Sofi Marshall

RT @A24: Look a little closer. Jane Schoenbrun’s once-in-a-generation new horror I SAW THE TV GLOW, starring Justice Smith and Brigette Lun…

RT @RedSharkNews: I Saw the TV Glow at Sundance 2024! Editor Sofi Marshall spills the beans on her collaboration with director Jane Schoenb…

Some highlights from my conversations with @filmmakermag, @indiewire, and @adobe about the post process on I Saw the TV Glow. Thanks for chatting with me! Links to full articles in bio 😊

It’s so incredible to see all these reviews for I Saw the TV Glow (and it’s always exciting to get an editing shoutout)! From the first assembly, this film has resonated deep in my core and I’m so happy that it’s now out in the world. So proud of @sapphicspielbrg!

RT @sapphicspielbrg: Very excited to announce that my new @a24 movie I SAW THE TV GLOW will world premiere at Sundance ‘24. I left it all…

RT @sapphicspielbrg: So deeply indebted to our cast and crew of brilliant creative souls who poured their heart into this with me. The craz…

Finally a new article! Three years ago I first wrote about my hardware-based real-time remote editing workflow. But times have changed and I’ve gone software-only! Learn how to easily stream your timeline from Premiere, Avid, or FCP X using NDI Tools. sofimarshall.com/easiest-way-to…

#timelinetuesday from last week's picture lock 😊 #Adobepremierepro @Adobe

@SteveHullfish Wow! Awesome!

BIG NEWS: Art of the Cut is moving from PVC to the FrameIO blog. But the final PVC AOTC is ready to listen to now with ACE Eddie winner, Trevor Ambrose: anchor.fm/artofthecut. The transcribed article should be up soon too. Please stay tuned to AOTC @ blog.frame.io

Fun fact: On the feature I cut this winter, the director got snowed in at his remote cabin, where he has no high speed internet. Not wanting to cancel a full edit day, he joined the edit session with his iPhone via a mobile hotspot and we pushed through notes in record time 🙂

Published my personal real-time remote editing workflow a year ago today! Never could’ve imaged the incredible response, let alone the way the next year would shape up. Updated today to reflect some minor software/setup changes. sofimarshall.com/the-ultimate-r…

@ScripTeach Thanks for watching!

Great video of editor @sofimarshall discussing editing a character study scene from "A Teacher" linkedin.com/learning/filmm…

@hellozach @lucasjharger Oh weird! Definitely not working on my end with keyboard shortcuts. I'll shoot you an email 🙂

@sofimarshall @lucasjharger Thanks Sofi! Hmmm we do already have that functionality via keyboard shortcuts, so maybe we’ve got a bug? Can you send us an email at: hi @ postnotes.app

@lucasjharger @hellozach Loving Post Notes so far! Any chance of getting copy/paste (I can currently do this manually via Premiere's edit menu) as well as an undo/redo function? Even buttons you click inside the panel would be really helpful!

@editblog @AdobeVideo Good to know!

Heads up @AdobeVideo #PremierePro users: Adobe is changing some long-standing terminology in upcoming versions of their apps. Master Clips become Source Clips. Master Track Audio becomes Mix Track. Full list of terminology changes here: helpx.adobe.com/x-productkb/mu…

@editblog @Blackmagic_News @AdobeVideo Yikes! I just cut a spot with @Blackmagic_News raw and didn't run into that particular issue, but I did suffer through an enormous amount of crashes anytime I quickly clicked through clips in the bin (ie - looking through broll)

Who has encountered this using the @Blackmagic_News RAW workflow in @AdobeVideo #PremierePro Clips work great until I add a marker or go to Icon view then they change to that. Restart PPro and it fixes.

RT @ChuckParkerTech: Feature Film Editor @sofimarshall Reviews @Sohonet ClearView Flex: www2.sohonet.com/Sofi-marshall-… #clearviewflex #filmeditin…

RT @Sohonet: Top feature Film Editor @SofiMarshall reviews our real-time, remote review tool ClearView Flex, from home https://t.co/gOi693G…

Just reviewed #ClearViewFlex for real-time remote collaboration! Tl;dr: Outstanding quality and color-accuracy make it a great choice for finishing work, but the lack of collab tools, cumbersome hardware, and high price tag aren't ideal for WFH editors. sofimarshall.com/clearview-flex…