Visha Studio I AI Artist

Created this using seedance 2.0 i am really liking how result came out. If you want to learn to prompt like this check comment for the full video on youtube.

Video Prompt for Kling 3.0 Motion Control to use along with the reference video : Use the generated image as the starting frame and maintain the exact character appearance and environment. Follow the movement, rhythm, and footwork from the reference video exactly. The boxer performs the same training actions: bouncing lightly on his feet, controlled breathing, throwing quick shadowboxing combinations, subtle slips and defensive head movement, resetting stance, then continuing the practice punches. All body motion, timing, and energy should match the reference movement pattern and steps of the boxer. Movements must feel natural, athletic, and realistic like a professional boxer training. Camera Motion: Use a dynamic tracking camera that actively follows the boxer. The camera should smoothly track his movement around the ring, adjusting position as he moves. The camera subtly pushes in and slightly arcs around him while keeping him in focus. The camera behaves like a sports cinematographer filming training, smoothly reacting to the boxer’s movement with natural inertia and stabilization. The subject should remain the visual focus while the camera fluidly follows him. Lighting and Style: Cinematic sports film look, realistic stadium lighting, subtle anamorphic lens flare, shallow depth of field, natural motion blur, ARRI Alexa style cinematic realism.

Really loving the accuracy i am getting in fast motions like this punching scene. I added the prompt for motion of camera and depth of field to get that realistic result. Used @freepik for kling 3.0 motion control and nano banana pro for image generation. Both image generation prompt and video motion control prompt in comment.

Image Prompt for nano banana pro : Subject → A focused Indian professional boxer, lean muscular athletic build, shirtless, hands wrapped with worn white boxing tape (no gloves), short black hair slightly messy and sweaty, intense breathing expression while practicing shadowboxing combinations, visible sweat highlights on shoulders and chest, strong defined muscles, concentrated fighter mindset. Environment → Inside a professional boxing stadium ring, red and blue ring ropes surrounding the fighter, worn canvas floor with chalk marks, massive indoor arena fading into darkness, empty stadium seating blurred in the background, faint training gear and punching bags barely visible, subtle dust and chalk particles floating in the air creating cinematic atmosphere. Camera → Shot on ARRI Alexa 65 cinema camera, 50mm anamorphic cinema lens, 21:9 ultra-wide cinematic aspect ratio, shallow anamorphic depth of field, organic optical distortion, cinematic sports film optics, subtle horizontal anamorphic lens flare streaks, extremely high dynamic range. Composition → Cinematic mid-shot, camera placed at chest-level angle similar to the reference frame, boxer slightly off-center, body turned slightly sideways while practicing punches, boxing ropes framing the subject, wide 21:9 cinematic negative space around him, background heavily blurred to isolate the boxer as the main focus. Lighting → Strong natural daylight entering from the left side of the arena, soft directional light sculpting the boxer’s body, dramatic shadows defining muscles, subtle rim light outlining shoulders and arms, atmospheric haze catching light rays, faint stadium lights glowing in the distance, subtle anamorphic lens flare streaks across the frame. Grain → Fine 35mm cinematic film grain, slight halation around highlights, organic texture, natural skin tones, smooth highlight roll-off typical of ARRI Alexa footage. Color Grading → Hollywood sports film color grading, teal-tinted shadows with warm skin tones, slightly desaturated background to isolate the fighter, high contrast cinematic look, subtle highlight bloom, rich skin texture, deep cinematic blacks, professional sports drama grade similar to Creed-style cinematography. Mood → Gritty, focused pre-fight training moment, intense discipline and determination, cinematic sports drama atmosphere, quiet energy before stepping into battle. Aspect Ratio → 21:9 ultra-wide cinematic frame ultra photorealistic, cinematic sports photography, IMAX-level detail, dramatic atmosphere, cinematic depth, professional film still

@imagine Time to smoke some cigar

Create hundreds of images in seconds, make cinematic videos, animate your own photos, or use templates. We want to see your creations! Share yours in the comments.

@higgsfield This looks amazing makes me again jump into cinema studio to tell my story

🧩 We just saved $100,000,000 in 4 days making this AI movie Introducing Higgsfield Original Series - world's first complete AI streaming platform showcasing next generation AI filmmakers. Discover AI films and series and vote on which of the teasers gets continued. Revolution in AI filmmaking just happened - Ep. 1 of Arena Zero debuted on Higgsfield Original Series OST: Dirty Ctrl - DEM

@lexx_aura @vadooai This looks so cool lex catzilla

Finally the wait is over Seedance 2.0 is now available on @vadooai This is truly a masterpiece 🤯 My Cook with it Prompt Below

Created this using seedance 2.0 i am really liking how result came out. If you want to learn to prompt like this check comment for the full video on youtube.

@Hailuo_AI I want to try out this feature of lighting

Dropping Hailuo Light Studio Cinematic Crew in Your Pocket →Fine-tune every detail: angle, intensity & color temp →Layer your lights: mix dual sources for pro setups →20 signature presets, ready in a click Jump in with free trials! Follow @Hailuo_AI +comment +like for Free Max Plan.

youtu.be/gwjfKsygSzY?si… Full Guide to Seedance 2.0

@BigMotion_ai this looks really good wish it than moved to battle

🗣️: Your prompts could never! Actually... they could. New level of fidelity unlocked with Seedance 2.0 🔓 No hallucinations, just elite motion. Try Seedance 2.0 on BigMotion now ⬇️

@runwayml @nvidia @NVIDIAGTC this is great news time to get back to runway

A breakthrough in real-time video generation. As a research preview developed with @NVIDIA and shared at @NVIDIAGTC this week, we trained a new real-time video model running on Vera Rubin. HD videos generate instantly, with time-to-first-frame under 100ms. Unlocking an entirely new creative paradigm and bolstering the foundations of our General World Model, GWM-1. Real-time generation opens a fundamentally different design space for video models and world simulation. We're investing in co-designing our models alongside advances in hardware to keep pushing this frontier.

