ミーくん

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ミーくん

ミーくん

@xfhmw

🇯🇵🇮🇩

Osaka-fu, Japan Katılım Aralık 2010
976 Takip Edilen1.6K Takipçiler
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ミーくん
ミーくん@xfhmw·
[HELP RT]🙏🏻 Halo, saya mahasiswa Sastra Jepang yang sedang menyusun skripsi tentang budaya fandom JKT48. Saya sedang mencari fans JKT48 yg bersedia menjadi narasumber penelitian. Jika berkenan, mohon mengisi formulir berikut: 🔗 forms.gle/bhoY2UzBfnNVQB… Terima kasih! 🙏 #JKT48
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ミーくん
ミーくん@xfhmw·
ternyata nyari narsum buat skripsi agak pr juga ya😅
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Y@llxxonk·
Tidak perlu terburu-buru, setiap tangga harus dinaiki satu per satu.
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Vic~
Vic~@viiccc90·
Top 2🥈| "Benang Sari, Putik, dan Kupu-Kupu Malam (New Era Version)" (Oshibe to Meshibe to Yoru no Chouchou) Marsha🤍 • Freya • Oline • Delynn • Auwia #RequestHourJKT48 #JKT48RequestHour2026
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48RH
48RH@48RequestHour·
"Idol no Yoake" wins JKT48's Request Hour Best 40!! The song will receive a Music Video in the near future!
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Dosen Kesayanganmu
Dosen Kesayanganmu@direktoridosen·
TERIMAKASIH BEM UI, DAN SEMUA MAHASISWA YANG TURUN AKSI HARI INI KALIAN HEBAT.
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nu.
nu.@byeoridwaeeo·
carmen jkt48 poster konser mengarungi samudra nusantara, mengetuk pintu hatimu
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agaxx
agaxx@agawstr·
sarapan di PAGI hari
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Nur Intan@N_IntanJKT48·
udah bobo blm
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Y@llxxonk·
Yang bikin setlist Itadaki Love ini genius parah sih😭👏 Serius, rasanya pengen nonton tiap minggu!
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agaxx
agaxx@agawstr·
keluar kamar kos kaget dikit, ini siapa yang iseng banget ngotak ngatik rak sepatuku 😭😭😭
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agaxx
agaxx@agawstr·
smgt tan <3 (ノ≧▽≦)ノ
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Y@llxxonk·
NT 💔😞
Y@llxxonk

@officialJKT48 @moshi2jkt48 Dear JKT48 Management, I would like to share a suggestion regarding the current Hi-Bye system at the theater. While it is true that some fans do not always follow proper etiquette, I believe that part of the problem comes from the structure of the current Hi-Bye system itself. Depending on where a fan is seated, some people may finish an entire show without having any opportunity to greet or thank their oshimen even once. For example, if someone gets a seat such as G-1 or J-1, there is a high chance that they will have to leave the theater before having any opportunity to greet or thank their oshimen. As a result, some fans may become desperate to get noticed by their favorite member, which can unintentionally create situations that disturb other fans’ conversations with members. I would like to suggest a system similar to what many other 48 Group theaters use, where every audience member has an equal opportunity to greet all members. Proposed Flow ①Just before the Hi-Bye session begins, everyone seated in Row A moves toward the right side. For example, the person in seat A-1 moves to the area in front of seat A-21. The person originally seated at A-21 moves to the end of the line at the right-side aisle (near J-23). ②Row B then starts the Hi-Bye line. The person in B-23 goes first and lines up behind the person from A-21. All audience members in Row B pass in front of Row A seats and greet the members. ③Rows C and beyond follow the same process. The person with the highest seat number in each row becomes the first person in line. Everyone proceeds through the same route in front of Row A. I believe this simple adjustment could significantly improve the theater experience and overall customer satisfaction. It would make the value of seats such as J-1 and J-23 much more equal, and fans seated farther from the stage would still have a meaningful opportunity to greet the members before leaving. As a result, more attendees would leave the theater feeling satisfied and appreciated.

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Y@llxxonk·
@officialJKT48 @moshi2jkt48 Dear JKT48 Management, I would like to share a suggestion regarding the current Hi-Bye system at the theater. While it is true that some fans do not always follow proper etiquette, I believe that part of the problem comes from the structure of the current Hi-Bye system itself. Depending on where a fan is seated, some people may finish an entire show without having any opportunity to greet or thank their oshimen even once. For example, if someone gets a seat such as G-1 or J-1, there is a high chance that they will have to leave the theater before having any opportunity to greet or thank their oshimen. As a result, some fans may become desperate to get noticed by their favorite member, which can unintentionally create situations that disturb other fans’ conversations with members. I would like to suggest a system similar to what many other 48 Group theaters use, where every audience member has an equal opportunity to greet all members. Proposed Flow ①Just before the Hi-Bye session begins, everyone seated in Row A moves toward the right side. For example, the person in seat A-1 moves to the area in front of seat A-21. The person originally seated at A-21 moves to the end of the line at the right-side aisle (near J-23). ②Row B then starts the Hi-Bye line. The person in B-23 goes first and lines up behind the person from A-21. All audience members in Row B pass in front of Row A seats and greet the members. ③Rows C and beyond follow the same process. The person with the highest seat number in each row becomes the first person in line. Everyone proceeds through the same route in front of Row A. I believe this simple adjustment could significantly improve the theater experience and overall customer satisfaction. It would make the value of seats such as J-1 and J-23 much more equal, and fans seated farther from the stage would still have a meaningful opportunity to greet the members before leaving. As a result, more attendees would leave the theater feeling satisfied and appreciated.
Nugo@nugroho_sz

HEH KAMPUNGGG buat lu orang pada ya, Kalo belum sesi Hibye tuhh jangan teriak ke member yang lagi ngobrol sama fans disesi Hibye nya monyet bgt udah tau membernya ada yg gampang ke distrack dll hargain lah waktu buat gua ngobrol ituu, GUE JUGA MAU NGOBROL KALI!!! Please Respect

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ミーくん
ミーくん@xfhmw·
guys aku ulang tahun tapi ga ada balonnya😀
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