Marc Rouault

209 posts

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Marc Rouault

Marc Rouault

@marcrouault

™15-16

La Haye, Pays-Bas เข้าร่วม Eylül 2015
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Marc Rouault
Marc Rouault@marcrouault·
Talking about speed is one thing, being fast is another. Trois Mille is finally out, thanks to this beautiful gang at Sharp Type. <3
Sharp Type@SharpTypeCo

🔊 SOUND ON 🔊⁠ ⁠ NEW RELEASE!!! we are extremely honored and overjoyed to present 🏁 Trois Mille 🏁 by ⁠👑 @marcrouault 👑 5 years, 7 weights, 21 widths, 294 fonts, and over 20,000 midi-chlorians This is a big one folks! 🚀🚀🚀 shrptyp.co/3000

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Richard Turley
Richard Turley@Mr_Turley·
FORMULA 1 REBRAND (2017) Race logo lock-up design (with and without sponsorship).
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Sharp Type
Sharp Type@SharpTypeCo·
End of Summer Update !!! shrptyp.co/summerupdate 🍻 Core team reunion in Pt. Reyes, CA 👽 New fonts by Lucas Sharp, @marcrouault 👩‍👧‍👧 Welcoming Emma Piercy & Lucile Billot 👩‍🎓 Congrats to the Malee scholars! & more
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Sharp Type
Sharp Type@SharpTypeCo·
⚠️ Pyramid by @marcrouault ⚠️ type-in-progress takes inspo from the vernacular world of hi-fi audio logos, vintage rave flyers, retro-futurist aesthetics, and maybe even some Memphis-era shapes
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Oliver Schöndorfer 🇺🇦
Oliver Schöndorfer 🇺🇦@glyphe·
Refreshingly wonky! This #FontFriday pick takes you to France 🇫🇷. Tarnac and Tarnac Sans, designed by @marcrouault, published by @SharpTypeCo, is a striking slab serif and sans-serif superfamily, that originated from classic French road sings. 🪧
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Brentford FC
Brentford FC@BrentfordFC·
𝙒𝙀 𝘼𝙍𝙀 𝙋𝙍𝙀𝙈𝙄𝙀𝙍 𝙇𝙀𝘼𝙂𝙐𝙀 #BrentfordFC #BeeTogether 🐝
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www@w__h_·
playing f1 just to look at @marcrouault fonts
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Sharp Type
Sharp Type@SharpTypeCo·
We have a big one today friends Carta is the debut typeface of our studio MVP, My-Lan Thuong It's hard to put into words our admiration for this incredible woman and rare typographic talent. Carta is both a work of art and a feat of engineering. shrptyp.co/carta 🔮
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Sharp Type
Sharp Type@SharpTypeCo·
It's been a year since we released Doyle! Flexing from a light typewriter skeleton to a hearty and full posture, Doyle synthesizes classic styles in 20th century typography to create a quirky, expressive family.
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Marc Rouault
Marc Rouault@marcrouault·
@ArrowType @Dunwich_Type @SharpTypeCo You right about the contrast issue between Black and Thin, then there is a roundness issue between Narrow and Wide. So it's 5 more masters for roman, same for italics.
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ArrowType
ArrowType@ArrowType·
@marcrouault @Dunwich_Type @SharpTypeCo I think you’d need at least one at Regular or Medium to keep a low-contrast in middle weights. However, I don’t know the design too well, so you might be doing things like changing accents for light weights, etc. OR maybe the answer is “None,” if you are using rvrn for alts
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