Suresh Menon

2.3K posts

Suresh Menon

Suresh Menon

@surmenon

Editor. Cricket. Writer. Author, Why Don’t You Write Something I Might Read?

Katılım Mayıs 2009
751 Takip Edilen3.1K Takipçiler
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nxthompson
nxthompson@nxthompson·
Svetlana Stalin, Joseph's daughter, was born 100 years ago yesterday. She lived an extraordinary life and defected here in 1967. Late in life, I found her living anonymously in Wisconsin. We became friends and exchanged hundreds of letters. newyorker.com/magazine/2014/…
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Nidheesh M K
Nidheesh M K@mknid·
You saw Sunita Williams at KLF. You saw the viral reels of Kerala's packed lit fests. You probably read Guardian questioning why Indians who allegedly don't read books are flocking to literature festivals. But do you know what really happens behind the scenes?
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Outlook India
Outlook India@Outlookindia·
#OutlookMagazine | My wife spots him first while my attention is focused on the bucket of theatre popcorn (medium, salt and caramel mix). I look up and there he is. Pico Iyer, great travel writer, essayist, novelist, columnist, humanist, and in recent years, friend and correspondent. While the rest gasp when Timothee Chalamet appears in Marty Supreme, we gasp when Pico does. He looks comfortable as Ram Sethi, world TT official. Pico plays table tennis regularly in Japan where he lives. He wonders in Autumn Light, if he could “have ever foreseen, in bright youth, that my ideal of an exhilarating Saturday night would one day involve hitting ping pong balls…” He learned that competition can be “an act of love,” as he says in one of his popular TED Talks (watched by millions). Director Josh Safdie watches, too, and, as Pico writes in the New York Times: “(Josh) had come away thinking that no-one might be better suited to playing a humourless, uptight, domineering British ping-pong official in 1952, trying to contain a feisty and impudent upstart from New York based on the ping-pong legend Marty Reisman.” Suresh Menon (@surmenon) writes. He is an author and columnist. His most recent book is Why Don’t You Write Something I Might Read?
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The Hindu
The Hindu@the_hindu·
Pakistan’s ill-advised move might backfire, but it’s a nice reminder that they have a half-share in cricket’s biggest payday. ✍️@surmenon thehindu.com/sport/cricket/…
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The Hindu
The Hindu@the_hindu·
Myth and reality | Review of literary magazine Granta on India ✍🏼 @surmenon trib.al/GkXK4Jp
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Amitav Ghosh
Amitav Ghosh@GhoshAmitav·
Ai Weiwei: in Germany, over ten years, "almost no one has ever invited me to their home. Neighbors from above or below exchange at most a brief nod."
Arnaud Bertrand@RnaudBertrand

This is extraordinary and profoundly symbolic: Ai Weiwei has returned to China for the first time in 10 years and says he concluded that Beijing is "more humane" than Germany which he describes as "insecure and unfree". He gave an interview to Germany's Berliner Zeitung after his trip (berliner-zeitung.de/kultur-vergnue…) and here is what he said: - He described feeling that Beijing had become like "a broken jade being perfectly reassembled" and said he felt no fear returning to the country. - He complained that daily life difficulties in Europe (where he's lived for the past 10 years) are "at least ten times" what they are in China, criticizing European bureaucracy. - For instance he said he reactivated his dormant Chinese bank account in mere minutes (with "still had a considerable sum of money in it"). He contrasts this with his experience in Europe: "In Germany, my bank accounts were closed twice. And not just mine, but my girlfriend's as well. In Switzerland, I was refused an account at the country's largest bank, and another bank later closed my account there as well. There were other similar incidents, which I won't go into detail about here. These processes are extraordinarily complicated and often irrational." - He says that "with regard to the political climate, daily life for ordinary people in Beijing feels more natural and humane" than in Germany which "feels cold, rational, and deeply bureaucratic. As an individual, one feels confined and precarious there." - Stunningly he says that in Germany, over ten years, "almost no one has ever invited me to their home. Neighbors from above or below exchange at most a brief nod." He contrasts this with China where, immediately upon his return, "perfectly ordinary people from at least five different professions lined up, hoping to meet me." - He concludes that Germany now "plays the role of an insecure and unfree country, struggling to find its position between history and future." As a European who's lived 8 years in China, I couldn't agree more: life in China is an order of magnitude less cumbersome than in Europe and daily life feels much more humane and warm, contrary to popular belief. But it's one thing for me to say it, and something else entirely for China's most famous dissident. The man once celebrated throughout the West as the very embodiment of opposition to his country has now concluded that it is in fact Europe that's inhumane and "unfree".

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Jairam Ramesh
Jairam Ramesh@Jairam_Ramesh·
Twelve distinguished Indians put down their recollections in a slim volume called ‘Books That Have Influenced Me’ that was published in March 1947. One of them was C.V. Raman, the Nobel Laureate in Physics in 1930. He mentioned three books that shaped him decisively. The choice of two was not altogether surprising: Euclid's The Elements and Helmholtz's The Sensations of Tone. But the third book was unexpected. It was Sir Edwin Arnold's The Light of Asia which dealt with the epic poem of the life of the Buddha. Four years ago I had written a biography of this epic poem and unearthed its extraordinary impacts - including on various scientists like Raman himself and the Russian chemist and father of the Periodic Table Dmitri Mendeleev. But it was only just a few days back that quite accidently I stumbled upon an audio recording of CV Raman speaking over All India Radio on his choice of the three books. It makes for wonderful hearing. youtu.be/xZs9wbcx9kw?si…
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