Devolution Monkey

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Devolution Monkey

Devolution Monkey

@Devolution_Monk

Katoshis animation is my new addiction. OCM forever. My cup is half full ! A simple man with big dreams .....

Katılım Temmuz 2021
2K Takip Edilen1.5K Takipçiler
KPM◉◉N
KPM◉◉N@KPMoon·
Happy to share that I’ve onboarded my 21st Ordinals Collector. She understands the value and has started off with a small amount, but as the understanding becomes clearer so will her conviction. Bring Ordinals into real life conversations and onboard forever. 🟧🌊
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Leonidas 🧡 $DOG
Leonidas 🧡 $DOG@LeonidasNFT·
Does the $DOG Army still show up the strongest on red days???????
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cardchancer
cardchancer@cardchancer·
@Devolution_Monk @OnChainMonkey @Metagood_com This piece of conceptual art is one of the most important collections on Bitcoin. The tokenization of assets on Bitcoin. This Bitcoin Ordinal certificate shows that I own OCM Genesis #767 on Ethereum. 🤯
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cardchancer
cardchancer@cardchancer·
When The CLARITY Act passes the tokenization of RWA’s will be insane. And @OnChainMonkey holders will be some of the first to benefit from it. Are you holding OCM?? See what @Metagood_com is up too. Look at the founders, investors and, who their friends are. Join us and !RISE
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Amanda Terry
Amanda Terry@amandaterry·
At our @ACTAIVentures Founder Workshop in Santa Monica, I shared how we’re building @Metagood_com from fully on-chain art on Bitcoin into a full-stack tokenization and lifecycle management platform for real-world assets. The timing feels important as the Senate Banking Committee just advanced the CLARITY Act with bipartisan support, another major step toward regulatory clarity for digital assets in the U.S.🏦 Thank you @votetimscott 💪 We’re now in conversations with major transfer agents, custodians, and issuers across private credit to securities exploring how assets move on-chain. Most institutional forecasts now expect $2T–$16T+ of real-world assets to move on-chain by 2030, led by Treasuries, private credit, funds, and eventually equities so the opportunity is huge. 🌊🌊🌊
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Simon Gerovich
Simon Gerovich@gerovich·
For the first time in half a century, the foundational architecture of money is being rebuilt. Capital is migrating from closed institutions onto open, internet-native networks, where it can form, settle, and be verified without intermediation. At the center of this transition sits Bitcoin. Bitcoin is digital capital: the world's first truly decentralized monetary asset, with no issuer, absolute scarcity, and global cryptographic settlement. No prior asset in monetary history has combined these properties at scale. We have built our business around it. The shift to digital-native capital markets is taking shape across both Japan and global markets. In Japan, the early infrastructure is in stablecoins and tokenized fixed income: JPYC, Japan's first yen-denominated stablecoin, commenced commercial operation in October 2025; JPYSC, Japan's first trust-bank-backed yen stablecoin, was announced for Q2 2026 launch; and a consortium involving Japan's major banking groups and financial institutions initiated a task force in May 2026 to explore the tokenization of Japanese government bonds. In the United States, Bitcoin is moving into the capital stack. STRC, the variable-rate preferred stock issued by Strategy and increasingly described as 'digital credit,' has scaled past USD 8 billion in notional outstanding, the largest single preferred share line globally. The broader settlement and trading infrastructure is forming alongside: the SEC has approved 23-hour weekday equity trading, tokenization of real-world assets continues to scale, and programmable settlement, payments, and decentralized finance (DeFi) are moving into practical use. In parallel, Bitcoin has moved into the core of U.S. wealth and brokerage distribution. Spot Bitcoin ETFs now rank among the most successful product launches in the history of the U.S. fund industry, and the country's largest asset managers, banks, and broker-dealers have rolled out or are rolling out Bitcoin custody, trading, and financing services across their institutional and retail client franchises. In April 2024, Metaplanet became the first listed Japanese company to adopt a Bitcoin Standard, designating Bitcoin as our primary treasury reserve asset. The decision was an early one, taken with conviction in the structural transition outlined above, and in the view that a publicly listed operating company built around Bitcoin, a model pioneered by Strategy and most fully developed in U.S. capital markets, could compound shareholder value on a BTC-per-share basis through disciplined access to capital markets and the build-out of Bitcoin-native operating businesses. Since then, we have built a BTC treasury of over ¥500 billion, and today operate one of the strongest balance sheets among listed Japanese companies, with access to hundreds of millions of dollars of liquid financing on demand from a growing universe of U.S. and global institutional lenders specializing in BTC-backed financing. Within Japan, we hold approximately 87% of all BTC held by listed companies as of May 2026, a position we intend to continue building. At the same time, we are preparing for the broader institutionalization of the asset class. On April 10, 2026, Japan's Cabinet approved an FIEA amendment bill establishing a regulatory framework for crypto-assets. Subject to Diet passage, the amendment is expected to take effect during fiscal year 2027 (April 2027 to March 2028). We have not been a passive observer of this transformation. We