Plumpa | ꜰᴏꜱᴛᴇʀ 🎪

30 Oil Paintings. 30 Days. Day 30: Phoenix

What it do. How you living?

Shoutout the Autists.

@degenghosty Woah

I’ve been thinking about this for a while, and honestly… I didn’t know how to say it. Degen Ghosty started as a part of me. A way to process things I didn’t have words for yet. A way to show up when I didn’t feel strong enough to just be… me. And somewhere along the way, she became bigger than I ever expected. People connected with her. Supported her. Saw themselves in her. And I’m so grateful for that. Truly. But if I’m being real... there’s always been a line between who I am and who she is. At first, that separation felt safe. I could create without overthinking. I could express things without fully owning them. I could hide behind the art a little bit. But over time… that line started to feel less like protection and more like distance. Because the truth is, Degen Ghosty isn’t separate from me. She came from me. From my experiences. My healing. My lowest points and my growth. And I think I reached a point where I had to ask myself something uncomfortable: Am I still using her as a tool… or am I hiding behind her? That question has been sitting with me for a while. Because as much as I love what I’ve built… I don’t want to feel disconnected from it anymore. I don’t want there to be a version of me online and a different version of me in real life. I want it to feel like one person. Fully aligned. So with that being said… I think it’s time for me to step away from Degen Ghosty as an identity, and start showing up as myself. Not as a character. Not as a persona. Just me. This doesn’t erase what I’ve created. It doesn’t take away from the story. If anything, it honors it. Because everything Ghosty was… was real. But now it’s time for me to be real in a different way. Thank you to everyone who’s been part of this journey. For seeing me, even when I wasn’t fully seen yet. This isn’t an ending. It’s just me choosing to stop splitting myself in two.

@lukoart_ @AnnaLZubarev Banger

GM 🌴❤️‍🔥🐎🐍 UNLEASHED, 2026 83 x 160 cm NFT + Physical art Oil and acrylics on raw canvas.

@Surreal_Beam ❤️❤️❤️❤️

My works hold so much relevance. They'll get appreciated by a larger audience someday. For today, my heart belongs with those who enjoy what I make, who believe where I'm heading and the bright years ahead of me. 🤍✨

@thisistolo @SuperRare @exchgART @objktcom @mallowdotart Legend

In a world where things are becoming increasingly digital, the same applies to art. Digital art has existed since the late last century, but blockchain has changed something fundamental: digital works can now be traded with ownership rights, in a simple and transparent way, without an intermediary. Dozens of online marketplaces such as exchange.art, mallow.art, superrare.com and objkt.com offer artists around the world the opportunity to offer their work directly to collectors. Social media connect these platforms, artists and collectors with one another, giving rise to online exhibitions and communities that continue to thrive in group chats, Discord, and in the real world as well. Digital art and collectibles also offer unique possibilities. Works are easy to share, can be collected worldwide (without shipping) and stored in large quantities (with no limitation of physical space). Possibilities for exhibition are equally broad: from screens and wall-sized projections to online galleries and Virtual Reality. Tolo Gallery was born from enthusiasm for new technology, in this case blockchain, and a deep love of art. What started as a small collection of a few works grew into a digital gallery with more than 500 works by 250 international artists and 8 carefully curated exhibitions. In 2025, Tolo Gallery was invited by @JTLissPhotoArt to curate a show in New York during NFT NYC. The gallery is now regularly approached for interviews and international exhibitions around the world. Tolo Gallery's private collection is, in concept and scale, unique in the world and demonstrates what digital art is capable of: giving rise to entirely new concepts and connecting people on a scale that is practically impossible with physical art. tolo.gallery

@JTLissPhotoArt Looks amazing man

New hours of operation starting today. Also adding Saturday. S/O to the team for making this happen.

@josenarciso @jairo_ema25 ⛽️

Hours of work, seconds of magic. ✨ Watching a painting come to life at 1000x speed never gets old.

@TrevElViz @mallowdotart Wait this is my absolute favorite thing you’ve ever done and I mean it.

Wrong Sarah Connor! Mistakes were made… life goes on. Well, not for Sarah Ann Connor! Parody Terminator animation airdropped to all Atomic Trash Collectables holders. Thanks for the support! ✊

@DegentlemanJohn I was writing a response and couldn’t finish.

i bought a vandal for 20 sol yes i knew the art was trash, did it anyway wouldn't trade the experience for anything, those days were so fun (although I'd take the 20 sol back...) let's hear your NFT horror stories

@eloychaperon @objktcom Beaut

Gm flawed shark.

@alexmack__ @bradmbaldwin Banger

the photo ↙ vs. ↘ the print

Many have opinions but have you collected Art on Solana? Nirwana | @HIPOCREATEID

I was trying to install sound panels during covid and everything was expensive or basic so I made a bunch myself. Rockwool. The Good Stuff.

How bout a Decentralized Streaming Protocol for NFT content?

GM Color Theory.

Art on Solana

On the right is a full stack network and on the left is my first build. Let’s ride.

If I was a real estate agent. I would only sell homes with prim kitchen islands. I would be casual the whole showing and close with “so this island has it’s own zip code” and that would be that. Love using ai for productivity, but I am human & trust my gut wherever island.

Where did you go to college?