Alex Kosakowski

439 posts

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Alex Kosakowski

Alex Kosakowski

@AlexKosakowski

AI yai I eye aye

Katılım Temmuz 2025
183 Takip Edilen60 Takipçiler
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Alex Kosakowski
Alex Kosakowski@AlexKosakowski·
That’s John Pumpkinhead
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Alex Kosakowski
Alex Kosakowski@AlexKosakowski·
@blauereiter Yeah, like when you look at paintings from hundreds of years ago and they have subsurface scattering in there haha
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Alex Kosakowski
Alex Kosakowski@AlexKosakowski·
@drawsgood Just read, and try not to think about other things, like I could be drawing instead of reading haha
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Drawsgood
Drawsgood@drawsgood·
Looking at my huge backlog of books I need to read, I’m realizing if I could read faster, I could enjoy more books. Has anyone found any good resources or apps for increasing reading speed?
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Alex Kosakowski
Alex Kosakowski@AlexKosakowski·
Importing svgs is terrible, you have to rename every single element in the hierarchy, you have to separate the objects into groups, you are better off just recreating the graphics in Rive. You have to animate each group independently for the floating animation. To make the lines grow use Trim Paths. To make the dot follow the line use Follow Path.
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Aakib Khan
Aakib Khan@1Aakib·
I’ve imported an SVG from Figma into Rive and I’m trying to animate it, but I’m running into issues with structure and animation setup. What I’m working on: A scene with two server-like components on the left and right A central unit with a shield icon Connection lines and dots between them What I want to achieve: Subtle floating animation for the components Animated connection lines (data flow effect) Pulsing dots / micro-interactions Potential hover interaction using a state machine Current issues: The SVG seems too grouped/flattened after import Not sure how to properly restructure the hierarchy inside Rive Difficulty animating connection lines (trim path / stroke animation) Unsure about best practices for pivots and grouping What I need help with: Best way to structure this file inside Rive after import How to animate line flow (trim path or alternative?) Recommended approach for setting up a clean state machine for hover interactions If anyone has a similar setup or workflow, I’d really appreciate guidance 🙏 Thanks!
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平林孝央_TakahiroHirabayashi
光を追いすぎて何が描いてあるか分かんなくなってきた。つまり良い。
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Dave Rapoza
Dave Rapoza@DaveRapoza·
Breaking news - I’m creating an AI of myself to talk to my family when I’m busy and an AI of myself to do my work for me and an AI of myself to smile at myself in the mirror and an AI of myself to pleasure itself so I don’t have to think about it anymore - I just need more time to watch reels and slow my progress down, thankfully we’re all doing much better due to these new tools
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Alex Kosakowski
Alex Kosakowski@AlexKosakowski·
@doremifa84 Yet the shapes and volumes are created with lines, you must use both techniques
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どれみふぁ空次郎
どれみふぁ空次郎@doremifa84·
先生にはちゃめちゃに手入れてもらった。 線で描くんじゃなくて面とか量感で描けるようにしたい。
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BCKOMIX
BCKOMIX@bckomix·
From Osamu Tezuka’s guide to drawing comics. Using simple pen strokes to create complex natural environments.
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宮本寛太
宮本寛太@miya_pastel1·
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宮本寛太
宮本寛太@miya_pastel1·
5色で描いた空
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宮本寛太
宮本寛太@miya_pastel1·
雑景
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マンガ編集O氏 MangaEditor@KADOKAWA
XIN CHÀO CÁC BẠN TẠI VIỆT NAM! 🇻🇳✨ CƠ HỘI RA MẮT VỚI TƯ CÁCH LÀ HỌA SĨ MANGA TẠI NHẬT BẢN BẮT ĐẦU TẠI ĐÂY! 🇯🇵✒️ KADOKAWA WORLD MANGA CONTEST là cuộc thi truyện tranh quy mô toàn cầu nhằm tìm kiếm những tài năng mới từ khắp nơi trên thế giới để vươn tới thị trường Nhật Bản. 🌍 Bất kỳ ai cũng có thể tham gia! ✅ Đăng ký HOÀN TOÀN MIỄN PHÍ và mở rộng cho tất cả mọi người. ✅ Có thể gửi các tác phẩm đã sáng tác trước đó (tác phẩm cũ). ✅ Mở rộng cho các nhà sáng tạo trên TOÀN THẾ GIỚI. Người chiến thắng sẽ nhận được: ✅ Hỗ trợ đầy đủ để ra mắt tại Nhật Bản. ✅ Cơ hội được mời sang Nhật Bản! ✈️ ⏳ HẠN CHÓT: NGÀY 31 THÁNG 3 (Cuối tháng này) Thời gian không còn nhiều, đừng bỏ lỡ cơ hội này! 📢 LƯU Ý QUAN TRỌNG DÀNH CHO CÁC NHÀ SÁNG TẠO! Rất tiếc, chúng tôi không thể tiếp nhận các tác phẩm bằng tiếng Việt. Nhưng đừng lo lắng! Bạn vẫn có thể tham gia bằng cách gửi manga dưới các ngôn ngữ/định dạng sau: ✅ Tiếng Anh, tiếng Pháp, tiếng Tây Ban Nha, tiếng Trung hoặc tiếng Nhật ✅ Wordless (Không lời / Không có lời thoại) 🌍✍️ Chúng tôi đang tìm kiếm siêu phẩm toàn cầu tiếp theo... và đó có thể chính là BẠN! 🌏🚀
マンガ編集O氏 MangaEditor@KADOKAWA@editorO8823

Have you submitted your Manga for your Japanese debut yet? 🇯🇵 The deadline is the end of this month. For those who have already hit that submit button—congratulations! 🎉 We’d love to hear about your journey. ✅What was the most challenging part of the process? 🖋️ ✅Any fun "behind-the-scenes" stories while creating your manga? ☕️ ✅How does it feel to finally be in the running? ✨ Share your experiences and thoughts in the comments below! Let’s cheer each other on as we head toward the finish line! 👇🏆

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宮本寛太
宮本寛太@miya_pastel1·
夕景
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清野
清野@6gjgDbTn12epIyZ·
朝活クロッキー (マンレボさんのリファレンスお借りしました)
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SHINN UCHIDA
SHINN UCHIDA@mangalivepaint·
祝!岩国市合併20周年! マンガライブペイント無事完成しました! 差し入れも沢山ありがとうございました…! #uchidart
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マンガ編集O氏 MangaEditor@KADOKAWA
Have you submitted your Manga for your Japanese debut yet? 🇯🇵 The deadline is the end of this month. For those who have already hit that submit button—congratulations! 🎉 We’d love to hear about your journey. ✅What was the most challenging part of the process? 🖋️ ✅Any fun "behind-the-scenes" stories while creating your manga? ☕️ ✅How does it feel to finally be in the running? ✨ Share your experiences and thoughts in the comments below! Let’s cheer each other on as we head toward the finish line! 👇🏆
マンガ編集O氏 MangaEditor@KADOKAWA tweet media
マンガ編集O氏 MangaEditor@KADOKAWA@editorO8823

🚨 Tick-tock! Less than 3 WEEKS until the World Manga Contest deadline! 🚨 Are you ready to make your big debut in Japan? 🇯🇵✨ Why you should apply: ✅ 100% FREE to enter! ✅ Past works are totally okay. ✅ Your chance to get noticed by Japanese editors. Don't overthink it—just give it a shot! Your dream of becoming a manga artist starts with a single click. 🚀 Apply now! 👇

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