Orb
498 posts


@nodefnd @alnboltn @cemhah @lorenipsum_nft @RikOostenbroek @mae_1031_ @andreasrau_eu @num1crush @ryankoopmans @ripe0x Honoured to occupy.
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OCCUPY WINTER 2026 ARTISTS
MARCH 28
PALO ALTO
@alnboltn
@cemhah
@lorenipsum_nft
@rikoostenbroek
@mae_1031_
@andreasrau_eu
@num1crush
@whyorb
@ryankoopmans
@ripe0x
Italiano

I wouldn’t be surprised to see a world where agents handle 99% of transactions and humans are left creating, appreciating and collecting cool art.
The Great Restoration by @lphaCentauriKid

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@seanmundyphoto @heft_gallery @ganbrood Art can avoid controversy.
But the kind that matters never does.
Friction is proof of contact.
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@whyorb @heft_gallery @ganbrood Actually, art can be made without any controversy.
Something being controversial doesn't make it art, either.
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GM!
Paris Photo — Artist Feature
Ganbrood
The Second Gaze (2025)
Ganbrood revisits one of the most reproduced images of the 20th century — the green-eyed girl photographed by Steve McCurry in 1984.
Recreated through generative AI, the work reflects on authorship, consent, and how images shape the people they portray.
Edition of 3 + 2 AP
Digital C-print on Fujiflex paper, signed on verso + Ethereum token
18 × 13.2 in · 45.7 × 33.5 cm
Nov 13–16 · Grand Palais · Booth D28
DM for acquisition inquiries.

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The first time I stood in front of an Agnes Martin painting, something strange happened. I’ve always been drawn to maximalism - to things loud, noisy, and flamboyant - but this was different. I had never felt that kind of stillness from a painting before. So understated, yet so strong. Filled with emotion that seemed to arrive from somewhere beyond language. I stayed there for a long time (well, maybe a few minutes, which is a long time for me), trying to understand what exactly was happening to me.
Agnes Martin never painted minimalism; she painted states of being. Her grids were not about systems or precision, but about transcendence - about finding a kind of order that dissolves into feeling.
I felt really similar when I first saw @tylerxhobbs work at Unit in 2023. It was Jacquard Legacy, in particular that had a simplicity that felt almost devotional in its focus. It’s no surprise that Martin, amongst other painters, has been a point of inspiration for Tyler. His practice also emerges from a state of deep attention, or perhaps a kind of transcendence that comes from losing oneself entirely in the making of the work.
Left : Agnes Martin, Untitled 1960
Right: Tyler Hobbs, Jacquard Legacy, 2022


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I love what @bonafidehan and @pravijn and the Shape team are doing for the space so I’ve agreed to help out with a giveaway.
Artists, show me your favorite work you’ve created on @shape
I’ll select 40 artworks from the replies below. If you’re picked you’ll be able to claim 100,000 SHAPE and a @deekaymotion DeePle item.
Winners announced around this time next week. This is just for fun so plz don’t take it too seriously!
A little birdie also told me there might be a new Shape medal in the works for all users who have bought or sold an NFT listed on @gondixyz 👀

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A Time For Hope
by @sqda (me)
I made this little sculpture over 25 years ago. Two robotic hands together in prayer. I’m not a religious person but it felt like an interesting juxtaposition. It’s arguably much more relevant today than it was back then.
I wonder what higher calling or moral compass AI and robots will look towards for guidance. Time will tell. Until then be nice to your AI / robot! 🤖🙏

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