unwelly clarkson

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unwelly clarkson

unwelly clarkson

@lyrically89

(he/they) • scary aries ♈️

the bratlivia wall เข้าร่วม Temmuz 2018
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unwelly clarkson
unwelly clarkson@lyrically89·
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allypally@allypallyxcx·
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☁️✨
☁️✨@axewxoxo·
The untold hair journey here….. the way she finally accepts her curls omg
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Bug
Bug@bugged843·
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Carolyn Hinds 🇧🇧 #FreePalestine #CongoInCrisis
The writers and directors of You, Me & Tuscany are white. The studio executives are white. Pressuring and essentially guilting Black audiences to watch a film in an increasingly volatile economy is unfair and manipulative for us and Black filmmakers this keeps happening.
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#1 xcx defender
#1 xcx defender@lipglossgrinss·
thinking abt when charli xcx played the kidz bop version of 7 rings by ariana for her grindr dj livestream in 2020
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unwelly clarkson
unwelly clarkson@lyrically89·
they sold ‘moonlight’ to us like this too and clearly they haven’t held up their end of the bargain considering we haven’t been given the opportunity to support a mainstream queer black film since then 😵‍💫 keep supporting the indies, i guess
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unwelly clarkson
unwelly clarkson@lyrically89·
i feel so frustrated about how much of a catch-22 this is. if it does poorly, it’s “the audience’s fault.” and if it does well, they’ll use this logic again and permanently hold audiences at gunpoint by telling us this is the “deciding moment” for black-led films
DiscussingFilm@DiscussingFilm

Award-winning filmmaker Nina Lee has revealed that studios are closely watching the box office results of ‘YOU, ME & TUSCANY’ before deciding to support more Black rom-coms. “A film that has nothing to do with me could quite literally change my life. Plus, I've heard it's really great so I'm looking forward to supporting.”

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ؘ
ؘ@PARKERSFlLMS·
black led projects are being heavily monitored at the cost of new ones. we’ve seen the success of forever & sinners last year & they still want to find an easy excuse to not pick up more projects. they’d rather have the same white tv/movie reboots be greenlit instead of this.
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unwelly clarkson
unwelly clarkson@lyrically89·
anyways even more reason to enjoy films like rye lane 😌 i will always plug this movie lol
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unwelly clarkson
unwelly clarkson@lyrically89·
it’s the fact that the director and writer of this film aren’t even black either, this scarcity marketing tactic is literally just virtue signaling
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unwelly clarkson
unwelly clarkson@lyrically89·
@drivenbyfilms what’s crazy is the director and writer of this movie aren’t even black and their film’s success is STILL somehow the deciding factor over whether or not we get more romcoms with black leads 😭
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定
@de3dsoul·
What game is this?
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Culture
Culture@notgwendalupe·
they were so iconic together
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Emma Camp
Emma Camp@emmma_camp_·
Question for the group: has there been any great art about Covid? Any incredible literary novels or films? I can't think of anything off the top of my head but my cultural knowledge is not limitless.
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Librarianshipwreck
Librarianshipwreck@libshipwreck·
This article gets at one of the really troubling aspects of generative AI: the way it’s driving a breakdown in trust. Whether it’s writing or images, it’s becoming harder to trust the things you see and the people around you. It puts everyone on edge and on the defensive.
New York Magazine@NYMag

When Jared Hewitt’s co-worker claimed last winter that Hewitt used AI to write an incident report for the day care they work at. The co-worker pointed to the words ‘juxtaposition’ and ­‘circumstantial’ as evidence of a machine-generated influence. “I don’t write in a casual way but a much more serious, precise way,” he says. “And I’ve paid the price for living in a ChatGPT society.” It wasn’t the first time Hewitt’s prose has been pegged as AI, and he thinks he knows why. He has a stutter, and when he’s typing, he can speak uninterrupted. It is a luxury he takes full advantage of. Hewitt is also neurodivergent. “Growing up, I had a strong obsession with writing,” he says. He was always given good grades in English, but now, with the massive uptick in AI-generated text, all the time he spent happily working to improve his prose strikes him as a liability. There’s a new entity among us, and it’s getting better at disguising itself. The mood is paranoid: This presence is ­producing a gigantic amount of language, much of it filtered through people we know, whether they’re using it for Hinge messages or LinkedIn posts. The effect is that everyone is trying to ­figure out who is LLM and who is human. Sometimes, we are getting it wrong. “People are going off vibes,” says the historical novelist Kerry Chaput, who was horrified when a reader thought a social-media post she wrote about her neurogenic cough was ChatGPT generated. Emma Alpern reports on the people — often non-native English speakers and autistic writers — being falsely accused of using LLMs to write: nymag.visitlink.me/kzDs4g

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