Steve Hullfish, ACE

@bankertobuilder Destroying the floor on the left is a home building sin. You're going to hell.

Before and after Client was sick of the dusty old floors that were often cold in the winter We fixed it up with something tasteful and modern

READ: bit.ly/AOTC-YSherlock… LISTEN: bit.ly/AOTC-YSherlock… @borisfx @ACEFilmEditors

Finding the right way to start a TV series isn't always done by following the script. Editors Tim Murrell, Philip Hookway, and Cheryl Potter discuss editing "Young Sherlock" with Art of the Cut. Read/listen to full interview. Links in the replies. @borisfx @ACEFilmEditors

@Brett_A_Taylor Poor kid in the stands throws like a girl... OK, that was mean... more insulting: he just throws like a Brewers' fan. :-)

Here's to seven more years of PCA making Brewers fans feel like this guy.

@SenFettermanPA @AFGENational Hasn't your own party proposed numerous funding bils to pay TSA and the Coast Guard?

Stop talking about “affordability” while voting to deprive their paychecks. This shutdown is punitive, destructive and reckless. I stand with @AFGENational. Pay these workers and end this shutdown.

READ: bit.ly/AOTC-KPOP-blog LISTEN: bit.ly/AOTC-KPOP-pod @borisfx @ACEFilmEditors @TheAcademy

The consequences of editing decisions are like dominoes. Read or listen to the full interview with Nathan Schauf about editing the Oscar-winning animated film, "KPOP Demon Hunters." Links in the replies @borisfx @ACEFilmEditors @TheAcademy

READ: bit.ly/AOTC-KPOP-blog LISTEN: bit.ly/AOTC-KPOP-pod @borisfx @ACEFilmEditors @TheAcademy

Animation editing - like all editing, hopefully - is a process of continual refinement and improvement. Nathan Schauf discusses the editing of the Oscar-winning film, "KPOP Demon Hunters." Read/listen to full interview Links in the replies @borisfx @ACEFilmEditors @theacademy

@ashincolorado Darwin should take care of your bloodline shortly. Please don't drag the US flag into your particular brand of stupid and crazy. It doesn't look good for the rest of us

Ready for a class action lawsuit? I am.

@SenFettermanPA Fetterman, you KNOW that the Dems (of which you are nominally one) have proposed numerous bills to completely fund TSA and other needed DHS programs. GOP just doesn't want to have that be separated from ICE, which it should. I'd tell you to put on your big boy pants, but,,,

This morning at PIT, so many TSA employees expressed their appreciation for standing with them and shared their financial hardship. End this ridiculous DHS shutdown NOW. Pay these hardworking TSA agents and all DHS employees who collectively keep our country more secure.

@hwinkler4real My wife has been a teacher for decades longer than @RepMaryMiller has been a Karen and they've never had a stripper at any of the schools she's taught at or that our kids attended. My guess is that this is virtue signalling and fear-mongering. Find another way to fundraise, Mary.

Never happened at one of the 4 schools I attended . DID it happen at yours ?? For real ?

@aakashgupta @film114 The green screen argument is total bullshit. Why does green screen matter? Why not “This film used no music!” Or “this film is completely unedited!” Or “There was no script!”

$33.1M opening day with zero green screens. Read that again. Project Hail Mary cost $200 million to make. Lord and Miller built the entire Hail Mary spacecraft as a practical set. Thousands of physical buttons, hundreds of real screens, a hatch modeled after ISS designs. The alien, Rocky, is a full animatronic puppet designed by Neal Scanlan, the creature shop legend behind the best Star Wars practical work. Ryan Gosling acted against a real puppet in every single scene. The movie has 2,018 VFX shots. That sounds like a lot until you compare it to Avatar: Fire and Ash, which ran over 3,500. The difference: Avatar builds the world digitally and asks the audience to believe it. Project Hail Mary builds the world physically and uses VFX to clean up wires, remove puppeteers, and paint in space backgrounds. One approach creates spectacle. The other creates presence. This is a $200 million bet against the last 15 years of Hollywood production logic. After Avengers: Endgame, the industry standardized around green screen stages and digital environments because it was faster and cheaper per shot. Studios could reshoot entire sequences in post. The tradeoff was invisible until it wasn't: audiences started describing blockbusters as looking like "video games." Snow White's $42M opening. The Marvels at $46M. Quantumania. Ant-Man built on a soundstage that looked like it. Lord and Miller went the opposite direction and spent more money on physical construction than most studios spend on entire VFX pipelines. Greig Fraser, the cinematographer who shot Dune, lit the Hail Mary with practical lights so the camera could move freely through real corridors. When Gosling floats in zero-g, that's wire work, not simulation. When he touches a panel, it's a real panel. Guillermo del Toro saw the film and called the commitment to practical sets and puppets "a goal, an aspiration, and a commitment. Especially now." The "especially now" is doing all the work in that sentence. He's talking about an industry where the default response to a $200M budget is to minimize physical production and maximize digital flexibility. Project Hail Mary did the opposite and just posted the biggest non-franchise opening day in domestic box office history. The audience can tell. They've always been able to tell.

@JDVance GOP is majority. Dems have proposed numerous funding bills that GOP turned down. You seem to have it backwards. And your hypocirisy as a Christian in not calling out your boss’s post about Mueller while crying about reactions to Charlie Kirk means Jesus is disappointed in you

⁨We’ve all seen the chaos unleashed by Democrats at airports across the country. It’s preposterous that Chuck Schumer continues to hold TSA funding hostage. Thankfully, ICE will bring sanity to our airports starting tomorrow, but it’s far past time for Democrats to fund DHS.

@UnrealBluegrass @dog_rates Lounging. A chair that she has claimed as her own. I don’t think a human has sat in it for five years

Just dogs today please. That's all I need. @dog_rates

@LeaderJohnThune How can the party in the minority be held responsible for this. You either are in power of not. Clearly the GOP doesn’t have the power despite being in the majority in both houses and the White House. Accountability is a bitch. Quit playing victim. It’s what you do best tho

Securing America starts with funding DHS, not defunding police.

READ: bit.ly/AOTC-KPOP-blog LISTEN: bit.ly/AOTC-KPOP-pod @borisfx @ACEFilmEditors

Cutting out the bad stuff is easy. Try cutting out the GOOD stuff. Then you're an editor. Nathan Schauf discusses editing the Oscar-winning "KPOP Demon Hunters" Links in the replies. Read/listen to full interview @borisfx @ACEFilmEditors

@michaelbeemusic @WhiteHouse GOP controls House, Senate and White House. So any problems are theirs. The GOP has indeed discovered that the Federal government is their business to plunder

Hey guys! I figured out the Democrats scam. They know that the federal government of the United States is the largest business on the planet. So they are pretending to be the owners of that federal government global business, which they are not. Now they are on thin ice.

This is intentional. ⬇️ Democrats are holding American travelers hostage and denying federal workers their paychecks for political leverage. End the games. REOPEN DHS!