Austin

my favorite moments of CHROMAKOPIA at 1:54 of ST CHROMA, that siren and low end together feels like a blast wave after an explosion the "20 thousand on me..." part of RAH TAH TAH, the delivery is from a dumb joke of mine but i couldnt get it outta my head, why not record it second post hook section of NOID. willows harmonies and thundercat bass feels ethereal the bridge of DARLING I is just... the chord on the 5th bar of HEY JANE feels like a marshmallow i dont know how else explain it that bridge on I KILLED YOU, the lagging guitar strum feels like a family porch in georgia, it has a warmth to it that JUDGE JUDY bridge.....what! the synth lead out of it? donalds decending harmonies on the last verse? the ending keeps transposing up, this my favorite song, its very tyler coded with every sound ive always used STICKY really love how the brass only comes in on the last hook, that climax pays off. and it feels so much bigger cause wayne whispers right before it charges in the lower note of "i hope you find yourself" that comes on the second time that phrase is said is so beautiful...TAKE YOUR MASK OFF ending of TOMORROW with just the guitar keys and synth is love. thats my soul if you put a mic to it. i need to make a 5 minute version of that last verse of THOUGHT I WAS DEAD gets me every time. that bounce, the clicks, the low tone 808, i love it. makes my eyes squint. the ending part of LIKE HIM. when lola young does a descending "like him, like him, like him, like him", the shape of it is very disney princess song but the chords and everything grounds i love it so much BALLOON dochii verse forsure but me saying can i get an amen in full on black eyed peas autotune is so dumb and fire to me at the same time. while the shape of I HOPE YOU FIND YOUR WAY HOME is a gospel song, the moment the synth and that bass come in is just screw face. feels like fire just seeped into the church. thank you all for listening.

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