Giannis Sourdis (🦉,🦉)

I feel like I should have a new pinned tweet for salters and haters. Nothing here is financial advice and these are my own opinions. I don't try to persuade or convince anyone of anything. Accept my views even if you think they are wrong. Not everyone has to agree with you.

Crypto History - an animation series by @wassie Episode 1: The Origin of Wassies Sponsored by @AwakenTax

@inversebrah @wassie @AwakenTax Wassie

Big fan of @onkaos__ and the way they curate. @aval0vara was recently on @100collectors podcast "Unlocked" and I would highly recommend listening to that. Also they did a great episode with @NORIWTS, go listen to that too. @neort_io is heavily slept upon in our space and they are doing some of the best work by far. Lastly go check out @museumghostart if you like reading and want thoughtful pieces on art, culture, curation, the state of our space and more. (Shameless plug) open.spotify.com/show/3SoLawE0X…

As part of the Zero 10 initiative at @ArtBasel Hong Kong, we are happy to present the debut of SEAL, a new project by @robertalice_21. Built entirely on-chain, SEAL explores the historical connection between ancient Sinosphere collector seals and contemporary blockchain technology, reimagining provenance as a living, participatory system. 🔗 More information in the link below.

Great art-focused space with @Gingerpotter_21 live now, hosted by @jokawaharalino! Hop in ↓ x.com/i/spaces/1mxPa…

🎉 Announcing the 2026 LG Guggenheim Award recipient: Trevor Paglen We are thrilled to celebrate Paglen as the fourth artist honored through the LG Guggenheim Art and Technology Initiative. Paglen’s practice spans photography, simulation, remote sensing, sculpture, writing, research, and engineering, all aimed at uncovering systems that often operate out of sight. Paglen states, “We’re living through a profound transformation in our relationship to images. Images, sensing systems, algorithms, and the infrastructures around them have become active participants in the world — shaping decisions, identities, cultures, and histories. As an artist, I’m interested in exploring new forms of vision and imagining alternative ways of seeing." Join us in congratulating Trevor Paglen on this well-deserved recognition. ___ The LG Guggenheim Award and The LG Guggenheim Art and Technology Initiative are made possible by LG. #LGxGuggenheim

I Saved Injective's $500M. They Pay Me $50K. I like hunting bugs on @immunefi . I'm decent at it. - #1 — Attackathon | Stacks - #2 — Attackathon | Stacks II - #1 — Attackathon | XRPL Lending Protocol - 1 Critical and 1 High from bug bounties (not counting this one) Life was good. Then I found a Critical vulnerability in @injective . This vulnerability allowed any user to directly drain any account on the chain. No special permissions needed. Over $500M in on-chain assets were at risk. I reported it through Immunefi. The next day, a mainnet upgrade to fix the bug went to governance vote. The Injective team clearly understood the severity. Then — silence. For 3 months. No follow up. No technical discussion. Nothing. A few days ago, they notified me of their decision: $50K. The maximum payout for a Critical vulnerability in their bug bounty program is $500K. I disputed it. Silence again. No explanation for the reduced payout. No explanation for the 3 month ghost. No conversation at all. To be clear: the $50K has not been paid either. I've seen others share bad experiences with bug bounty payouts recently. I never thought it would happen to me. I can't force them to do the right thing. But I won't let this be forgotten. I will dedicate 10% of all my future bug bounty earnings to making sure this story stays visible — until Injective pays what I deserve. Full Technical Report: github.com/injective-wall…

Yeah, so basically it turns out Meta has been heavily lobbying online age verification laws. They've lobbied over $2,000,000,000 to politicians in form of grants and donations. x.com/bee_fumo/statu…

🍀it's Friday 13th, so join our Vibes space for luck 🍀 including your favorite lucky charms: @DeeZe, @bernardo_cafe, @funghibull, @BoonaETH and @jokawaharalino 🐈‍⬛ x.com/i/spaces/1pKdR…