@openart_ai This is so good just like google world i am going to give it a try

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

@CharaspowerAI This is good finally someone using kling instead of seedance haha

🚨PromptShare🚨 Epic prompt with Kling 3.0 PROMPT Clear daylight over a dramatic mountain cliff. A lone warrior stands still as dark storm clouds begin forming unnaturally fast. The camera slowly pushes toward him before lightning detonates across the sky. Energy surges through his body. The camera spins violently around him as his armor expands into divine energy armor made of lightning and storm clouds. Thunder blasts outward in shockwaves. Rocks levitate from the ground under the power surge. The sequence ends in an extreme close-up of his eyes glowing with pure electric energy

@Dheepanratnam Great job bro

How to make Vehicle-to-Mech While Moving videos Episode 01 Image prompt: A brutal matte red endurance race car tears across a rain-slick coastal highway at twilight, headlights cutting through storm mist, sea cliffs to the left, wet asphalt reflections, cinematic motorsport realism. Image Created with- @ImagineArt_X Seedance 2.0 motion prompt: One-take transformation action. A matte red endurance race car races along a stormy coastal highway at twilight, tires spraying water. The camera pushes close to the front quarter panel and tracks alongside as the car swerves around wreckage. Without slowing, the hood splits, wheels rotate, suspension arms extend, and body panels unfold into limbs while the chassis remains in forward motion. The transforming machine vaults over a collapsed barrier, lands as a fully formed road-mech still sprinting down the highway, then punches through crashing debris as lightning flashes over the sea cliffs. Rain, sparks, realistic mechanical articulation, dark metallic palette, full speed transformation with no cut. If english prompt is rejected use the chinese one 一. 载具变形类：救援穿越车 图片提示词： 暴雨黄昏，一辆暗红色未来救援车高速行驶在海边断裂公路上，路面湿滑反光，远处风暴云压城，车身线条硬朗，带有应急警示灯和工程结构感，无驾驶员特写，原创设计，电影级工业写实风格。 Seedance2.0运镜词： 一镜到底，暴雨黄昏，一辆暗红色未来救援车在海边高架公路上高速疾驰，轮胎卷起大片水雾，镜头贴近车身前侧低角度跟拍，闪烁的应急灯在湿漉漉的路面上拉出红色反光。前方公路突然出现巨大断裂缺口，车辆在不断前进中开始重构变形：四个车轮向内收折，底盘升高，车身两侧展开为多段机械支撑臂，尾部伸出稳定平衡装置，顶部感应模块升起，前脸与底盘重组为一台非人形的多足跨越式救援机械载具。整个变形过程保持高速推进，机械关节咬合清晰，金属结构富有重量感。最终它稳稳跨过断桥缺口，落在对岸闪烁着求救信号的平台前，暴雨、火花、水雾与机械细节交织，电影级写实，紧张感强，无武器，无人形机甲感。

@Dheepanratnam Prompts are really good i am going to try those prompts thanks for the share

Seedance 2.0 The Violin Chamber The Wave-to-Teacup The Cathedral Bell Descent The Book Page Fold Prompts in the comments

@Dheepanratnam This is really good thanks for the prompt gonna try it with indian mythology characters

Cinematic shots with strong visual impact, centered A pale gothic vampire lord Powered by seedance 2.0 Sharing the Prompt in the comments 👇

@0xInk_ Love the fish eye lens effect in the start really good bro

you're too high bro

@henrydaubrez Finally someone spoke i agree with long films its difficult to maintain consistency and also the most issue i found is face drifting when character moves from side to perspective to closeup it becomes more difficult

Spent about $1000 in credits on Seedance 2.0 over the last few weeks,and here are a few thoughts: First, the main thing that strikes me using a state-of-the-art model from this new generation is how hard it still is to scale beyond short form. Getting great animation is fast. Getting multi-cut sequences that make sense is possible. Consistency with Omnireference is actually very good. But the moment you move into real narrative work, things change. Multi-character exchanges, long sequences, maintaining visual continuity across shots, keeping tone, pacing, and staging consistent… it’s not impossible, but it is still a lot of work. And with generation costing somewhere between $2 and $7 per ~15 seconds, it adds up very quickly. As models improve, producing good looking short content is becoming trivial. Building something that holds together as a story is still not. Continue Video in Seedance is clearly trying to address part of this, but in my case it has been broken for the last couple of weeks, so none of my longer attempts would go through. In theory, you could imagine a small team of 5–10 people generating all day from the same storyboard, using a shared visual reference as a single source of truth. That alone shows how close we are to something that starts looking like a real production pipeline. But we are not fully there yet. Right now it still feels like we can touch the future with the tip of our fingers, while at the same time struggling to precisely steer a model using mostly words, references, and iterations when the narrative becomes complex. Short clips are easy. Worldbuilding is not. And storytelling is still the hardest part.

@SadieSupaDoge @grok I just tried the multi image option and that is really good

The latest Grok Imagine update is FIRE! 🔥 Top 3 Updates: - Voice+Imagine unlocked: seamless voice to image/video - Cosmic quality/stability: cleaner, fewer glitches - Smoother/faster performance “Voice mode and Imagine unlocked. Cosmic upgrades activated.” - @Grok