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The Base

@thebasecreates

We create and explore dramatic work.

London, England Katılım Ekim 2023
955 Takip Edilen2.7K Takipçiler
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The Base
The Base@thebasecreates·
Innate nobility. Project 39 continues with The Jailor’s Daughter from The Two Noble Kinsmen - Act 2, Scene 4. The Jailor’s Daughter has fallen madly in love with the prisoner Palamon, which leads to her helping him break out of jail. She seems to be attracted to Palamon because of his essential nobility which sets him apart from the other prisoners. In all his plays Shakespeare portrays ‘high-born’ characters as having recognisable and innate traits. Even when they are disguised or ignorant of their heritage, their nobility shines through. Today this is an unfashionable idea. But after years of study historian Hugh Trevor-Roper concluded: “Shakespeare could see and feel the sufferings of the poor… [but] in his outlook Shakespeare was an unquestioning aristocrat. To him the established order is a mystical harmony.” The Jailor’s Daughter is played by Naomi Preston-Low.
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The Base
The Base@thebasecreates·
Director of Photography - Mike Simpson Directed by Oliver Bennett and Morgan Watkins Produced by Oliver Bennett, Carolina Toczycka and Morgan Watkins Editor - James Hedley Social Media Strategy - Bonnie Poynder
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The Base
The Base@thebasecreates·
Innate nobility. Project 39 continues with The Jailor’s Daughter from The Two Noble Kinsmen - Act 2, Scene 4. The Jailor’s Daughter has fallen madly in love with the prisoner Palamon, which leads to her helping him break out of jail. She seems to be attracted to Palamon because of his essential nobility which sets him apart from the other prisoners. In all his plays Shakespeare portrays ‘high-born’ characters as having recognisable and innate traits. Even when they are disguised or ignorant of their heritage, their nobility shines through. Today this is an unfashionable idea. But after years of study historian Hugh Trevor-Roper concluded: “Shakespeare could see and feel the sufferings of the poor… [but] in his outlook Shakespeare was an unquestioning aristocrat. To him the established order is a mystical harmony.” The Jailor’s Daughter is played by Naomi Preston-Low.
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The Base retweetledi
Papa Baer Poetry For Men - PB 😎
For Those Who Believe I can only appreciate Short poetry... 😎✍️
The Ways of A Gentleman@Gentleman_Ways

Character of the Happy Warrior by William Wordsworh   Who is the happy Warrior? Who is he That every man in arms should wish to be? —It is the generous Spirit, who, when brought Among the tasks of real life, hath wrought Upon the plan that pleased his boyish thought: Whose high endeavours are an inward light That makes the path before him always bright; Who, with a natural instinct to discern What knowledge can perform, is diligent to learn; Abides by this resolve, and stops not there, But makes his moral being his prime care; Who, doomed to go in company with Pain, And Fear, and Bloodshed, miserable train! Turns his necessity to glorious gain; In face of these doth exercise a power Which is our human nature's highest dower: Controls them and subdues, transmutes, bereaves Of their bad influence, and their good receives: By objects, which might force the soul to abate Her feeling, rendered more compassionate; Is placable—because occasions rise So often that demand such sacrifice; More skilful in self-knowledge, even more pure, As tempted more; more able to endure, As more exposed to suffering and distress; Thence, also, more alive to tenderness. —'Tis he whose law is reason; who depends Upon that law as on the best of friends; Whence, in a state where men are tempted still To evil for a guard against worse ill, And what in quality or act is best Doth seldom on a right foundation rest, He labours good on good to fix, and owes To virtue every triumph that he knows: —Who, if he rise to station of command, Rises by open means; and there will stand On honourable terms, or else retire, And in himself possess his own desire; Who comprehends his trust, and to the same Keeps faithful with a singleness of aim; And therefore does not stoop, nor lie in wait For wealth, or honours, or for worldly state; Whom they must follow; on whose head must fall, Like showers of manna, if they come at all: Whose powers shed round him in the common strife, Or mild concerns of ordinary life, A constant influence, a peculiar grace; But who, if he be called upon to face Some awful moment to which Heaven has joined Great issues, good or bad for human kind, Is happy as a Lover; and attired With sudden brightness, like a Man inspired; And, through the heat of conflict, keeps the law In calmness made, and sees what he foresaw; Or if an unexpected call succeed, Come when it will, is equal to the need: —He who, though thus endued as with a sense And faculty for storm and turbulence, Is yet a Soul whose master-bias leans To homefelt pleasures and to gentle scenes; Sweet images! which, wheresoe'er he be, Are at his heart; and such fidelity It is his darling passion to approve; More brave for this, that he hath much to love:— 'Tis, finally, the Man, who, lifted high, Conspicuous object in a Nation's eye, Or left unthought-of in obscurity,— Who, with a toward or untoward lot, Prosperous or adverse, to his wish or not— Plays, in the many games of life, that one Where what he most doth value must be won: Whom neither shape or danger can dismay, Nor thought of tender happiness betray; Who, not content that former worth stand fast, Looks forward, persevering to the last, From well to better, daily self-surpast: Who, whether praise of him must walk the earth For ever, and to noble deeds give birth, Or he must fall, to sleep without his fame, And leave a dead unprofitable name— Finds comfort in himself and in his cause; And, while the mortal mist is gathering, draws His breath in confidence of Heaven's applause: This is the happy Warrior; this is he That every man in arms should wish to be.

