FilmGamer

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@bobgoochman My #1 pick is the odyssey not living up to expectations and Dune being good enough to win.

my #1 pick to throw a wrench in next year’s Nolan repeat

@NolanAnalyst Why care when Nolan already won his Oscar? Do you like Interstellar and The Dark Knight less because they weren't Oscar friendly?

I hope I’m wrong, but I feel like THE ODYSSEY is far less Academy-friendly than Oppenheimer

@jonathanmb32 That movie costing 72 million is nuts.

Looking through her filmography, this is basically the only time she’s worked on a big budget movie outside of the Spider-Mans since she became an adult; after those three the biggest-budget movie she worked on since 2000 (per Wikipedia) was Mona Lisa Smile at $72 million.

@TheCineMoments @That_N8 You definitely forgot.

@That_N8 Yeah. Almost forgot we're getting new Eggers, Coen movies also

2026 will be a generational year for cinema 🔥

@CyrilH44 People who choose Oppie don't know ball.

If your answer isn’t Oppenheimer then you simply don’t know ball

@bernardtjoy - Guy who doesn't watch a lot of movies.

Denis Villeneuve’s Dune (Part One) is one of the most boring films ever to be made by a human being.

@LauraRbnsn Interstellar is nowhere close to the best movie of the 10s.

Fargo, Shawshank, Matrix. 2000s would be Dark Knight, City of God, Kill Bill 2010s Fury Road, Interstellar 2020s we have an early contender with Sinners, which I think will stick around

I have an idea for the Oscars. What if at the end of every decade there's a Movie of the Decade that's totally retrospective, and it can't have won Best Picture at the time? The movie with staying power? So for the 1990s it probably would have been something like Goodfellas,

@ProjBigScreen @ChrisKlemmer @JeffDLowe @bobgoochman @JackKennedy Rami Malek & First Man winning Best vfx

What’s the WORST Oscar win of the century so far? We debate the 10 worst wins since the turn of the century in honor of the #AcademyAwards… Did we miss anything?

@rathernotsaykay @OscarRunnerUp How else do you explain the movie losing best picture to CODA of all things.

@FilmGamerOne @OscarRunnerUp Shitty take.

If the five most recent Best Director winners were in the same category, who would get your vote? Paul Thomas Anderson – One Battle After Another Sean Baker – Anora Jane Campion – The Power of the Dog Daniels – Everything Everywhere All at Once Christopher Nolan – Oppenheimer

People will say this and then spend 6 months next year saying Brian k. Vaughan's script for Dune 3 is inevitable no matter what. The cycle repeats.

@strangeharbors Of course you would have the wrong take Jeff. The direction of Sinners is stronger than its screenplay

Everyone saying Anatomy but Sinners is the hydrogen bomb here

@lukastheremix @Eternal11th He was the one who ratted out Willa.

@Eternal11th Justice for Bluto

Even in the smaller roles, the acting was just impeccable. It’s fitting that OBAA won the first ever best casting award

@aakashgupta How you talk about movies is gross

Sony is betting its entire 2026 on a five-year gap and a memory wipe. No Way Home made $1.9 billion worldwide. $815 million domestic. The highest-grossing Spider-Man film ever, the highest-grossing Sony release in history, and the first film to cross $1 billion during COVID. That was December 2021. Tom Holland hasn’t worn the suit since. Five years between installments is a lifetime in franchise filmmaking. The Fast & Furious gap from Tokyo Drift to Fast Five was four years and the studio treated it as a full reboot. Marvel waited three years between Avengers films and spent $200 million on marketing each one. Sony just went five years with zero Holland Spider-Man content and dropped the trailer by handing two-second clips to fans on Instagram. The trailer rollout tells you everything about their confidence level. No Super Bowl spot. No exclusive theater preview. They let random fans in Lima, Peru and Columbus, Ohio release the first footage on personal social accounts, then had Holland standing on the Empire State Building at 7 AM to drop the full cut. You only do that when you know the product sells itself. The real signal is what the trailer sets up. Holland’s Peter is mutating. Organic webbing, DNA instability, Bruce Banner running tests. They’re doing a version of the Man-Spider arc from the comics, which means this isn’t just a standalone sequel. It’s a biological transformation story that feeds directly into Avengers: Doomsday in December. Sony needs this to clear $1.5 billion to justify the deal structure with Marvel Studios. Holland’s final contracted solo film means the negotiation for the next agreement starts the week after opening weekend. The box office number on Brand New Day determines whether Sony or Marvel has leverage in that conversation. $1.9 billion bought five years of patience. July 31 is when they find out if the patience was worth it.

@SpiderMan Visually awful

A Brand New Day starts now. Watch the official trailer for Spider-Man: Brand New Day - exclusively in theatres July 31.

@mangtheram @SheaSerrano It's the best sports story ever told.

@SheaSerrano The fact it was produced by Jordan’s company has always made me uninterested in watching it.

The Last Dance is such a great documentary i’m three rewatches into it and it’s still just as exciting and engrossing as the first time

@crscndo_ @quibvs They're doing the exact same job you're grasping at straws

@quibvs I think comparing them is sorta pointless tbh. Both incredible but they’re also by design trying to accomplish different things.

if I speak

@TheCinegogue The only thing shocking about that was him fitting in arrival in the two years between Sicario and Blade Runner because the latter is a gigantic project.

blows my mind that his films Prisoners, Enemy, Sicario, Arrival, and Blade Runner 2049 all came about between 2013-2017.

@apat10 Considering he has an Oscar and the special effects and action scenes in his movies suck, I'd say the credit can be generous.

Ryan Coogler doesn’t get enough credit for his versatility as a filmmaker. Worked at kind of every level in terms of scale from indie to mega studio blockbuster across different genres. And that’s only 5 feature films under his belt.