🐇 @usapyons.bsky.app ☆ミ

[𝗥𝗘𝗟𝗘𝗔𝗦𝗘 𝗗-𝟮] 𝗫𝗟𝗢𝗩 𝘅 𝗘𝗚𝗢𝗭𝗚𝗢 𝗢𝗳𝗳𝗶𝗰𝗶𝗮𝗹 𝗠𝗲𝗿𝗰𝗵𝗮𝗻𝗱𝗶𝘀𝗲 🗓️ 2026.05.22 (FRI) 15:00 (KST) 📍 Exclusive on KREAM (KR) KREAM App (Global) global.kream.co.kr #XLOV #EgoZgo #이고지고 #우무티 #루이 #현 #하루

[🎥] 5️⃣2️⃣0️⃣ 💓電波💓 🔗 vt.tiktok.com/ZSxrb9ev8/ #XLOV #엑스러브 #RUI #루이

@zipangu_cn but thank you for bringing my top artists to the States

2026.05.16 "Zipangu" JAPANESE MUSIC EVENT 2026 Our very first performance in LA! Thank you for all the love. Hope we can see you again very soon! @zipangu_cn "ZIPANGU" JAPANESE MUSIC EVENT 2026 Playlist hana-brave.lnk.to/uXetzu #HANA

Framed to capture it all

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

Never forgetting this @HANA__BRAVE performance ⭐ Such an honor to host their first ever US live show!

The official Innocent and Innocent Rouge collection 【Marie】 has finally begun. Marie’s courage. Charles’s innocence. The day you can “wear” them is coming soon!🌹🌹🌹

❤️ ❤️ ❤️ ❤️ #엑스러브 #XLOV #WUMUTI #우무티

Inspired by this tweet and Wumuti’s dip photo, POCVOLS have come together to give EVOLs a thread about the history of Ballroom Culture and how to correctly use the terms! ⬇️

Our sincere apologies for our lack of communication after all this time. Here are our statement regardings Umineko When They Cry Saku and our future plans. Also, please give a warm welcome to our new members, @jayolite (main translator) and Flo Perfecto (editor)!

“We’re facing the largest supply shortage of lubricating fluids in the modern history of America. Realistic, middle-of-the-road estimates are for our average available supply in this product category to drop by 40%.” Internal AutoZone Memo

@mako0107_723 @userxlov やばすぎかも

XLOV ルイ 衣装 安定に袖を引きちぎられてるし これをクァンルイさん着てるんですか…？ えー動揺🫨

The amount of ppl i know who see cons as nothing but shopping is crazy to me. panels, gameshows, meet ups use to be so big. its evident that it feels less for otaku now than ever before, especially with cons banning things like doujinshi to cater to control freaks

I do think the future is smaller events, local events, and fandom focused events. Everyone who attended ffxiv fanfest understands how fun an event for one fandom can be. And I do think there's a lot of people for whom this sort of community cannot be found at large cons anymore

as far as i can tell anime cons have not done anything different except maybe increase AA prices to the point where the niche cannot survive in artist alley. The rest is just demographic forces imo (anime became explosively popular w a mainstream audience after covid)

been thinking mildly abt how anime cons used to be for all sorts of niche anime-adjacent interests but in recent years have become spaces where the niche and obscure cannot survive. Cons aren't a place for fandoms anymore. I think that's what a lot of complaints are identifying

【INFORMATION】 Merchandise for 'CLOUD NINE presents “Zipangu” JAPANESE MUSIC EVENT 2026' has been revealed! Ado merch will be available at the festival merch tent as soon as doors for Zipangu open at 3:30pm. 【お知らせ】 「CLOUD NINE presents “Zipangu” JAPANESE MUSIC EVENT 2026」の当日会場販売グッズを公開！ Click here for more details (詳細はコチラ)👀 👉…o-dokidokihimitsukichi-daigakuimo.com/articles/news/… #ドキドキ秘密基地

Maybe I'll go say hi to Doki lol