Cynka ☕️

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Cynka ☕️

Cynka ☕️

@Cynka7

🌈 actress & independent artist 🎶 musicals, bisexuality, dodie, popculture, self promo and other shit in polenglish 🌻 mother of bootlegary 💖

23yo ° ona/on ° she/he ° Katılım Mart 2016
610 Takip Edilen1.1K Takipçiler
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Cynka ☕️
Cynka ☕️@Cynka7·
Join me on "coffee date". With nervousness and eagerness and all the love that's in it. And ukulele and violin, they are also... In it.... Look for it on all the streaming platforms ❤️☕ ffm.to/coffeedate
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freddy 🦇 transmascunty
freddy 🦇 transmascunty@dyketowncentral·
reminder that jkr is not like your aunt who doesn’t get they/them pronouns, she is a vicious anti trans activist who has literally rolled back trans rights in the UK and has extensively harmed myself and my community, and even indirectly killed some of us.
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Anish Moonka
Anish Moonka@anishmoonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
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Cynka ☕️
Cynka ☕️@Cynka7·
this month marks the fourth anniversary of my first ep - "freshman". i recorded it my bedroom before studying at the Theater Academy. let me tell you a lot has change since then, but I can promise you one thing hasn't - new is coming ❤️ thank you for your support 🌸 yours, Cynka
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Tomos Doran 🏴󠁧󠁢󠁷󠁬󠁳󠁿 🇬🇧 🇺🇦 🇮🇱 🇵🇸
In one of his Discworld novels, Sir Terry Pratchett describes a hammy actor as having a voice you could never order coal with, because it would turn up as diamonds. You'd think such a thing couldn't exist in real life, but that would be to reckon without the legendary Matt Berry.
Todd Spence@Todd_Spence

Supercut of Matt Berry announcing stuff during the #Oscars lol

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Project Hail Mary
Project Hail Mary@projecthailmary·
Ryan Gosling throws a Hail Mary to fix the La La Land poster in honor of the 10th anniversary, thanks to Rocky… and his jazz hands. #ProjectHailMary
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nick
nick@Framesofnick·
Imagining Stellan Skarsgård holding a kpop light stick
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kendall
kendall@filmbitten·
you’re laughing. timothee chalamet is turning into the joker after the show ends tonight and you’re laughing.
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AntonyKs🐻
AntonyKs🐻@Antonyyoel09·
@ByClaytonDavis @Variety @TheAcademy "Animation is cinema, animation is not a genre, and animation is ready to be taken to the next level. Help us keep animation in the conversation." Guillermo del Toro, 2023
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