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【拡散希望｜梅澤美波 卒業コンサート 配布企画】
みなみんの卒業を記念して、当日東京ドームにて自作ポストカードを配布します！
多くのファンの方に届くよう、RTや拡散のご協力をお願いします 💙
詳細については、以下の投稿文字列をご覧ください。
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日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹
3.6K posts
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹
@tokuchiwithnick
NICK-Tokuchi goro（渡久地吾郎） / Taiwaness/loveliver/Suwa Nanaka fan/Nogizaka46 fan/Hsinchu lioneer basketball team fans/UNI-LION fan/Write Blog，Write the moment.
德意志聯邦事務委員會-台灣(TAIWAN)支部局 Katılım Aralık 2018
1.2K Takip Edilen118 Takipçiler
@tokuchiwithnick Got it, I’ve noted the plan to meet on the third day.
Please let me know once you arrive at the venue.
I’ll do my best to meet you before the doors open.
English
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
【譲渡】乃木坂46 生写真/缶バッジ
2期〜5期等
●生写真：100円/組
●缶バッジ：100円/個
大切にして頂ける方にお譲りします。
会場直近の混雑を避けるため、場所や日時の詳細はDMにてご相談させてください。よろしくお願いいたします。
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
#梅澤美波 ちゃんの卒業を記念して乃木坂駅にポスターを掲出させていただきました♡美波ちゃんへの感謝と想いが伝わりますように🪽🩵 乃木坂駅にお立ち寄りの方が居ましたらぜひご覧ください₍ ᐢ. ̫ .ᐢ ₎♡
梅澤美波ちゃん卒業記念企画@graduation373
. ᕬ ᕬ + ♡ ( ᴗ ̫ ᴗ )♡ + ┏━━♡━ U U━♡━━┓ ♡卒業記念広告掲出のお知らせ♡ ┗━━♡━━━━♡━━┛ #梅澤美波 ちゃんの乃木坂46卒業を記念してポスターを掲出させていただきます💙🩵 🗓5/18〜5/24 📍東京メトロ 乃木坂駅
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
- ̗̀📢バスラで自作グッズ配布します‼️
①桜橋ステッカー
②アルノ生誕ポスターステッカー
③うるみんクリアカード(予約可)
3日間配布します。
場所、時間は当日に都度ポストします。
詳しくは画像、ALTをご覧ください。
※こちらのポスト時点でのフォロワー様限定です。
よろしくお願いします
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
【#拡散希望】#14thYEARBIRTHDAYLIVE 🎂
集合写真企画についてのお知らせ
場所:25ゲートのモニター付近
うるみんず（@1005_urumin ）さんとのコラボ企画❗️
17:20 #森平麗心✖#愛宕心響 推し集合写真📸
17:30 愛宕心響ちゃん推し集合写真📸
飛び入り参加も初めての方も大歓迎！
リプやDM待ってます
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
“Taiwan won’t matter in 18 months” is what happens when software people mistake civilization for a SaaS product.
It's one of the most clueless takes I've heard on this platform in months and that's saying something.
Yes, America has semiconductor fabs. Mostly old ones. Really old.
Taiwan has the fabs that matter:
The ones that make every single chip for NVIDIA and Apple and every damn Android and iPhone on Earth and even most of the 1500 or so chips that go in your truck or car.
Without TSMC these companies simply do not exist. Not kind of struggling. I mean "wiped off the freaking face of the Earth and unable to produce a single product" level gone.
As in "worth zero instantly."
Taiwan has:
- Multiple leading-edge giga-fabs
- The *overwhelming* majority of advanced AI chip production
- Dominant advanced packaging capacity
- Dense supplier clustering
- Decades of accumulated yield/process knowledge and the most skilled workforce on Earth to run it all
The US still barely has frontier-scale advanced packaging online. Much of it is literally still under construction and won’t ramp until years from now.
Momos hear “we’re only 1–2 nanometers away” and think semiconductors are just transistor geometry.
No freaking way. Sheer idiocy. The real moat is:
- Yields
- Packaging
- HBM integration
- Substrates
- Tooling
- Tacit manufacturing expertise
- Workforce density
- Supply chain coordination
TSMC is not “a fab.” It is one of the most sophisticated industrial ecosystems ever created by humanity.
And no, a tiny Neuralink surgery robot does not mean America can magically reproduce decades of semiconductor manufacturing concentration in 18 months.
Reality is not a podcast episode.
Taiwan remains strategically critical for years, likely a decade+.
This is like saying:
“We’re 18 months away from replacing the global oil system because we built a nice electric bike.”
The All-In Podcast@theallinpod
Chamath: Taiwan Loses Its Strategic Importance in 18 Months @chamath: “ We're 18 months from Taiwan not being an important moment of conversation the way it is today. Why 18 months? Because we are at a point where we're probably 1-2 nanometers away from being able to do what we need Taiwan to strategically do for us. And so as we scale up our chip fabs, as we get more capacity, and interestingly, there are these orthogonal technologies being developed. I don't know if you guys saw, but Neuralink was showcasing a machine that is literally operating at the almost nanometer scale to do the brain operations for the implantation, all automatically. When you have the dexterity and the capability mechanically to make these things, the real reason then is a very different one than what it is today. Today, it's economic. And if you take that off the table, I think we'll have a very different attitude to Taiwan.”
