D.Runa

🐝Whitelist MINT is LIVE Now!!! 🐝 GO GO GO!!!! Join us on the FUNK show live now to MINT the Beelixea NFT collection🥳 🌟 Go to launchmynft.io 🌟 Sign in with the wallet you listed 🌟 Mint! See you there ❤️🐝❤️

🐝Are you prepared for the swarm?🐝 👇Whitelist now for BEELIXEA NFTs - playable turret class defenders across all @OSP_TD games🎮 All Roads Lead To The Citadel 🤝 @unclefunkdrew @the_citadel_gg @KevBarefoot @buddyverse22 @eatsonlymeats @midnitecatzlady @shecka06 @Domonnnique

I want all the OSP NFTs that have hearts in them. My whole line up needs hearts.

@bumble8899 @unclefunkdrew @the_citadel_gg @KevBarefoot @buddyverse22 @midnitecatzlady @SrChois Done! And thank you for letting me be apart of your journey!

🐝Beelixea NFT collection whitelist is live🐝 The newest defenders of The Citadel💯 Playable across OSP games🎮 Get whitelisted now & collect the swarm!🔥 All details & google form👇 @unclefunkdrew @the_citadel_gg @KevBarefoot @buddyverse22 @midnitecatzlady @SrChois @TheTechSaiyan @shecka06 @RunachOfFeymorr @Domonnnique @_sammified @OSP_TD @Kphstudios @eatsonlymeats @Odin56789028 @JiriOhem

@SrChois @midnitecatzlady @eatsonlymeats @KevBarefoot @jcqtavares @buddyverse22 @SPlayalot @bumble8899 @shecka06 @702Philips @TarisResh @marcellovtv @GaspodeWD @rob_osp @unclefunkdrew @lupshall

Big love to the early Pandas! 🔥 @midnitecatzlady @eatsonlymeats @KevBarefoot @jcqtavares @buddyverse22 @SPlayalot @bumble8899 @Domonnnique @shecka06 @702Philips @TarisResh @marcellovtv @GaspodeWD @rob_osp @unclefunkdrew @lupshall And everyone else already minting! We are building @the_citadel_gg together! 🐼 Still only 125 minted. Super early days! Who’s next?

This is a taste of what we are building! The different play modes will be playable on every platform from an Android TV to Mobile, Consoles and monstrous gaming PCs! Getting through the entire first-phase story should take around upwards of 8 hours of focused gameplay.

Bought another Katsu pack and got #0 out of 10,000. #katsumint #everygirlsafe #osp

My pack is in! Thank you @Kphstudios I could not get to a computer in time 🫶🏽

Lucille- one of the main Primes in the Operation Safe Place story! It's my fave NFT of this selfless healer. She holds courage, compassion & has the drive to heal. Her presence, her need to keep resilient in a world of despair, is relentless Check out ospgame.com

I think a major reason for this is that we were not here for the casino. The concept of Web3 to us is a means of player inventory ownership via secure digital assets. Tokens are part of the lore and community ecosystems. Most of us are building the Ready Player One model - Thriving, fun, economically rewarding, gamified education etc. The casino people destroy anything they touch because their mentality is purely extractive subsistence economics.

Sorry. You triggered me with this one. Our games are inevitable alright, just not in the way any of these extractive, morally vacuous, Web3 degenerates want them to be. 'Creators' in Web3 are a matter of whether the dev has money or not. And most of us don't. As much as I enjoy your high horse post here on my timeline, its the creators who whore themselves out and sing the praises of weak games all day who make Web3 gaming look so weak. Those of us devs actually spending our money on building the product instead of expensive, ineffective marketing campaigns and stupid live events are invisible as hell in Web3. And honestly, we don't care anymore. We didn't come here to serve a bunch of casino addicts and manipulative narcissists who destroy everything they touch with their subsistence mindsets. 'Actually play' my ass. 'Creators' in Web3 only play or amplify if there is some kind of 13 pieces of gold creator program from chains or clueless grant winners who don't know where to spend their money. KOLs, Creators, Streamers ignore just about every great in-process Web3 game I have seen. We're so done with all of you, we just started streaming and building communities ourselves.

@OSP_TD Let’s gooo

🚨Katsu Yuki is the most important mint in Operation Safe Place's history🚨 〽️Not only because we’re minting in one of the harshest markets. 🔕Not only because NFT marketplace volumes are silent. 🎉Not only because this is our biggest mint to date. 💸Not only because we’re actively flowing liquidity into our other collections. But also because this is the first mint on our own launchpad, @the_citadel_gg Minting on @SeiNetwork with $SEI, and with virtually any payment method you can think of. This mint is a test of our dedication, and a test of yours. Be ready. 🕐March 2nd.