@GALLERY 🥲

To our Gallery community: It’s been an incredible journey building and curating with all of you. Today, we’re sharing an update on the future of Gallery as we begin transitioning to our next phase. Gallery as a company is winding down and we want to ensure this transition respects the work you put into your curations. We want to be as transparent as possible about what this wind down looks like and how it affects your curated spaces. Here is the roadmap for the coming months: 30 Day Window: Final Edits From now until April 12th 2026, you can continue to make changes to your galleries. If you have final updates to make or want to reorganize your collections, please do so within this 30 day window.  Because the app has been in maintenance mode, you may encounter some bugs or performance issues during this time. We appreciate your patience here. Moving to Read Only Mode Once this 30 day period ends, Gallery will officially transition to Read Only Mode. At that point, you will no longer be able to add, delete, or edit anything within the app. Your galleries will remain viewable as a digital archive, allowing you to revisit your history and curation without the ability to modify it. At this time we will also sunset the Gallery mobile app to reduce the surface area of functionality requiring maintenance. Open Sourcing the Code In line with the ethos of open and permissionless building, we are open sourcing the Gallery repository today. We’ve always believed in the power of shared tools, and we want the work we’ve done to live on in the hands of the community. By making the codebase available to everyone, we hope to provide a resource that others can build upon or adapt for their own projects. We’re excited to see how this technical foundation might help someone else in the space continue the mission of digital curation. Preserving the History We know how much work has gone into these collections. We are currently exploring ways to keep Gallery alive in the long term to ensure the history and curation you’ve built are preserved. We’ll share any developments here on X. Thank You To the creators, the collectors, and the curators who made Gallery what it is: Thank you. You turned a tool into a community. We’ll share more updates as we have them. If you have questions about your specific data or the transition, please drop a comment below or reach out via DM.

Remember kids, warnings with checkboxes are for lawyers. Not for users.

@glimmerdao @frogspitsimulat Good to see people in our space wake up to Karyn and her work. Finally people can escape the bubble that is our space and realize there are so many talented artists outside of NFTs.

Thrilled to announce an upcoming commission from @frogspitsimulat - “Spitballs” Karyn Nakamura is a Tokyo-born, New York-based artist and visual forensics researcher. Her work explores human agency in technology and the social and technical infrastructures that shape communication. karynnakamura.com/me.html

Autobahn by @nikitadiakur is now open 100 unique cars — 0.05 ETH each (link below) A real-time traffic simulation where autonomous vehicles interact without scripted choreography where congestion, flow and accidents emerge from the system itself. Cars will enter the simulation Monday 16 March at SOLO CSV

📣 p5.js 2.0+ Artist Series Drop #1 ft. @Licia_He Licia explores Bézier curves in p5.js 2.0+ with ‘DearPlotter Font Generator’: a generative font-making algorithm designed for pen plotters, CNC users & creative coders A partnership between @ProcessingOrg and @TezosFoundation ↓

@MackleNG It's good they are adding 4 more skins on the pass (one is a free unlock too).

I'm looking forward to more MARATHON skins. Everyone wearing the default skins rn doesn't help communicate the idea that the shells are embodied by everyone. Having a variety with unique qualities would quash the 'hero shooter' perception the game had when it was announced.

5/ Under @REAS, CENTURY-XXX builds a coded conversation with the 20th century. Under @csrsnt, systems unfold anonymously on the blockchain. Two approaches. One consistent practice. Code as material. Systems as art.

𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 opens soon! At the center of the exhibition is the work 𝘌𝘹 𝘕𝘪𝘩𝘪𝘭𝘰 (𝘊𝘰𝘴𝘮𝘰𝘴), a 256-work, long-form generative series presented with @artblocks_io . The exhibition opens at 9:00am Pacific on March 10, 2026.

New York’s proposed S08102 would force every internet-connected device to run mandatory, device-level age verification using biometrics or government IDs. This isn’t just about kids online—it builds a permanent, trackable identity layer across the entire internet.

@MacroCRG @pudgypenguins So basically like Club Penguin 😂

the fact they made this completely from scratch is incredibly cool Gg @pudgypenguins