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TEDRY⚫️⚪️

TEDRY⚫️⚪️

@tedry

Filmmaker | A Juventini 🦓 since 1982

Katılım Şubat 2009
427 Takip Edilen23.5K Takipçiler
TEDRY⚫️⚪️ retweetledi
NafaNaseem
NafaNaseem@monasibnaseem·
ވެރިން ނުބައިގައުމެއް އަދި ރައްޔިތުން ޒިންމާދާރުނޫން ގައުމެއް ރަގަޅެއްނުވާނެ! ވެރިން ރިޝްވަތުދެނީ ރައްޔިތުން ރިޝްވަތު ކަނީ. މި ރާއްޖެއަކީ އާދަޔާޚިލާފަށް މީހުން ނުބައި ތަނެއް. މި ތަނެއް ރަގަޅެއްނުވާނެ.. ދެރަވަރު ދީ?
Hassan Kurusee@HKurusee

ސިޔާސީ ވަޒީފާތަކާއެކު އެޗްޑީސީގެ މަހު މުސާރައިގެ ހަރަދު 27 މިލިއަނުން 45 މިލިއަނަށް އަރައިފި adhadhu.com/article/79867

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Adhadhu
Adhadhu@AdhadhuMV·
މިހާރު އޮތީ ސަރުކާރުގެ މަޖިލީހެއް، ރައްޔިތުންގެ މަޖިލީހެއް ނޫން. އަދުލު އިންސާފުގެ އެންމެ މަތީ ހަރުފަތުގެ ލެޖިޓަމަސީއާ މެދު ސުވާލު އޮތީ އުފެދިފައި. މި ގެންނަ ބަދަލުތަކުގެ މިސްރާބަކީ އެއް މީހެއްގެ އަތަށް ބާރުތައް ޖަމާކުރުން - އައިމަން ރަޝީދު
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Husnu Al Suood
Husnu Al Suood@husnusuood·
ވޯޓު ކަރުދާހުގައި ފާހަގަ ޖަހަންޖެހޭގޮތް ދުރާލާ ބުނެނުދީ ރެފަރެންޑަމް ބާއްވައިފިނަމަ ރެފަރެންޑަމް ބާތިލުވާނެއެވެ.
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Husnu Al Suood
Husnu Al Suood@husnusuood·
އިލެކްޝަންސް ކޮމިޝަނުގެ މެންބަރުންނަށް! ރެފަރެންޑަމްގައި ފާހަގަ ޖަހަންވީ ގޮތް (ވޯޓު ބާތިލު ނުވާނެ ގޮތަށް) ކޮންމެ ރަށެއްގެ ކައުންސިލުގެ އިދާރާގެ ބޭރު ފާރުގައި އިއުލާނެއް ތަތްކޮށްގެން ބުނެދެއްވާށެވެ. މާލޭގެ މަގުތަކުގެ ފާރުގައި އިއުލާނު ތަތް ކޮށްދެއްވާށެވެ. އާންމު ރައްޔިތުންނަށް ހަދަންވާ ގޮތެއް ނޭނގިގެން އެތައްމިތަނުން ގުޅަނީއެވެ. ދުސްތޫރީ ޒިއްމާ އަދާކުރައްވާށެވެ. ނޫސްވެރިންގެ ވެސް ޒިއްމާއެއް އެބައޮތެވެ. ޕަބިކް ސާރވިސް މީޑިއާ އާ ބެހޭގޮތުން ރަނގަޅުވާނީ އެއްޗެއް ނުބުނިއްޔާއެވެ. @ElectionsMv @psmnewsmv @Dhaurunews @AdhadhuMV
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Ahmed Mohamed (AM)
Ahmed Mohamed (AM)@ahmedMDV·
Volume 2, Issue 1 of Maldives Economy Today is now released. This issue explores currency stability, tourism resilience, fiscal risks, institutional strength, and emerging policy challenges shaping the Maldives’ economic future.
MaldivesEconomy@maldiveseconomy

Volume 2, Issue 1 of Maldives Economy Today is now out. Six articles. One focus: strengthening the policies, institutions, and economic resilience of the #Maldives. maldiveseconomy.mv/blog/categorie…