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The Base
The Base@thebasecreates·
“A triumph of civilisation” (W. H. Auden) Project 39 continues with Rosalind from As You Like It - Act 3, Scene 2. Rosalind is pretending to be a boy to protect herself in the forest. She meets Orlando, who she knows is in love with her and schools him on how to woo. W. H. Auden called Rosalind “a triumph of civilization” and critic Harold Bloom said that if she “cannot please us, then no one in Shakespeare or elsewhere in literature ever will.” She dominates the play, manipulating events and manoeuvring other characters, with her lines making up 25% of the whole text. This makes her even more dominant than Cleopatra (19% of Anthony and Cleopatra) or Juliet (18% of Romeo and Juliet). Hamlet is the most dominant character in any Shakespeare play, with his lines making up around 32% of his play. Rosalind is played by Naomi Frederick
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The Base
The Base@thebasecreates·
Director of Photography - Mike Simpson Directed by Oliver Bennett and Morgan Watkins Produced by Oliver Bennett, Carolina Toczycka and Morgan Watkins Editor - James Hedley Social Media Strategy - Bonnie Poynder
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The Base retweetledi
Old Sovereign Publishing
You can moan about Nolan's Odyssey, or you an support The Great Panathenaea Culturally we need new writers and new actors to drive new and old stories alike. This is a first step in the right direction A $2500 prize and your work performed on the London stage
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Johannes A. Niederhauser
Johannes A. Niederhauser@JohannesAchill·
It’s divine justice that Nolan used the money he made with a movie that justified the nuclear bomb to produce the biggest flop ever that will end his career and take Hollywood down with it. Zeus is truly infinitely wise and just.
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Elon Musk
Elon Musk@elonmusk·
@ericmetaxas Chris Nolan has shown total contempt for the Greek people
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The Base
The Base@thebasecreates·
@MKY_Studio Well done the gang 💪🏻💪🏻💪🏻 🏆 🏆 🏆
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The Base
The Base@thebasecreates·
The gods fail Joan of Arc. We continue Project 39 with Henry VI, Part I. The tide turns against the French in the Battle of Orleans. A desperate Joan of Arc tries to summon ‘familiar spirits’ to assist her. Joan of Arc is played by Zannie Benfield.
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The Base
The Base@thebasecreates·
Such beautiful language…
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The Base
The Base@thebasecreates·
Thank you to everyone following along with Project 39. We truly appreciate your support/sharing/comments etc. You are helping us grow this cultural movement and we couldn’t do it without you. #Project39 #Shakespeare
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The Base
The Base@thebasecreates·
Should scholarship be sexless? Or can love teach more than books? Project 39 continues with Berowne from Love’s Labour’s Lost - Act 4, Scene 3. A group of young men vow to give up chasing women and focus on study. But Berowne here tries to persuade his friends that love teaches more than books. Berowne uses many rhetorical devices in this speech. After all, he is a Classics scholar and is trying to be as persuasive as possible. Most notably he uses isocolon; the repetition of clauses of similar length and structure. Technically this section is a tetracolon as there are four repetitions: For wisdom’s sake, a word that all men love, Or for love’s sake, a word that loves all men, Or for men’s sake, the authors of these women, Or women’s sake, by whom we men are men. Shakespeare’s early writing is often glitteringly formal in this way, like a verbal dance. In his later writing, his language becomes more complex, denser, darker. Berowne is played by Jordan Rhys.
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The Base retweetledi
Muse
Muse@xmuse_·
Art Deco on rails ❤️ Duchess of Hamilton, the crimson queen of the Coronation Class. 1930s British brilliance.
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The Base
The Base@thebasecreates·
@SafirBlueHawk Bianca, such incredible words. We’ve passed them onto Jordan, thanks for following along.
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Bianca Keeley
Bianca Keeley@SafirBlueHawk·
This is another brilliant performance of one of the Bard's creations. How can one tell a performance is better than another? Some may think it is about the stirring of emotions, but I think that is valid about method acting. Instead, paradoxically, a brilliant performance lets you focus on the text to tell you the story; it allows you to see the man himself, authentic, but with his story rewritten. The emotions thus stirred in the audience remain secondary to the experience of the play; they are authentic as well, because the actor makes the audience more likely to become participants rather than just spectators. Jordan Rhys almost makes you want to answer Berowne—that's when you know you truly are in an Elizabethan play. You do not have to tell yourself, "This is so convincing," just like in life you do not tell yourself, "This is so convincing," when you are actually convinced.
The Base@thebasecreates

Should scholarship be sexless? Or can love teach more than books? Project 39 continues with Berowne from Love’s Labour’s Lost - Act 4, Scene 3. A group of young men vow to give up chasing women and focus on study. But Berowne here tries to persuade his friends that love teaches more than books. Berowne uses many rhetorical devices in this speech. After all, he is a Classics scholar and is trying to be as persuasive as possible. Most notably he uses isocolon; the repetition of clauses of similar length and structure. Technically this section is a tetracolon as there are four repetitions: For wisdom’s sake, a word that all men love, Or for love’s sake, a word that loves all men, Or for men’s sake, the authors of these women, Or women’s sake, by whom we men are men. Shakespeare’s early writing is often glitteringly formal in this way, like a verbal dance. In his later writing, his language becomes more complex, denser, darker. Berowne is played by Jordan Rhys.

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