
Hugow
4K posts

Hugow
@TurzHugo
Humble cinéphile de la street, je réalise, produit, écrit et critique repentit


I watched Citizen Vigilante on Amazon Prime (Banned in Germany). The US/Canadian release is today. It is playing at a tiny number of theaters and is available on Amazon Prime, Apple TV, and Fandango. Amazon Prime charges $6.99 and you can watch it for 30 days. It was entertaining. There definitely are not any boring parts. It is not a mega-budget movie from one of Hollywood's Big Five. More like an adequately funded indie movie. The character is like the Punisher, but with a wealthy background like Batman. Unlike Batman, there is no personal catalyst like the Joker killing his parents. The main character is obsessed with wanting a high trust society. He is also angry about blind obedience to authority. He believes the people in power don't give a shit about you and law enforcement and the justice system exist more to control the law abiding than to stop, catch, or punish actual criminals. The film was effectively banned in "democratic" Germany by the Freiwillige Selbstkontrolle der Filmwirtschaft [FSK]. This is Germany's version of America's Classification and Rating Administration [CARA]. Both the FSK and CARA are billed as independent, voluntary, private regulatory boards free of government imposed censorship. However, in the case of the FSK, they have been empowered by the German government to completely block a movie from being shown in theaters, sold on DVD, or streamed in Germany. It is a way for a movie to be banned, while the German government says, "we didn't ban anything, we had nothing to do with it." The FSK is allowed to simply refuse issuing any rating and it is illegal to exhibit, sell, or stream the movie. What makes the film unique, and why it is banned in Germany, is twofold. It is inspired by real-life crimes. However, unlike the BBC in Britain or American media companies, the filmmakers do not race-swap all the non-White criminals into White people. The criminals in the movie are a mix of African, Middle Eastern, and White Europeans. Second, unlike traditional vigilante movies, the main character goes after both the criminals and the people in the criminal justice system who coddle and protect them. In one scene, it shows a judge explaining to the media how a group of teenage immigrant gang rapists are just as much victims as the 14-year-old girl they brutally raped. Sending them to jail would supposedly just make things worse. The scene is based on real dialogue from real judges. I believe this is what sparked the meltdown at the FSK.


Y’a personne et j’ai la fenêtre j’le fume dans le train c bon

QUENTIN DUPIEUX UNE IMPOSTURE ? youtu.be/GS67jAnxkmY

Parce qu’il voyait trop de CV de jeunes issus de l'immigration rester sans réponse, Youssef Badr a créé l’association @Lacourteeche2le. Ce juge pousse des étudiant·es en droit originaires de banlieue ou de province à passer les concours prestigieux. AJ+ l’a rencontré :





Je viens d’être condamné à 6 mois de prison avec sursis et 10 000€ d’amende, sur le fondement de… la loi Samuel Paty ! Condamné comme journaliste car mon média Frontières a publié une grande enquête sur les avocats en droit des étrangers. C’est un immense scandale !


🚨 First teaser for ‘DINOSAURS OF THE WILD WEST’ From the team behind ‘PRIMITIVE WAR’. Directed by Luke Sparke, the film launches on Kickstarter this July! We love to see a new Dinosaur film! 🙌🏻🙏🏻


Europeans and American patriots! Tomorrow, the courts of my country, France, may decide to send me to prison for daring to say on television that “the main danger to women in France is Black African and Arab immigrant men.” Meanwhile, my own attacker, a Tunisian migrant, is still at large. I need your help to generate media pressure and hope to be acquitted. They cannot silence the truth! Thank you for your support 💪🏻🇫🇷



Plot twist : mon oral pour valider ou non mon année est avec le prof que j'ai ken après la rentrée



🚨ACCIDENT INDUSTRIEL🚨 Malgré d’excellents retours spectateurs, La Bataille de Gaulle chute au box-office : moins de 200 000 entrées en 2e semaine (577 000 total) Avec sa suite déjà tournée, c’est le plus gros budget de l'histoire de Pathé (prod de Monte-Cristo), fondé en 1896

We are not the same🇺🇸













