Xilix

I’m Xilix or Xil for short

😭 I have to give up my grok for a bit! Bye check mark

@ItsRaisu It really said I see no covered tits so this has to be a child 😂

@Xilix_VT Yep, it'll do that. Sometimes its a coin toss whether it blocks for that reason or not when its a character who's age may be ambiguous between child or young adult.

I know I jokingly say she's someones lost child, but here is my yelling at GPT Cause it called her a child.

Shared drop 😎🙏💪💙 @Troa_Bloodclaw @miscreant_mule @MorgankingAI #XilixArt

This is a gorgeous prompt from Xilix! I had to add eye color direction since Kyubi is monochrome, but I love the results.

The route I’m on this week is my route for the rest of the summer! Thank you Yacatecuhtli, Tlacotzontli, Chicomecoatl, and Quetzalcoatl. I’ll have some stable income. Three days because four days a week for summer till the start of the school year. Then I have the school schedule

@squishycat152 @HexMethod Thank you

@Xilix_VT @HexMethod That concept suits your character a lot

The Collarbone Abyss Prompt: Use the provided reference image as the primary identity and character guide. Preserve the character’s face structure, skin tone, hair color, hairstyle, age, body type, proportions, posture language, mood, and overall visual identity as closely as possible. Do not replace the character with a new person. The final image should feel like the same character from the reference image, reimagined in a surreal fine-art cinematic body-landscape portrait. Analyze the reference image’s dominant colors, including the character’s skin tones, hair color, clothing colors, shadow colors, highlight colors, and overall palette. Use those dominant colors to build the atmosphere, lighting, abyss, fabric, miniature architecture, mist, reflections, and background darkness. The scene should feel color-harmonized with the reference image rather than using a generic blue-black fantasy palette. If the reference contains warm browns, golds, reds, muted greens, pale creams, cool blues, silvers, or smoky grays, weave those tones subtly into the canyon walls, fabric highlights, tiny lanterns, abyss mist, distant ruins, and reflected pools. Create a surreal fine-art cinematic image called **The Collarbone Abyss**. The scene is an intimate body-landscape portrait set in absolute darkness. There is no ordinary room, no horizon, no visible world beyond the character and the impossible space forming from their body. The surrounding blackness feels infinite, silent, sacred, and color-tinted by the dominant tones of the reference image. Use an extremely tall 9:21 vertical portrait composition. The image should feel like a monumental gallery poster: narrow, intimate, dark, elegant, and impossibly deep. Frame the character close, from the upper torso to the head and shoulders, with the camera positioned slightly above and in front at a soft diagonal angle. The face may be partly turned away or mostly obscured by shadow, but enough of the character’s identity should remain recognizable from the reference image. The main focus is the neck, shoulders, collarbones, upper chest, and the surreal abyss forming between them. Place the referenced character at the center of the image. Their pose is calm, still, and introspective. They are not performing for the viewer. They feel like a living landscape, a sacred body, and a quiet threshold into something impossible. Preserve the character’s natural expression and emotional tone from the reference image where possible. The character wears a simple black gown or draped black fabric slipped loosely off the shoulders in a tasteful fine-art way. The fabric covers the body appropriately while revealing the shoulder line, collarbones, neck, and upper back. Adapt the black fabric using the dominant colors from the reference image: its shadows, edge highlights, and subtle translucency should echo the reference palette. The material should feel deep, smoke-like, elegant, intimate, and sacred rather than glamorous or explicit. The collarbones and shoulders transform into a vast canyon system. The collarbones rise like pale ridgelines, eroded mountain edges, or sacred stone formations beneath soft human skin. The hollow at the base of the throat opens into a deep black abyss, as if the body contains an impossible vertical chasm. Mist rises from within the hollow, tinted subtly by the dominant colors of the reference image. The abyss is not anatomical or gory. It is symbolic, architectural, cosmic, and dreamlike. Inside the collarbone abyss, tiny staircases, bridges, black pools, hanging lanterns, narrow ledges, and distant ruins descend into darkness. The structures are extremely small compared with the character’s body, making the collarbones feel continent-sized. A narrow staircase spirals downward from the hollow of the throat into black mist, vanishing into impossible depth. Tiny lights glow along the inner walls like windows in a city built inside a canyon. These lights should borrow their warmth or coolness from the reference image’s palette. The character’s skin remains human, soft, tactile, and luminous. Do not make the surreal elements