Закреплённый твит
Finally! Here’s our title sequence for @SpiderVerse is out! Enjoy!
vimeo.com/852669056
Credits in subtweet:
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James
28.7K posts
James
@friedpixels
Art Director, pixel pusher, photographer and husband. He/Him Find me not on twitter ✌🏽
LA Присоединился Mayıs 2009
1.1K Подписки5.3K Подписчики
I've been here since 2009 but I think i'm finally taking a break from here. I love sharing things with the community on here, connect with people I don't elsewhere. But i'll still be on IG I suppose. Just can't really deal with what Elon has done to this platform.
:(
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James ретвитнул
Very happy I could help test the new Zbrush for IPad for most of this year now. I did this one with no keyboard and it finally feels like the portable sculpting sketchbook I’ve been wanting for years.
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I like everyone else, can’t stop watching this amazing loop. Stunning.
Greg Joswiak@gregjoz
We’re glowing with excitement! Monday, September 9. #AppleEvent
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YES.
raoulmarks@raoulmarks
We’ve been busy! — Original Stories by Antibody, Aug 30 on Antibody.TV — Really excited to see these go out into the world. Telling our own stories, building our own worlds is something Pat and I have been wanting to do for some time now. Live-action, animation, motion graphics: it’s a bit of a mix’n’mash. The first 3 go live on youtube and Antibody.TV at the end of the month. Head over to youtube.com/channel/UCb5_I… and follow to catch them when they go live.
QST
@CopperSoffit @weareMK12 The jump to HD was like oh crap how do we render so many more pixels?!? Also... trying to upscale older work, was much more intense.
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@friedpixels @weareMK12 720x486 D1/DV NTSC — those were the days 🙃
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Time machine screenshot find from the @weareMK12 archives... (before my time) Machobox AE
#mographhistory
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@amirazizy @weareMK12 I feel like that was just around the time they introduced the 2.5d stuff, added the camera.
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@friedpixels @weareMK12 Boy, that takes me back....I started on AE 4.1, Power Mac G4, and it looked exactly like that :)
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James ретвитнул
Where we are remembered and referenced.
Where we celebrate the history & future.
Where our work is set in stone.
Where we go to learn more.
@ArtoftheTitle
I'm donating to the site to keep it running and vibrant – will you as well?
Art of the Title@ArtoftheTitle
An update from the editor in chief: Art of the Title is going on hiatus — but you can help! artofthetitle.com/news/editors-n…
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Sharing for visibility, There is little to no support for the title industry, especially FILM. Art of the Title has been an amazing resource, fighter for credits on things often uncredited (ironic) and an all around amazing collection.
If you can support or share:
Art of the Title@ArtoftheTitle
An update from the editor in chief: Art of the Title is going on hiatus — but you can help! artofthetitle.com/news/editors-n…
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Diggin' back through vimeo likes, finding some classic pieces I love. This is an oldie but goodie:
vimeo.com/16544905
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@friedpixels @weareMK12 Channel blur is still the master key you gave me
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Another throwback. To learning how to process greenscreen footage in the classic @weareMK12 fashion. Buried in precomps for swappable footage, stacked with expression sliders for detail, variation and highlights.
#mk12 #mographistory
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@SamplisticMedia @weareMK12 Oh describing it sounds fancier than it was. Like just think of a layered painting and trying to create a bottom up stack but with precomps to swamp out hundreds of clips. Like enough to get a broad stroke but can be refined by tweaking parameters
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@friedpixels @weareMK12 Oooo tell me more. (Not sure I can fully understand that)
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@poorjohnny @weareMK12 more like just controlling top level stuff , like if we had closeups or kid shots those needed different settings than wides? i mean most of it was just effect stacks right? basic shit just layered like a cake
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