do not intend to become one. Our ambition runs along two tracks: continuing to build our Bitcoin position with discipline and patience, while developing the services and businesses that operate atop that foundation. We are that thesis put into practice, a leading digital capital platform anchored in Japan, with global reach to follow. Over the decade ahead, we believe Bitcoin and the broader digital capital architecture will transition from an emerging phase to one of institutionalization, in Japan and globally. New collateral standards, settlement rails, and new categories of financial products are expected to develop around it. We intend to build at the center of that transition, as issuer, counterparty, and partner inside the new architecture, not only as a holder of the asset beneath it. With Japan's regulatory framework realigning, Bitcoin-backed credit markets deepening, and global settlement infrastructure maturing, we are positioned to operate at the intersection of all three. We are building a Bitcoin-focused public company that serves the long-term interests of our shareholders and strengthens Japan's participation in the digital capital markets forming around the asset. We will continue to accumulate Bitcoin, grow Bitcoin per share, and allocate capital with discipline. Over time, we intend to develop financing capabilities, operating businesses, and institutional relationships that make our Bitcoin position more productive and durable. This work sits inside a larger shift in how money and capital markets are organized. We intend to contribute to the development of Japan's digital capital markets.
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hafftka
hafftka@hafftka·
I’m honored to share that I’ve been commissioned by @tadtweets to create a new work consisting of both a digital piece and its physical twin. The commission came after Tad encountered my FACES collection and connected deeply with one of the works, which had already been acquired. Rather than letting the moment pass, he chose to commission a new piece born from that same spirit and emotional language. I’m deeply grateful for his belief in the work and for the thoughtful connection that made this possible. Special thanks to @RDToTheMoon for facilitating this in such a meaningful way. This kind of dialogue between physical and digital practice is something I care about profoundly, and I’m excited to share both versions of the work here. "Walking a Fine Line"
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Amanda Terry
Amanda Terry@amandaterry·
The CLARITY Act advancing through the Senate Banking Committee is another major signal that digital assets are moving from regulatory ambiguity toward institutional infrastructure. The conversation is no longer whether capital markets move on-chain. It’s how the rails, compliance, custody, transfer agency, and lifecycle management layers get built. This is the operating system upgrade for financial markets and we’re here for it at @Metagood_com!
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GALAVIS
GALAVIS@FedericoGalavis·
I am happy to announce that the publication by Santa Monica College (SMC) of a book on the year-long 2024 Digital Arts Festival: DNA Festival Santa Monica. It celebrated over 40 years of collaborations between LA ACM SIGGRAPH and EZTV and expanded into a multi-venue series of exhibitions, panel discussions, and live performances. The book focuses on the "Fourth of Four" exhibition, a 40-year retrospective survey of 24 digital artists including myself and it was curated by Joan Collins, @mjmasucci, and @Acevedomedia (who also designed the book/catalogue). With contributing guest essay by Zsofi Valyi-Nagy. @z_s_v_n DNA was by far the largest digital art festival in the city that year. In addition to several SMC campuses, events were held at 18th Street Arts Center and various galleries, including Berman Art Projects, bG GALLERY, William Turner Gallery, ROSEGALLERY, and academia’s first holographic theater at iEXCEL at UNMC. The broad range of artists included digital art pioneers Rebecca Allen, David Em, Maija Beeton, Vibeke Sørensen, Paul Brown, Karl Sims, Mark C., Sheriann Ki Sun Burnham, Diane Piepol, JON 9, Kevin Mack, and Clayton Campbell, as well as contemporary artists such as Alina Kalinouskaya, Federico Galavis, choreographer Donna Sternberg; holographic experiments with scientists Gregory Carpenter, DrPH, and Michael Hollins; a panel on AI-informed architecture organized by producer Summer Varde, NCARB, PCC, PCAC; exhibitions by David Hockney and Larry Bell; writings by performance artist Barbara T. Smith; and a panel on classic telepresence by Anastasia Chernysheva with Kit Galloway. Special acknowledgment to SMC’s Walter Meyer and Sheila Cordova, AIA, for their enormous contributions, creativity, vision, and support, without which this would not have grown from a tiny grassroots artists’ effort into a 12-venue year-long survey of digital art spanning nearly 50 years, plus live multimedia performances, panel discussions, and site-specific installations. Thank you @mrsjoancollins @mjmasucci @Acevedomedia. It was a true honor to be part of this show. Plans are underway to stage another DNA Festival in 2027.
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Leonidas 🧡 $DOG
Leonidas 🧡 $DOG@LeonidasNFT·
Listen to me carefully This is very important $DOG represents the end of all insider corruption in the crypto markets They will do everything in their power to stop $DOG from going to the moon Do not give up Never stop fighting for $DOG
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Bored Osaka 🇯🇵
Bored Osaka 🇯🇵@BoredOsaka1·
GMGM friends Find your joy and sit in it for a minute. Have a fantastic morning strategizing, building and being your best self. I see you, I am with you and for you! !RISE
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