陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion
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陳見 / Chen's Opinion
@chenown
陳見 / Humble Opinion
Ann Arbor, Michigan, USA เข้าร่วม Eylül 2008
465 กำลังติดตาม677 ผู้ติดตาม
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว

When I was still a student at the conservatory, my professors used to call me ‘Beethoven Girl’. Not just because I was the best Beethoven player they had, you see I had an unhealthy obsession with trying to get these notes to resonate at Beethoven’s truest intent.
I read what he read. I ate what he ate. I engulfed myself in Voltaire and Kant to breathe the same air of Enlightenment he breathed. To experience the frequencies he could not hear but were realer to him than his own reality. I learned from his students directly — Wilhelm Kempff and John O’Conor.
When I realized every piece of sheet music was altered by production for copyright purposes, I flew to Europe to get my hands on the First Edition of Beethoven Sonatas from Budapest. I hand painted this specific third movement on the walls of my dorm.
I graduated the conservatory with this as my final performance and went on to use it for my audition piece to get accepted as a fine arts major in university. The piece in its entirety is 1 hour long.
Here is Beethoven’s Sonata No 17 in D minor, the third movement—Tempest—performed to the enlightenment with which he originally intended.
Yours truly,
Beethoven Girl
English
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว
陳見 / Chen's Opinion รีทวีตแล้ว


























