peter foolen

Marjan, 1976.

A new local display of the latest variant of 'Affinity', in Clonmel by @thecoracler. The work is examined in detail in 'The Small Press Model', published last spring. uniformbooks.co.uk/thesmallpressm…

This morning, the Toulourenc, a mountain stream from the Mont Ventoux in the Vaucluse.

John Bevis has a chapter about the Keartons, 'Richard & Cherry Kearton: A Photographic Legacy' in 'Wild-Tier-Fotografie: Ökologische, postkoloniale und ästhetische Perspektiven; with their famous 'stuffed ox' hide shown on the cover. @JohnBevis8 link.springer.com/chapter/10.100…

@andrew_wilson_a And here is a nice gate for you, Cáceres, Spain.

"I've been making what we call artists' books since the day I discovered the photocopier in 1981."—Eric Watier

@mkimdorman Line of Flint.

Richard Long, Ring of Flint, 1996 (detail)

@andrew_wilson_a But before the bracken swamp everything there are the orchids.

Such sad news. pitchfork.com/news/steve-alb…

SUNLIGHT: Roger Ackling 18 May - 22 September 2024 SUNLIGHT is the first survey of British artist Roger Ackling (1947-2014) and the most significant exhibition of his work to date.

Today is the last chance to catch our Robin Gillanders exhibition, although we will be bringing part of it (Ian’s Fleet) to PhotoLondon next month.

A wayside in Toledo.

in our garden.

Those good people @PoetrySociety have made a postcard of my cover for their Winter Issue. @KateMacGarry @SeanKellyNY @InglebyGallery @PeterFoolen @BonniersKonsth @lowtheband @_loscil_ @juliakent @tignortronics @IMcMillan @TakTentRadio @_stranger_than @Juinjhibbs @TakTentRadio

Earlier this evening in our garden.