Órfhlaith Foyle retweetledi
Órfhlaith Foyle
2.9K posts

Órfhlaith Foyle
@FoyleOrfhlaith
Poet, Writer, Playwright
Galway, Near The Woods Katılım Ağustos 2020
2K Takip Edilen1.5K Takipçiler
Órfhlaith Foyle retweetledi

The Taliban are raping women and girls they arrest for ‘bad hijab’, but the @UN has assured them no Afghan women will participate and women’s rights will not be discussed at the conference in Doha on 30/6
How nice for the boys @UNWomen
#WhatIsMisogyny apple.news/AtQS1pca9Rhuw1…
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Congratulations Conor @ConorMontague1
Conor Montague@ConorMontague1
Chuffed to win The Plaza Short Story Prize. Huge thanks to competition judge, Vanessa Onwuemezi, for embracing the wild west of 90s Galway. Congrats to my fellow prize winners, Simon Roberts and Lucy Fielding. @irishcultctr @IrishLitSoc @IrishLitTimes @galwayad @ThisIsGalway
Română
Órfhlaith Foyle retweetledi

And so. A 12 year old girl is raped in France by 3 young men because she is a Jew. @MichaelaFrueh72 @AhmadMansour__

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Órfhlaith Foyle retweetledi
Órfhlaith Foyle retweetledi

#ThroughHerEyes
She was born #otd in 1863, so it's a good day to call for the introduction of a Sarah Cecilia Harrison tour of Dublin city.
The work done by this amazing woman, artist, activist, suffragist, first female councillor, friend of the poor, is stitched into the fabric of the city.
As her biographer @MCappock wrote in a beautiful piece for Her Keys to the City: 'The traces of her legacy are evident in a multitude of places. Her paintings hang in the Hugh Lane Gallery, the National Gallery, the Royal College of Surgeons, the Law Library and City Hall.'
Here are some of those wonderful paintings.
For more, Her Keys to the City is still available at just €7.99 from @FourCourtsPress
Four Courts Press | Her Keys to the City




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The glorious news
took a while
to land on me.
Oh, elation
such validation.
Thank you for
lending belief
@artscouncil_ie

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Órfhlaith Foyle retweetledi

#ThroughHerEyes
On Juneteenth, the annual commemoration of the ending of slavery in the US in 1865, I'm thinking of Sarah Parker Remond who travelled to Ireland in 1858 to talk about abolition.
When she spoke, on the invitation of the Dublin Ladies’ Anti-Slavery Society, she outlined the horrors faced by women in particular ...
"on behalf of the female slave, the most deplorably and helplessly wretched of human sufferers. Of all who dropped and writhed under the infliction of this horrible system, the greatest sufferer was defenceless women (hear!) For the male slave, however brutally treated, there was some resources: but for the woman slave, there was neither protection nor pity."
Sarah Parker Remond was “hailed with long and repeated plaudits" and praised in the Freeman’s Journal.
While Frederick Douglass might be better remembered, he was one of about 30 black abolitionists who came here. Sarah stayed with the same family who had hosted Douglass, as Christine Kinealy writes in this great piece. "Having for the first time experienced equality, she could not bear to return to America. Instead, she completed a degree at a college in London and moved to Italy, where she trained as a medical doctor."
She continued to work closely with Irish abolitionists.
irishamerica.com/2020/09/sarah-…

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Órfhlaith Foyle retweetledi

John McGahern Prize for debut Irish fiction 2023 shortlist revealed. Huge congrats to @michaelmagee__ Colin Walsh & Noel O’Regan @PenguinIEBooks @AtlanticBooks @GrantaBooks
irishtimes.com/culture/books/…
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Órfhlaith Foyle retweetledi

The Good Crank has been playing to full houses in The Villager. Tomorrow's performance is also sold out, but there is some availability for remaining three performances...
eventbrite.ie/e/the-good-cra…
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Órfhlaith Foyle retweetledi

Prose workshop with @hollowaywriter2 eaf.ie/events/the-jou…
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Órfhlaith Foyle retweetledi
Órfhlaith Foyle retweetledi

The Good Crank opens tomorrow evening in The Villager in Chapelizod. Opening performance is sold-out, check out the link below for subsequent dates...
eventbrite.ie/e/the-good-cra…
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'As soon as you label yourself, your writing will be expected to continually fit that mould.'
The Critic@TheCriticMag
The instinct towards appeasing “sensitivity” stifles the creative impulse, writes @rosemaryj77 thecritic.co.uk/dont-judge-a-p…
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Órfhlaith Foyle retweetledi
Órfhlaith Foyle retweetledi

This is depressing. Shame on those at Hay and Edinburgh who caved to fringe activists, thus paving the way for this. It's on them.
theguardian.com/books/article/…
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Órfhlaith Foyle retweetledi

The new @PrivateEyeNews spells it out for the poltroons of Fossil Free Nooks, litfests, signatories of the virtue-signalling letter against Baillie Gifford etc

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