XY

74.4K posts

XY

XY

@Sentinel5150

I rap, sing and write songs. I also write articles. https://t.co/Bopc5hzSFc

Andromeda🌌🌌🌌 เข้าร่วม Aralık 2022
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Gage
Gage@GAGEmusicx·
JAŸ-Z 😎 #Hov #JAYZ
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yewfour
yewfour@euIVmusic·
I'm more of an unapologetic music producer/beatmaker. Paying my own dues
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ℝ𝕖𝕞𝕚 𝔾𝕖𝕟𝕚𝕦𝕤
HONESTLY I’M TIRED OF THIS APP. IF IT’S NOT GHOST BAN OR SHADOW BAN IT’S IMPRESSIONS IF IT’S NOT IMPRESSIONS IT’S ENGAGEMENTS
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Son Raw
Son Raw@SonRaw·
Cratedigging is a challenge Taking a massively popular record doing something fresh with it is also a challenge
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nostalgia
nostalgia@nostalgicfile·
"It's just a kids TV show, it doesn't need to go that hard" Cartoon Network for no reason:
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ZAHEER!
ZAHEER!@iam_YCee·
🤦🏾‍♂️🤦🏾‍♂️🤦🏾‍♂️ A lot of you in specific positions of authority fail to understand the level of decorum that the offices you hold demands. Even if your sorry excuse of a brain formulated this thought, the respect you should have for the position you are in should have kept you from letting it out into the public domain for goodness sake. You think because you’re copying and pasting “statements” you’re doing anything meaningful???
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Eziokwu
Eziokwu@Iameziokwu·
THERE IS NO WORLD where D'banj would ever outstream PRIME P-Square. Nobody is arguing D’banj’s impact, that run of his was loud, dominant and unforgettable. But P-Square were on a different kind of madness. They didn’t just drop hits, they dropped eras. They made the kind of songs that lived everywhere. From clubs, to weddings, cars, streets and more importantly, the kind people keep going back to without even thinking. If streaming existed in their peak, their catalog would farm numbers daily. Even in the CD era, when Alaba International Market was controlling distribution and piracy was everywhere, P-Square still moved like giants. That tells you the level of demand they had. Numbers were already bending around them in a system that wasn’t even designed to track properly. D’banj comes second, no shame in that. Big records, huge cultural moments, undeniable presence. But his run leaned more on moments than deep, repeatable catalog strength. And people really need to stop sidelining 2Baba. He may not hit you with back-to-back club anthems like P-Square, but that man has one of the cleanest Nigerian albums ever made. Timeless music. The kind you sit with, grow with, return to years later. If anything, that style helps streaming. It ages slower. It stays in rotation longer. I wouldn’t be shocked if, over time, he edges D’banj in streams simply because his music lives in people’s everyday listening, not just their hype moments. So yeah, P-Square will be at the top, comfortably. D’banj right behind. And 2Baba? Quietly racking up numbers in a completely different lane.
adé.@theadeszn

D’banj will definitely give P Square run for their money if streaming was a thing, 2Baba would be the least most streamed amongst the big 3 of that generation cos he’s more of substance oriented artist. D’banj throws lamba a lot he might out-stream P Square.

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ZAHEER!
ZAHEER!@iam_YCee·
Before you jump on hashtags tweeting about rape CHECK YOUR NIGGAZ
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Gage
Gage@GAGEmusicx·
JAŸ-Z 30 on Friday, July 10 JAŸ-Z 25 on Saturday, July 11 @yankeestadium #CitiPresale on Monday, March 23 at 10am ET  General Admission -Sale on Tuesday, March 24 at 10am ET #HOV
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Son Raw
Son Raw@SonRaw·
This is why it's important that rap doesn't lose its foothold as youth pop culture. I love niche rap more than anything but you need moments like these and they only work if kids see themselves in the artform.
Complex Music@ComplexMusic

14 years ago today, Odd Future dropped their infamous track “Oldie” 🍩 Produced by Tyler, The Creator, the 10-minute freestyle features Tyler, Frank Ocean, Hodgy, Left Brain, Mike G, Domo Genesis, Jasper and Earl Sweatshirt. x.com/ripflexxico/st…

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