@raykonvey Как бы так сказать... Взрослому мужчине становится очевидно, что интересного общения с женщиной любого возраста не будет, и это всегда будет общение как с ребенком, даже если тебе 30 а ей 40)
На фоне всех этих срачей типа о чем говорить 40летнему мужику с 20летней девушкой я хочу спросить:
О чем говорить 100летнему Эдварду с 17летней Беллой?
@TJAllisonGolf@JoeViller@CommiNathan@NASA@SpaceX Lol. I remember how musk-boys argued that starship is basically ready and in two years they would fly commercially.
And called me a hater, for saying it would take at lest five more years to finish prototyping.
…
… it was six years ago.
@Sudipbws@H0H0v Good attempt, but you're conceptually wrong.
a^2 is the area. and you calculating the perimeter (4a).
The question was: how may unit squares *fit inside* square of x units (left)
And your answer is how many *units around the square* of x units (right).
@JohnVella68@Sudipbws@H0H0v Technically speaking -6 is also a valid solution.
but the issue with his solution is that he confuses a^2 with 4a. it's a conceptual error. e.g. he confuses perimeter and area.
Which is fine, as long as you not engineer or something.
@Sudipbws@H0H0v Aside from the fact that you got the wrong answer I don't see why people are being so critical about your methodology.
5+5+5+5+5=25
25+5=30
A=5
I'm a maths teacher, and I always tell my less confident learners that multiplication is, basically speaking, repeated addition.
В Израиле приняли закон о смертной казни для палестинцев, осужденных за теракты, в результате которых погибли израильтяне. Это политическая победа ультраправого министра Итамара Бен-Гвира — хотя закон почти наверняка не вступит в силу. meduza.io/feature/2026/0…
@flipdrivel@EchoesofEmpire_ And there was a pereiod in the USSR when they claimed that Russians invented everything. There was even a joke, that if ussr to declare a year of elephants, you would see books titles like “Russian Elephant is a Big Brother of Indian Elefant” and “Russia: Elephant’s Homeland”
@flipdrivel@EchoesofEmpire_ Belive it or not, it was taught in soviet schools.
There was a guy, Alexander Popov, and he did build essentially a radio receiver a year before Marconi, but it was a lightning detector, not communication device.
@Cberleader@grok@retro_anime P.S.: Remi is the Mood.
And kinda spoiler-but-not-really: it’s actually story about her, despite she not even a main character.
@Cberleader@grok@retro_anime Sort of.
It’s kinda sorta slice of life of a girls dorm for these beings. Not school life, for a change, they all have day jobs.
It’s purgatory-like setting, where they had to work out their past life trauma to move on.
Suicide overtones are thick, but not explicit.
@Alex140507@KamilBayonski@GrindCulture_ Thak you for sharing your story with us, Alex!
But I can’t help but notice, that people who don’t like certain physical traits of others usually don’t spend time and effort trying to determine if random person on a photo has said trait under their clothing.
@LilyLit_ Please stop.
Young incels consume such media thinking that what naked women looks like.
And then they die from cringe when encounter unedited skin.
Think of poor incels!
@Baambarbia@jameswebb_nasa Я не говорю что там есть тайные смыслы.
Но видеть концепцию этого кино как «сатиру на капитализм» это ебовейшее натягивание совы на глобус.
Там тоталитарное общество, в котором все решает статус, а не деньги.
@laier@jameswebb_nasa Там нет никаких тайных смыслов, всё подаётся прямо, просто в такой концепции. Если у тебя глаза с мозгами пиздой заросли, это твои проблемы ;)
O filme mais estranho que você nunca viu e que prova que o nonsense pode ser genial
Em plena década de 1980, longe do brilho épico de Star Wars, o cinema soviético apresentou uma ficção científica muito mais estranha e, talvez por isso, mais reveladora.
Em 1986, Georgiy Daneliya levou às telas Kin-dza-dza!, um filme que parece caótico à primeira vista, mas que esconde uma lógica própria, desconfortável e precisa.
Tudo começa com um evento banal que rapidamente sai do controle: dois homens são transportados para Pluk, um planeta árido onde nada funciona como deveria - ou talvez funcione exatamente como uma crítica exagerada do nosso próprio mundo.
Ali, status social depende da cor da roupa. Máquinas sofisticadas parecem feitas de restos. A linguagem se reduz a poucas palavras, como “Koo”, repetida até perder o sentido. E, acima de tudo, a empatia praticamente desapareceu.
A comparação com Mad Max surge pelo visual desolado; já o espírito lembra o humor caótico do Monty Python. Mas Kin-dza-dza! não é apenas uma soma dessas influências. Ele usa o absurdo como disfarce para algo mais sério: uma crítica silenciosa ao autoritarismo, às hierarquias arbitrárias e à lógica distorcida de sistemas fechados.
Talvez por isso tenha passado pela censura soviética sem levantar suspeitas imediatas. E talvez por isso tenha sobrevivido tão bem ao tempo.