Efua Dadzie

Good afternoon to Dr Saggar, and Dr Saggar only!

We are hiring for this exciting new role of Curatorial Assistant Humanities (Provenance Researcher African Collections)@McrMuseum . Come and work with me; jobs.manchester.ac.uk/Job/JobDetail?…

@BlessinAbundant Hello! Thank you for the message. I'll be in touch!

@wawaaba_ I have been coming across your name and works for a long time. I'm happy you are in Nigeria 🇳🇬 right now. I would like to engage you and share my family heritage with you between 1830 - 1860. I'm from Abeokuta and a Descendant of Bashorun Adekanbi Shomoye of Egbaland (Abeokuta)

Currently in Nigeria working on #phd research. Academic twitter (or academic X ??), what are two things you wish you had known before/while on field research?

@induswaliarch 🤣

@Jake_S_Richards @jaj204 @JackDAshby @S_DouglasCamp @peggybrunache @isacharmant @EdwinRose3 @eleanor_stevo @CUHerb @HabdaRashid @sandraderycker Amazing news!

@BibliophileVic I hope you enjoyed it! It was a very cold but sunny morning in Rome when we recorded it. You have reminded me to have this on our to-watch list for Christmas!

UPDATE: One of my insightful followers @azzah1 pointed out that the photograph I shared earlier this week drew inspiration from Francis Davis Millet's 1883 painting "Reading the Story of Oenone." Millet sold the painting to the then brand new @DIADetroit in 1883, making it their inaugural acquisition. Six years later, photographer Frank N. Tomlinson took this photo in Detroit, most likely after seeing Millet's painting in person. It portrays four African-American women replicating the dress and poses in Millet's painting. In the all-black reprisal, however, the central figure makes eye contact with the viewer.

Still not sure how I ended up in publishing but what a journey it’s been! Delighted to be launching @OtherStoriesHQ and I’m grateful to all the beautiful souls who have supported me along the way. Looking forward to championing our stories and breaking all the rules…

One of the things that keep me happy. 😊 #reading #wasafiri Thanks @wawaaba_

@LiTemienor Enjoy 🎊

The exhibition Black Atlantic: Power, People, Resistance is now open, and the catalogue features contributions from ESBAA founding members @wawaaba_ and @peggybrunache 👇🏿

#TheMuseumsLab Fellows Almost three months have passed since this group of museum professionals, cultural practitioners and researchers came together in Berlin. Next week there will be a reunion for Module 3 in Nairobi, where new encounters are awaiting them.

@amma_aboagye Amma 🥰 thank you!

@wawaaba_ @FitzMuseum_UK This is amazing! Yes!!

I'm proud to carry our Akan visual culture everywhere I go! ‘Black Atlantic: Power, People, Resistance’. 8 Sept 2023 –7 Jan 2024 at @FitzMuseum_UK. For more, here is the exhibition catalogue, with Ch. 1 on Akan goldweights: curatingcambridge.co.uk/products/black…

Excited to have ’Flower Boy’ at the @thearmoryshow 2023 featured in the @nytimes presented by @MaruaniMercier #thearmoryshow #maruanimercier #artistkwesibotchway