look painted on top of the skin. The transformation should emerge through physical depth, shadow, scale, and architecture. The planes of the shoulders resemble quiet mesas. The shadows beneath the collarbones feel like valleys. Fine seams of pale light trace subtly across the skin like constellations, mineral veins, or delicate cracks in stone, using colors derived from the reference image’s brightest highlights. The abyss between the collarbones should feel impossibly deep. It may contain a small black sun, a tiny suspended moon, drifting clouds, distant vertical light, or a faraway rectangular doorway glowing at the bottom of the darkness. These details should be small and discoverable, not loud or obvious. The viewer should feel that an entire sacred world exists inside the quiet hollow of the throat. The black gown spills downward and begins transforming into landscape. The folds of fabric become ravines, dark rivers, reflective pools, star-threaded plains, and miniature ruined cities. The gown does not simply hang on the body; it becomes night terrain extending from the character. Tiny stairways, bridges, and lantern-lit paths cross the fabric folds as if the cloth is a vast inhabited geography. The fabric landscape should use the dominant colors from the reference image in its rim lights, shadows, reflected pools, and small architectural details. Use extreme scale contrast. The character’s body is close, intimate, and tactile, while the world forming from the collarbones and gown feels impossibly vast. The image should create the sensation that the character is both human-sized and continent-sized at the same time. Lighting is cold, soft, sacred, and palette-matched to the reference image. Use the reference’s dominant highlight color as the main rim light along the shoulders, neck, collarbones, jawline, hair edges, and fabric folds. Use the reference’s dominant shadow color to deepen the surrounding darkness and abyss. Let most of the scene fall into rich black shadow. The abyss inside the hollow of the throat should remain the darkest point in the image, swallowing light. Tiny warm or cool lights may appear inside the miniature ruins, but they should remain sparse, delicate, and color-consistent with the reference. Use strong tilt-shift and selective focus. The sharpest focus falls on the collarbones, the edge of the throat abyss, nearby skin texture, recognizable facial fragments, hair details, and the closest folds of black fabric. The tiny architecture inside the abyss remains readable but slightly softened by mist and depth. The lower gown landscape dissolves into dreamlike blur and darkness. The mood should be intimate, surreal, sacred, sensual, eerie, lonely, elegant, and impossible. The body should feel like a landscape of silence rather than an object of display. The surreal transformation should be beautiful, strange, symbolic, and mentally destabilizing. Style: surreal fine-art, cinematic realism, reference-image identity preservation, body-landscape portrait, palette-matched lighting, dominant-color atmosphere, elegant adult character, black off-shoulder gown, collarbone canyon, throat abyss, miniature staircases, tiny ruins, black pools, mist, suspended moon, black sun, star-threaded fabric, sacred darkness, extreme scale contrast, selective focus, premium gallery artwork. Avoid: changing the character’s identity, changing the face shape, changing the skin tone, changing the hairstyle, replacing the character with a generic model, explicit nudity, erotic posing, lingerie styling, exposed nipples, anatomical gore, exposed organs, medical anatomy, horror wound, body horror, monster design, blood, injury, grotesque transformation, overly literal cracked skin, crowded tiny figures, colorful neon fantasy, sci-fi machinery, glowing runes, ordinary portrait background, normal fashion shoot, or anything that makes the body feel objectified instead of sacred and surreal. @Moric21 @Keeen_EN @MorgankingAI @RhinoRocksX

It’s me! I’m both

Day 17 and I’ll admit this one was fighting me more than it should have considering it’s not as bizarre looking compared to some of the other dinosaurs I’ve already covered. The dinosaur giving me trouble is Masiakasaurus! The second image is what the skull should have looked like. #jurassicjune #JurassicJune #jurassic_june #Jurassic_June

@HexMethod Thank you

@Xilix_VT Beautiful!!

Parents need to limit their kids on what they watch! I had a girl on the bus today talking about murders and homicides likes it and a snack in her lunch box. And in her words. "She's ace for people and straight for cartoons."

Thank you for this lovely prompt @Xilix_VT.

@Skulltion Nice!

@Xilix_VT 😁⭐️amazing day

@KonradosHut It means the same thing 😂

@KonradosHut I wanted to put pinche puta but forgot

I made two

@MegabyteRSSD I’m sitting and watching most so it’s easy

@Xilix_VT MORE then understood. Take it easy, ok?

Okay going in for my second shift. I had two till Thursday. And then I can find out if this is my summer route till school starts. But I’m a bus aide and I have to watch my mouth cause all the kids we have mental disabilities.