How do I explain what this gaming ecosystem means to me? Honestly, those of you who have a problem with AI as a creative tool and Web3 as a tool of economic freedom have no idea what you are criticizing. Those of us with bottled-up creative vision and genuinely altruistic hearts have been rescued. For us, 2026 is a year of creative salvation. My raw passion for what we are building. An essay from my heart. The Citadel is a full-on gaming city headquarters, where players will equip and launch everything we will ever build. Kind of like the Oasis in Ready Player One. As a kid in the eighties, I would have moved my bed into the town library if I could. I remember often being asked to leave well after the library staff had closed the doors and finished their cleaning and sorting duties. I would frequently have two or three sci-fi/fantasy books open at the same time, impatient to ingest the ebb and flow of the heroes’ journeys and find the parallels in each character’s development. By the time I was a teenager, I realised that world-building played just as much of a role in who those characters were as hardship and mentors did. I spent almost every cent I could find on movies at the local cinema and arcade machines at the street-corner shops. Conan the Destroyer, with Arnold Schwarzenegger, was my first true visual world-building cinematic experience. I watched it as many times as possible at the cinema, then hired it on VHS from the video rental store—often convincing the employee to play it in the store. Then I saw Blade Runner with Harrison Ford. (Conan came out before Blade Runner, but I only saw Blade Runner for the first time on VHS.) The cyberpunk world was so vivid and intense that I was filled with hopelessness, knowing as a teenager in a small South African town that I would never have the opportunity to create anything even remotely as magnificent. It was unimaginable—something for people with money. But there were other creative careers I could pursue, so I did. We were too poor for instruments or music lessons. I collected empty bottles and did odd jobs just to get a few cents to watch a movie or play an arcade game. As I grew older, I found a cool church that had a piano, drums, and an acoustic guitar, and I learned to play by ear. It started my creative career, leading to bigger churches where they had camera equipment and I could learn basic visual storytelling and music production. After school, I got my first laptop and played Warcraft 3 and StarCraft 1—it blew my mind. The world-building was incredible. Then World of Warcraft arrived. When I first walked into Stormwind, I fell in love. I played many MMOs after that, always deeply impacted by how world-building shaped the characters. In my thirties, I landed a job in the creative industry—radio, TV, music videos—and eventually independent cinema, where my talent ran into the insurmountable wall of low budgets and no budgets. No matter what I tried, I couldn’t climb over the funding wall. Visual storytelling at the level in my heart was so far above my financial reach that it broke me emotionally. It was like a glass wall. The poor look at the lives of the upper classes through a wall of impossibility, with none of the tools or cultural knowledge to climb to the top. Those with money are only interested in scaling what already makes money—or has made money before. Those of us climbing from below nothing must break ourselves on every rung of every ladder, while those born at the top call us “cheesy” or “cringe” and tear into our underfunded work with soul-cutting arrogance. Then Web3 and AI arrived, and the first walls started falling. The inclusive nature of Web3—where every player can be an investor—and AI’s impact on the impossible funding mountain for visual storytelling let those of us outside financial power circles get a foot in the door. Advances in Unreal Engine and Unity, marketplace tools, and AI as a step-by-step teacher get you to the MVP, the demo, the proof of competence. It helps you raise the small amounts your passionate community can contribute, getting your project to the place where it generates the first income numbers the money people want to see. That’s the foot in the door for those at the bottom. But it’s only a rung. We still break ourselves climbing to the next. You need relentless creative vision to put in 18-hour days, show up, fight for each step, and keep your eyes on the big picture. In Web3, 99% of people don’t care about the big picture—they want short-term gains and digital-casino wins. They rob each other, destroy projects, rug-pull for a quick buck, lie, steal, and demand what isn’t theirs from self-made thrones of judgement, driven by desperation and greed, regurgitating insults from the Dunning-Kruger hivemind. But we are not here for them. I feel nothing for rats and cockroaches. I am here for those who see what I see and crave what I crave. A digital world where the property you own is as rewarding and fun as the weapons and armour you own. Where every game we build increases the value of your inventory and tokens, the way it would in the real world. I want to build an ecosystem where your creativity has no limit and where you are protected from financial predators—because we are building something too complex for them to effectively exploit or manipulate. In real life, I despise human predators of any kind. I consider them my mortal enemies, worthy only of war or conversion. Nothing about them is redemptive. It is the same in this digital Web3 world. I take what they do to each other personally. When they try their selfishness at the edges of our community, I react without apology. They are scum. So we are building a digital world where the community makes the rules, the shepherds have real power, and the world-building and storytelling celebrate righteousness, justice, and the redemptive heroic journey we must all endure to become who destiny demands. Games, books, movies, stories, communities—these are the most powerful weapons we have to pull people out of despair. And now we can also pull them out of poverty. Do you see what I see? Can you feel what I feel? The real-world impact of what we are building is all I dream about. It drives me through these incredible financial hardships. We can impact the lives of billions. There has never been a time in history when it was more possible than now. Though I feel tired on this side of the glass wall, watching those with big money give millions to charlatans and thieves who know the right words, circles, and people to charm, I will keep building this dream. Nothing will stop me. I am 51 years old as I write this, and my family lives well into their eighties. Time is on my side, and this is the greatest joy of my creative life! To all who have invested what little they have—in money, time, encouragement, and support—I thank you and honour you. We will do this! We will break the glass walls in front of us and change countless lives—unto generations! We have achieved so much with so little, and when our breakthrough comes, we will do much more. What a time to be alive!

