William Duryea
10.3K posts


@whduryea There are Ohios everywhere for those with eyes to see
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@bizzrmiscreant I used to talk for way longer during MLC. It's your show. Make the motherfuckers listen.
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Be honest, do i yap for too long during commentary time at #GodpussyPoetry?
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@emily_sipiora @asdkfjasdlfjd Read this exchange and immediately thought of the scene in Mother where the mob tears the baby apart.
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@bradkelly Mid is generous, honestly. It's too blunt and dull to be an incisive genre satire, and too vacant and silly to be an effective character study. I think it's supposed to be a "banality of evil" movie, but even its banality isn't plausible.
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@lynchpoet @johnnyh0llywood Yeah, apparently it uses the data from a random music CD to generate your starting monster or something like that. Extremely Rudy Johnson coded mechanic, tbh.
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@johnnyh0llywood holy fuck-what. that's completely unintelligible from the back of the box/premise lol
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@rmnaunknwn I know what you're talking about, but I can't think of a specific literary term. I guess "misdirection" or "obfuscation" would be the more generic term.
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@whduryea because some idiot wrote this list and defined it with their own taste
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32.
LOTR is three books, come on. and the one Ayn Rand book I’ve actually read isn’t on the list.
Lee Hall@lhallwriter
How many have you read? Me: 7...
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Even ignoring the insane suggestion that drabness is more realistic, the idea that dreamlike color diminishes a movie's emotional stakes may be one of the most profound misunderstandings of film history ever.




DiscussingFilm@DiscussingFilm
Jon M. Chu responds to criticism of certain scenes looking too desaturated in ‘WICKED’: “There’s colour all over it. I think what we wanted to do was immerse people into Oz, to make it a real place. Because if it was a fake place, if it was a dream in someone's mind, then the real relationships and the stakes that these two girls are going through wouldn't feel real” (Source: theglobeandmail.com/arts/film/arti…)
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