
Alphasugar
987 posts


@elphiespetal @badeboom I figured that-i was asking the question from a ironic point of view- but Thanks for the explanation also 😊
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@alphasugar @badeboom It's to ground her, so she feels she's still there.
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Kann mir jemand diese Szene erklären?
Film Updates@FilmUpdates
Steven Spielberg’s ‘DISCLOSURE DAY’ drew a notably mature audience, with 60% of moviegoers aged 35 and older. The film had a global debut of $92.9 million.
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DISCLOSURE DAY ($93M) shatters industry’s $65M projection and gives Spielberg his best global debut since 2008’s INDIANA JONES.
1️⃣America — $44M
2️⃣UK/Ireland — $7.6M
3️⃣Mexico — $4M
4️⃣China — $3M
5️⃣France — $3M
6️⃣Australia — $2.9M
7️⃣Brazil — $2.7M
8️⃣Spain — $2.7M
9️⃣Italy — $2.2M
🔟Germany — $2M


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Had a lot to say about Disclosure Day, and unfortunately most of it was mid to negative. For all its spectacle and well directed set pieces, the flaws were too glaring and too frequent to come away from this positively. Review out for @nerdbotmedia check it out at Nerdbot .com

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Hoy veo #DisclosureDay en IMAX, una de las película más esperadas del año porque es, el regreso de Steven Spilberg casi 5 años después. Uno de los mejores directores de la historia del cine.
¿Sin hacer spoilers, que os ha parecido la película a los que la habéis podido ver ya? 🧐

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or its just not that good
nathan@nathanrobii
disclosure day has joined the misunderstood masterpieces club
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Ah yes, the magical glowsticks were referred to as "The Device".
It was never explained what they were, where they came from, how they worked or why one of them turned to dust.
Honestly, this film is more crap the more I think about it.
The Secret Sun Speaks@SecretSunBlog
Spoiler Alert: Disclosure Day isn't really about aliens or anything like that. It's about magical glow sticks that are never explained or exposited, but comprise the overwhelming bulk of the plot. They also do whatever Spielberg and Koepp need them to do whenever the plot runs aground.
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@PussInGroots @GiancarloSopo Hand on Piano strings calmed her down?
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@alphasugar @GiancarloSopo Someone just tried to kill them with said train for their connection to the aliens and disclosure. Seemed like a pretty valid reaction.
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So I wrote a review of Disclosure Day, then shelved it until I could see the film again.
Went back tonight. A full write-up is coming, but my take holds: fun, flawed, and better the second time.
Emily Blunt’s performance and Spielberg’s craft carry it. Some characters are thin, and the ending plays more as a yearning for a return to common culture than as how UFO disclosure would actually unfold. But at its best, you realize there’s something special about watching a master still innovate this late.
The summer release date tells you it’s not a think piece. Don’t go in expecting the depth of A.I., and it’s too literal to summon the wonder of his early work. In fairness, few films clear those bars. What it is, is a respectable late-career entry that makes for a perfectly enjoyable weekend night in June.
Disclosure Day@disclosureday
Breaking News: Disclosure Day is NOW PLAYING only in theaters. Get tickets now: disclosuredaymovie.com/tickets
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Steven Spielberg’s Disclosure Day was the highest grossing film at the US and Canada box office with $44 million in ticket sales. bloomberg.com/news/articles/…
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EXCLUSIVE: The visual design behind the mysterious aliens in Steven Spielberg's #DisclosureDay is explained by screenwriter David Koepp:
"I think that that was important to both Steven and I. Steven first said, 'I want to respect the lore that's out there. There's a cultural memory of how things are and what might have happened. And I don't want to fly in the face of that.'"
Read More: bit.ly/4eie5p7


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