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@sortasmall43

21

Katılım Şubat 2023
33 Takip Edilen44 Takipçiler
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luffyontop
luffyontop@JUSTLOTTO·
I dont even get angry or upset at db/csm/jjk/other fans talking shit bout odas female characters anymore I just think about this panel and move on with my life
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🐌
🐌@russtrome·
not a huge fan of how mean everybody is nowadays
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Volk
Volk@ladolcevolk·
CinemaSins has been a net negative imo but damn if “Prometheus school of running away from things” isn’t a zinger
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bored@sortasmall43·
@3CFilmss I’m glad you enjoyed it makes me happy
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Cris Parker
Cris Parker@3CFilmss·
#TheBackrooms Had me gripped! Kane Parsons impressively brings to life this liminal horror tale in both a captivating & unsettling way. Loved the film’s entire aesthetic. Ejiofor and Reinsve are great. The lore, while subtle, will leave a lot for fans to chew on. Big fan of this!
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DiscussingFilm
DiscussingFilm@DiscussingFilm·
Kane Parsons says he spent his senior year of high school deciding between inquiries from the entertainment industry or college applications. Once A24 came on board his ‘BACKROOMS’ movie, he decided to forgo any college plans. (Source: indiewire.com/features/inter…)
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bored@sortasmall43·
@RavingRackham @JennyENicholson Like what a damn waste. I know people would bitch but please just recast the characters then we could have stories with them that don’t double the budget because of cgi Luke lollll
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Elvis The Alien
Elvis The Alien@ElvisTheAlienTV·
Obsession was directed by Curry Barker, and Backrooms was directed by Kane Parsons. They're both incredibly talented young filmmakers, and it's pathetic seeing people on here make up excuses and refuse to believe it for whatever reason.
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kyle
kyle@Caol_MacCormaic·
re: ghost directing discourse, I think a lot of people struggle with the reality that they have aged out of being a wunderkind. if you were the type of person to make a movie at 26, you would've done it. the good news is you can make a movie at 36, or 46, or whenever.
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Tom Chatalbash
Tom Chatalbash@TomChatalbash·
#Backrooms is a spine-tingling debut for Kane Parsons. His restraint and patience as a filmmaker at such a young age is impressive, using wide, open framing and near ceaseless tension to make the audience feel paranoid and wholly uneasy throughout. Ejiofor delivers haunting, top tier work that, coupled with the retro aesthetic and the truly incredible production design, makes for a wonderfully refreshing horror film that swallowed me whole. Safe to say, I’ll never look at furniture the same way again. Full review tomorrow!
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A24
A24@A24·
Doors open this Friday. @BackroomsMov
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冨樫義博
冨樫義博@Un4v5s8bgsVk9Xp·
No.421、原稿完成。 仮歯割れました。
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