I was just on @unclefunkdrew live stream and I was shocked of how the game he is building is looking super cool.

You’re early! 🟣 Most people will discover Slumlana when it’s already loud. You’re here while it’s still being welded together in an underground chop shop. Let me explain what that actually means. 🧵👇 🧱 Slumlana is the outer ring of the Citadel. Not the polished center. Not the ivory towers. This is where the grinders live. Where stolen ships get rebuilt. Where weapons are forged from scrap. Where degens become residents… and residents become operators. This is street-level cyberpunk economics. 🏠 It starts with Slumlana Apartments Each apartment costs: 👉 100,000 FUNKLANA At today’s levels that’s intentionally cheap. Why? Because apartments are the on-ramp. Apartments give you: ⚡ Daily GRIT 🔥 Courage participation 🏗 Access to the Slumlana economy 🎮 Entry into the OSP ecosystem They’re not “PFPs”. They’re housing inside a living game economy. ⬆️ Then comes progression You don’t just hold apartments. You upgrade them. Here’s the ladder: 🏠 1 Apartment = Resident 🏬 10 Apartments → T1 Commercial Chop Shop (Legendary License) 🏢 100 Apartments → T2 District Chop Shop (Legendary License) 🏭 250 Apartments → T3 Shadow Shipyard (Legendary License) Apartments are consumed to create businesses. That means: 🔥 Supply sinks over time 🔥 Scarcity increases naturally 🔥 Builders rise through effort, not luck No shortcuts. 🟣 Every Slumlana Commercial Property is Legendary And that matters. Legendary means: 🟢 Common items allowed 🔵 Rare items allowed 🟣 Legendary items allowed 🔴 Exotic = locked 🟡 Ultra Exotic = locked Slumlana is street tech. Legendary is the ceiling here. Exotic and Ultra Exotic live deeper in the Citadel later. That’s intentional pacing. 🔧 What are Chop Shops? They’re underground grey markets. They deal in: 🚀 Rebuilt ships 🔫 Forged weapons 🛠 Salvaged tech 📦 Stolen components T1 = Back-alley forge T2 = District operation T3 = Shadow shipyard You don’t sell trinkets. You move hardware. By T3, you’re not crafting parts anymore. You’re moving fleets. 🧠 This creates real class progression Not cosmetic. Economic. Apartments = survival T1 = hustle T2 = coordination T3 = control Degens → Residents → Operators → Kingpins Same city. Different levels of power. 💰 Why FUNKLANA matters Funklana isn’t a meme. It’s the only way to mint Slumlana Apartments. Which means: If people want housing… they need FUNKLANA. If they want businesses… they need more FUNKLANA. If they want districts… they need a LOT of FUNKLANA. Fixed token pricing. Rising demand. Natural sinks. That’s the loop. 🎮 And it all plugs into OSP Slumlana feeds directly into gameplay: ⚔ Legendary gear 🧬 Infusion builds 📈 GRIT progression 🔥 Courage economy Your property isn’t just a JPEG. It becomes infrastructure inside the game. 🚨 Read this part twice: You’re seeing this before: • Apartments get scarce • Chop shops get competitive • Districts get owned • Builders get separated from tourists Right now: Apartments are cheap. T1 shops are accessible. Progression is wide open. Later? It won’t be. This isn’t about flipping. It’s about positioning. Owning streets before they become districts. Owning districts before they become cities. Slumlana is where that starts. 🟣 You’re early. Not because the chart is small. Because the city is still being built. Welcome to Slumlana. 🔥

@KevBarefoot @midnitecatzlady @Durk1624 This is such a fun tower defense game so far. I can’t wait to see how much better when it’s fully completed.

If any viewers have already experienced OSP game play, let us know what you think so far @midnitecatzlady @Durk1624 @Domonnnique

This is what we are building. Every game that we make shares the same inventory. Those inventories are NFTs, which means you can sell them to other players if you like. Those NFTs will soon only be purchased with our CTL token. Do you see where this is going? Utility + demand = buying pressure. Learn more at our live streams. funk.africa