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VagaBrain
VagaBrain@VagaBrain·
@NikkeiAsia Judgment Day for the Maldives. With the $500M Sukuk due in April, the island nation is fighting to avoid becoming the first sovereign to default on an Islamic bond. Reserves are up to $1.2B, but paying this 'bullet' will leave the economy extremely vulnerable.
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Nikkei Asia
Nikkei Asia@NikkeiAsia·
Sukuk payment of $500m due in April reveals Maldives' debt woes s.nikkei.com/4m369KE
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Innocent Bystander
Innocent Bystander@MVSupremacist·
@tedry When you say ‘riyaa’… still hits that nostalgia spot after all these years 🤭
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Dr. Lemma
Dr. Lemma@DoctorLemma·
In 2002, Quentin Tarantino, one of the most influential film directors in the world, walked into a secondhand clothing store in Tokyo, Japan. A track was playing over the speakers. He asked the man behind the counter if he could buy the CD right then and there. The man refused. Tarantino offered twice the retail price. The man eventually gave in. The band was The 5.6.7.8's. Two sisters, Yoshiko and Sachiko Fujiyama, had been playing raw 1960s-influenced garage rock in Tokyo since 1986. They had a small but devoted following. Almost nobody outside Japan had heard of them. Within a year they were performing in Kill Bill: Volume 1, one of the most talked about films of 2003, playing to millions of people in cinemas around the world. Their song Woo Hoo, a cover of a 1959 American track they had never considered particularly important, became one of the most recognised opening riffs of a generation. It hit the top thirty in the United Kingdom. It appeared in television commercials around the world. Their tours went from Tokyo to North America, Europe and Australia. Jack White of The White Stripes, who became a fan, helped release their back catalogue through his Third Man Records label in the United States. Interestingly, back home in Japan, almost nothing changed. Their profile there remained almost exactly the same. They are still together. Still playing.
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Pohthu™
Pohthu™@Pohthu·
މިދިޔަ ސަރުކާރުން ހިއްކާފައި އޮތް ތާކުން ދިން ގޯތިތަކުގައި ބައްދައިގެން ތެޅޭތާ 864 ދުވަސް. ހުޅުމާލޭ އިން ދިން ގޯތިތަކަށް ފެނާ ނަރުދަމާ ނޭޅި 864 ދުވަސް. ދައުލަތުން އެއްވެސް ހަރަދެއް ނުގޮސް 8 މަހުން 1153 ހެކްޓަރ ހިއްކާ ނިއްމަން 2023 ގައި ފެށި ރަސްމާލެ ނުހިއްކި 864 ދުވަސް (28.4 މަސް) ކޮންޓުރެކްޓް ކެންސަލް ފީ އެއްގޮތުގައި 21 މިލިއަން ޑޮލަރު ދައްކައިފި، 2025 އަދި 2026 ދައުލަތުގެ ބަޖެޓުގައި 950 މިލިއަން އެހާ ރުފިޔާ ހިމަނާފައި ވޭ، ނިމޭ އިރު އެއްކަލަ ދައުލަތުން ހަރަދު ނުކުރާ ރަސްމާލެ އަށް 1.2 ބިލިއަން ރުފިޔާ ހަރަދު ވާނެ ކަމަށް ލަފާ ކުރެވޭ. #Nufeney #DhoonyahNuvaane
Mariyam Shiuna@shiuna_m

މިދިޔަ ސަރުކާރުން ހެދިގޮތް ނުހަދާ އަޅުގަނޑު ގޯތި ދޭން ބޭނުންވަނީ ހިއްކާފަ އޮތް ތަނަކުން: ރައީސް

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Tori atheist
Tori atheist@ToriatheistTori·
Tori atheist tweet media
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Adhadhu
Adhadhu@AdhadhuMV·
The government sold a bond in 2024 which allowed a private entity to make an extraordinary profit, with double the usual profit rate, unusually short repayment period, and profit paid in USD instead of MVR as per other similar deals. Adhadhu reported the transaction in 2024, but Finance Ministry refused to disclose any further information citing investor confidentiality. However, documents leaked online finally confirm the details surrounding the $10m bond with 8% coupon rate (profit) and 1.5yr repayment period. At the time, claims circulated on social media that the bond was sold to Happy Market. The leaked documents now show the bond was sold to an Austrian company owned by Kathrin Latzka, the foreign shareholder of Angiri Resorts, which operates 3 resorts in the Maldives. The local shareholder of Angiri is ‘Happy Market’ owner Mohamed Naeem. The Finance Ministry has not responded to queries by Adhadhu.
Adhadhu tweet media
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AntiCorruptionMv
AntiCorruptionMv@mvcorruptiion·
ސިފަ ބަދަލުކޮށްގެން ހުއްޓަސް މީ އެއްކަލަ ބަނޑުކޮއްޓި ފަހުމީ ފާހިޝް ސަރުކާރުގެ ސްޓޭޓް މިނިސްޓަރެއް
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pookachu
pookachu@pookachu6·
Hello @axanner
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Just your average MAGA patriot
Just your average MAGA patriot@ScottBornAgain·
Brendan Fraser is not a pedophile. In the summer of 2003, Brendan Fraser walked into a luncheon at the Beverly Hills Hotel as one of Hollywood’s biggest stars, but walked out knowing his career was about to end. At that moment, he was at the absolute peak. The Mummy franchise had turned him into a global action hero. He was earning about $12.5 million per film, studios wanted him, audiences loved him. He had the kind of career most actors only dream about. That afternoon, as he left the Hollywood Foreign Press Association event, the organization’s president stopped him to shake his hand. The man reached around and groped him. His hand moved to places no one should touch without consent and Fraser froze. He felt like a child, like someone had thrown invisible paint on him that only he could see. He rushed home and told his wife, but he was terrified to tell anyone else. This was 2003. Men who spoke up about sexual assault weren’t believed. They were mocked, dismissed, and destroyed so Fraser stayed silent. But silence didn’t protect him. His phone stopped ringing, the Golden Globe invitations dried up, projects disappeared, hollywood insiders whispered and some said he’d gotten lazy. Others said he’d lost his looks. No one said what Fraser believed was true, that he’d been blacklisted for quietly reporting what happened. The HFPA investigated and they concluded that their president had inappropriately touched Fraser, but it was meant as a joke. They asked Fraser to sign a joint statement saying it was all a misunderstanding. Fraser refused because it wasn’t a joke and he wasn’t going to lie about it.
Just your average MAGA patriot tweet media
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