ทวีตที่ปักหมุด
Death Deck mini-adventure Just released for #ExileDeal
ar3klis.itch.io/death-deck
English
Areklis
3.9K posts
Areklis
@ar3klis
Games, both TT /VG, obscure MMOs, 3.5/pf1e diehard, delves into PF2E and SW. Also, check out my latest work at: https://t.co/1j1OzOpFHB
เข้าร่วม Şubat 2015
281 กำลังติดตาม91 ผู้ติดตาม
@9jbAf @ADevom9458 @koshian Well, in the end my point was to make it sound as absurd as possible. Glad it got delivered. You still have to learn about comedy though. Try pirating "Red Dwarf" or "IT crowd". The british put all the spice in their comedy, that is why there is none left forbtheir food.
English
日本「海賊版を使っているなら、せめて公の場でそれを話さないという恥を知れ」
欧米「海賊版を使っているなら、せめてそれを認める名誉を持て」
恥の文化ってこういうことか
日本の作品はクリエイター個人の色彩が強く、彼らが海賊版や中古を利用されたと知ると傷つくという問題もあるのだが
Shorono@_Shorono_
@oshino_sasuke While a westerner who has a culture based on conscience and confessing to your sins see the Japanese and think: "If you are pirating anyways, at least have the honor to admit it." It is fundamentally a different culture.
日本語
@9jbAf @ADevom9458 @koshian I guess self deprecating humor is too spicy for asians? Calling it mild because it is too advanced for you?
I mean, your education remark was more like trying to be harsh than humorous. Did you japanese learn comedy from the germans along with the jet engines?
English
@TeshimaKairei Its all about skill actually.
Can you imagine telling your boss to tell its boss to tell its boss to tell its boss that piracy could be sharply cut if you did something similar to steam, spotify, netflix and such, going global with a decent service and rake in record profits?
English
海賊版で海外勢と揉めてる件。
私は倫理観の違いとして興味深い事象と言ったけど、どちらかというと倫理観は大して変わらず、
「日本のゲーム会社やアニメ会社は、残念ながら悪の大資本家でもなければ、搾取構造が作れるほどの巨大権力もない」
ということが伝わっていない感が……。
日本語
@ADevom9458 @9jbAf @koshian I was fearing that to be honest. Grok did tell me that the translation came off as even more literal, but given the absurdity of the premice, i thought no one in their right mind actually take at face value that "artistic expression is exclusive to Japanese artists, nowhere else"
English
@somebow_ippan That is a stupid question if you get asked that. Lots of nuance gets lost in machine translation and everyone that tried using it would have to spend more time doing the editorial than it would be learning the language altogether.
English
@arther456 I thought it was because openly admitting to it would be social seppukku. And the crack down.
English
En este mundo existen alrededor de 7.000 idiomas. ¿Significa eso que si los japoneses no pueden traducir una obra a esos 7.000 idiomas, deben renunciar a los derechos sobre su trabajo?
Las personas “normales” de la comunidad internacional se oponen a esa fantasía que tienes. No importa el contexto en el que te encuentres, los autores japoneses tienen derecho a sus obras. Eso es precisamente lo que es el copyright.
Si existe un manga que consideras tan imprescindible que estás dispuesto a violar los derechos de otros y poner en riesgo su sustento, entonces deberías dirigirte a tu gobierno o a la comunidad internacional.
No obligues a los trabajadores artísticos de otros países a sacrificarse por tus deseos.
🚀Eu, uma Meteca Metafísica🚀@PorreBrasil
@YD20250410 @RefugioLibre @higureshuuen Ok, amigo como eu compro uma obra que não existe e não está disponível no meu país? Você tem um bom ponto. Mas te devolvo: O Japão tem mesmo interesse em promover seus artistas em âmbito global? Se tem, pq tantas obras boas não chegam aos clientes em potencial pelas vias legais?
Español
@Beef_Backup @not__vee Not that impressive from people too soft to fully cook your meat.
English
The thing that people do not understand about Japanese, is not that they don't pirate or they don't break the law.
Is that if they DO break the law they don't brag about it in public.
To see someone breaking the law and encouraging others to break it is pure savagery from their pov.
You cannot have a society with delinquents, you get california.
English
@wildwilly888 You forgot about "skill issue"
Most of these lost trillions of sales were preventable lost sales.
English
@Nn5641356188827 What if a bakery goes under because you're justifying people copying the recipe and baking their own bread?
It is a skill issue. Provide a better and more convenient service than the free alternative, then people will be happy to pay for it, as long as it seems of better value.
English
貧しい人がパンを盗むのを正当化してパン屋が潰れたら？次の標的を探すの？全部無くなるまで続けるの？
ᏗፚᏋᎴᎥ@Lucas_Azedi
Explicar pirataria para japoneses é engraçado porque você pode argumentar que milhões de crianças pobres só podiam jogar video game por jogos piratas e eles vão responder que essas crianças são ladrões comparáveis a quem rouba pão de padaria e que elas não deviam jogar os jogos
日本語
@V7NnRqa0uZbvFqZ No, we pool together to buy one piece, disassemble it tobeasily castable parts then make new copies.
Are you serious with the rob a store analogy?
Netflix and Steam and Spotify are a worldwide thing. Guess how much damage they did to piracy than moral shaming and persecution.
English
@qwetry173135 @kukuruyo I have no need to prove that these sales would not happen anyway. In view of new data, the correct interpretation is that these were preventably lost sales. It is the second decade of the paradigm shift. Also these were findings that apply across the entertainment industries.
English
提示されたLu et al. (2021)の論文を確認しました。この論文は「公式OTTサービス（Disney+など）の普及により海賊版検索が減少する」ことを示したものであり、
「海賊版をしても売上は失われない」というあなたの主張を直接証明しているわけではありません。むしろ、この研究は以下の点を指摘しています。
1. 公式サービスと海賊版が明確な代替関係にあること。つまり、公式サービスが存在しない状況では、海賊版が本来の需要を置き換えている可能性が高いことを、Disney+の事例で示しています。
2. 公式サービスが提供されると海賊版から移行した人々は、最初からその作品に支払い意欲を持っていたと解釈できます。これは海賊版が公式の売上を侵食していたことを示唆しています。
3. Disney+のような大規模プラットフォームと、権利関係が細かく分断されたマンガ・アニメ業界を単純に同列に語るのは難しい点があります。この論文の結果を安易に一般化して「海賊版はもう外れ値だ」と主張するのは、論理の飛躍です。
具体的に「売れるはずじゃなかった売上だから損失ではない」と主張する根拠となる論文があれば、教えてください。
日本語
@qwetry173135 @kukuruyo All three papers I cited refer to having legal and convenient service as the measure that most sharply reduces piracy. Shown even better when in experiments where they are demonstrably introduced they cannibalized existing pirating trends. I have no need to di
English
@0Hb1ryVyxcD3lup @nanasamib That atartd declining for the english market, though I don't know how it is for your domestic audience. There was a time (like when RWBY was still new) that it did bring in studio money.
English
@nanasamib Don't you hate it when it is the system that screws you over. Bands are making money over spotify and game developers make money over steam. These platforms and how they funcion have done it to drastically undercut piracy in their fields
English
こうやって日本コンテンツが自国対応していないのは差別だ～とか言い出すやつとかさあ、甘えているよなあｗ
Honzou@Honzou
@Tomoejp1236 I beg to differ but your mangas don’t go around telling who can buy them or not, it just appeals to an audience more than the other. In Japan restaurants can limit who can enter by nationality but in the US that is grounds for a lawsuit.
日本語