
Product-market fit gets you profit Product-community fit gets you culture
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cxy.eth, music nerd
Product-market fit is cool but have you ever had product-community fit
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