English
Because foreign fans are still not enough of a market to be profitable. Japan is very capitalist and it would not make a profit to sell outside of Japan, and even less so because of the weak yen
きし ୨୧ kishi ໒꒱.*@chinuhodo
Japan artists post these all the time but fail to understand that their entertainment industry inherently hates foreigners. From region locking music digitally to needing a Japanese address and phone number to buy concert tickets… it gets exhausting, honestly.
English
Is it because we don't buy enough? Don't listen enough? Don't subscribe enough? Is that really what you think, Japanese???
How could you possibly know that international fans aren't buying enough when we literally have to use shipping proxies just to send items to a warehouse inside Japan—simply because you don't even offer worldwide shipping? Or sometimes, we even have to pay people living in Japan to buy things for us because our foreign credit cards get rejected. So, how on earth are you collecting data to claim that we aren't doing enough?
Sometimes, sending an artist abroad is an investment and a risk that the agency just has to take. When you haven't done any marketing or promotion for your artists overseas whatsoever, what kind of results are you expecting? Are you hoping their songs will magically market themselves without the company doing a single thing? That their online shows will just go viral on their own?
Excuse me?? but we are still being region-locked out of accessing those media outlets most of the time. We can barely buy concert tickets to see them in Japan because we don't have a Japanese phone number or address. Even buying a CD—which shouldn't be hard because the people buying them are the ones who genuinely care about the artist's music—can still result in our credit cards being rejected just because they are from overseas.
So, how can you expect an artist to become popular enough abroad to justify the investment of sending them there? You aren't lacking anything, Japanese. Your artists are incredible, they always work so hard. What is truly lacking is the vision of the people working behind the scenes. This habit of being afraid of everything before even trying is a mindset that will never let you move forward. Making cautious decisions is a good thing, but that should only happen after you have fully done your duty as their agency first.
NANO-ナノ-OFFICIAL@nanonano_me
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO
English
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
🤍生誕ポスターお知らせ🩵
鈴木佑捺さんの誕生日をお祝いしてポスターを掲出しております！
◆掲出場所：東京メトロ乃木坂駅
◆掲出期間：5/18(月)～5/24(日)
近くにお越しの際はぜひご覧ください。
※駅係員へのお問い合わせはご遠慮ください
#乃木坂46
#鈴木佑捺生誕祭
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
【集合写真リスト更新しました】
お友達同士は勿論「一人参戦で同じ推しの方と話してみたい」という方も大歓迎！各団体の方が温かく受け入れてくれます☺️
同じ推しという共通点で意外と自然に話せたり笑。「○○推しですか？」の一言から新しい繋がりができるかも。写真だけ参加も🙆ぜひお気軽に！
まもる@mamo_nogiaka
【集合写真企画まとめ📸】 14thバスラ期間中に実施予定の集合写真を纏めてみました！ 「どこでやってるの？」 「初参加で少し不安…」 そんな方の助けになれば嬉しいです 新しい繋がりや仲間が増える機会になります様に。 ※最新情報は各主催者様Xをご確認下さい ※訂正等ありましたらお知らせ下さい
日本語
こちらのアクキー未だに発送準備中でやはり間に合わなさそうなので、ステッカー配布に切り替えます🙇🏻♀️
ご連絡頂いた方申し訳ありません😭
横アリかリアミか、、次の現場でアクキーはお配りします🥲
きなこ@55_kinaco
リアミに間に合わなかったアクキーたちが届いてた サイズ感小さくて可愛い🫶🏻 バスラで配るのでお会いできる方いたらもらってください〜
日本語
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
明後日から #14thYEARBIRTHDAYLIVE で4期生推し集合写真・6期生推し集合写真・鈴木佑捺さん推し集合写真を開催します！
暑い中とはなりますが皆さん奮ってご参加ください！
#乃木坂4期生 #乃木坂6期生 #鈴木佑捺 #乃木坂46 #拡散希望
🇯🇵松助🚩@Matsusuke5th
来週開催予定の4期生推し集合写真・6期生推し集合写真・鈴木佑捺さん推し集合写真の開催時間が決定しました！ 飛び入り参加大歓迎ですのでお誘い合わせの上ご参加ください！ #乃木坂4期生 #乃木坂6期生 #鈴木佑捺 #乃木坂46 #14thYEARBIRTHDAYLIVE #拡散希望
日本語
@minamiseitan21 Taiwanese fans will be taking photos at Nogizaka Station on Wednesday, and then i plan to distribute Minami Umezawa's graduation support postcards on Thursday. If you'd like, I can keep a copy for you.
English
渡久地吾郎🇹🇼🇯🇵🇩🇪🇦🇷🇮🇹 retweetledi
[駅ポスター掲出のお知らせ]
本日より、梅澤美波さん卒業記念として乃木坂駅にポスターを掲出させていただきます。
これまでの道のりに想いを馳せながら、少しでも梅澤美波さんへ感謝が届けたいという願いを込めて作成しました。
お立ち寄りの際は、是非ご覧ください。
掲出期間:5月18日〜5月24日
日本語