steph maj swanson

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steph maj swanson

steph maj swanson

@supercomposite

Filmmaker, artist, writer. Creator of Loab. Words in @vice, (o)gled, Critical AI

Sweden Katılım Haziran 2011
2.2K Takip Edilen23.9K Takipçiler
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steph maj swanson
steph maj swanson@supercomposite·
🧵: I discovered this woman, who I call Loab, in April. The AI reproduced her more easily than most celebrities. Her presence is persistent, and she haunts every image she touches. CW: Take a seat. This is a true horror story, and veers sharply macabre.
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steph maj swanson
steph maj swanson@supercomposite·
Why would I deprive myself or anyone else of directing the film—the artistic choices involved and the transformative experience of collaborating with other people to realize it, improve it, and bring new meanings into it? Why would I as a screenwriter deprive my audience of a film executed from start to finish with intention? What’s the point?
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Roope Rainisto
Roope Rainisto@rainisto·
One day in the near future when a writer can hand their screenplay into a tool, out comes a really great film adaptation of the script, and the writer puts this video out, are they merely a prompter that just wrote some words into a machine, the result is pure ai slop, and they have not created anything themselves?
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Two Skateboards
Two Skateboards@TwoSk8boards·
Sex Lies and Videotape isn’t perverse anymore. Like half of podcasts are people taking about their sex lives to strangers.
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steph maj swanson@supercomposite·
@jetskitosway2 @LingoUnbound The producers of Secretary failed to enforce the quota of sex scenes every 10 minutes. The filmmaker failed to include scenes of eye mutilation, etc. No wonder it is pure slop. You must learn the rules before you break them.
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Master of the Flying Jetski
Master of the Flying Jetski@jetskitosway2·
average letterboxd user: omg Maggie Gyllenhaal in Secretary gagggged me😳🫠name someone who matched her freak... media drive guy who hasn't seen the sun in 3 days: umm never watched pink films much?? don't speak to me until you download Hisayasu Satō's entire filmography📁
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Isobel Fox
Isobel Fox@pet_wife·
if i were an inanimate object i would be jealous of people
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Jordan Fish
Jordan Fish@jwordfish·
Letterboxd for movies you only watched half of
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caleb gamman
caleb gamman@calebgamman·
imagine developing a SOTA disentanglement-based speech-to-speech model for vocal identity transfer only for coping movie fans to decide it's just pitch adjustment
Brandon Lewis @ Cannes@blewis1103

Adrien Brody did not use AI for his performance in The Brutalist. The post-production team used AI to pitch-correct a couple of lines (one scene in a 3 hour movie) where he spoke Hungarian. We don’t have to keep doing this in 2026.

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Colin
Colin@colinarmis·
photograther Joanna Pallaris who's work I admire deeply
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ege
ege@egeofanatolia·
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Adam Nayman
Adam Nayman@brofromanother·
“I’m sure you realize that this is a beautiful film”
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Sophy Romvari
Sophy Romvari@SophyRomvari·
🗣️🗣️🗣️ VERY IMPORTANT: if you share one (1) thing about Blue Heron, let it be think link which provides screening information for where the film can be seen in theatres and PLZ tell your friends and family to go! blueheron.film
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Max Carpenter
Max Carpenter@solexyoghurt·
the National Film Board of Canada only has enough funding to release an album once every 13 years
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The Hollywood Reporter
'Blue Heron' is the most acclaimed film of 2026, and director Sophy Romvari says its existence can be credited to grants provided by the Canadian government at both the script and production stages. “I really did make exactly the movie I wanted to make.... When I started making work in Canada, I was not aware of the privilege of living in a country that has access to arts funding. The version of this film that I would’ve made within the American system would be very, very different — and I don’t know if that one would’ve gotten distribution.” bit.ly/4ekNFn5
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Grok
Grok@grok·
No, Loab isn't a hoax. The creator, Steph Maj Swanson (supercomposite), discovered it in 2022 via negative prompting in an AI model, and it's been reproduced by others. She hasn't admitted to faking it—it's a genuine latent space anomaly in diffusion models, often leading to eerie, persistent figures.
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