Christian Rutherford

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Christian Rutherford

Christian Rutherford

@Impitoyable

Paris, France Katılım Kasım 2009
595 Takip Edilen636 Takipçiler
David Paxton
David Paxton@DavidDPaxton·
Christopher Nolan has gigantic credit in the bank. The idea of rubbishing his next film without having seen it seems, at best, precipitous.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@ikeijeh Firstly, there are plenty of glass buildings on the Champs Élysées; secondly, it has one thing in common with Oxford St.: residents avoid it like the plague. Both thoroughfares are strictly for tourists who are there for the shops and don’t so much as glance at the buildings.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@Luizmd If you were going to invent a fake virus in order to fool people, would it be a good idea to call it "The Hoax Virus"? Think, man.
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Luiz M.D.
Luiz M.D.@Luizmd·
Just in case the “virus” hoax wasn’t obvious enough.
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Anon Opin.
Anon Opin.@anon_opin·
"Union" should be pronounced "onion"
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9Kings1910
9Kings1910@9Kings1910·
I want this Europe back. And the French monarchy restored too.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@FurtherOr I love Peter Ackroyd’s nonsensical generalisations. He’s always saying stuff like “it is said that Londoners do not fear death” and “the ghosts of Millbank Prison haunt the fingers of the Tate Gallery’s gift shop staff”.
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Further or Alternatively
Peter Ackroyd, I think, has a theory that the Londoner's love of St Paul's is an atavistic memory of the old St Paul's, before the Great Fire, which was rather like Salisbury Cathedral. He may be right. Either way, still waters run deep by the Thames.
Further or Alternatively tweet mediaFurther or Alternatively tweet mediaFurther or Alternatively tweet mediaFurther or Alternatively tweet media
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Christian Rutherford
Christian Rutherford@Impitoyable·
@AaronBastani That building has absolutely nothing to do with Art Deco, what are you talking about? It’s a classic piece of undistinguished high street filler.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@DKryzhanovski @djjmilner I didn’t say it should be demolished, I said it was silly to be sentimental about it. Cities are not set in aspic; buildings get demolished and new ones arise. The replacement here doesn’t seem especially remarkable either, but what do you want? It’s Oxford Street.
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David Milner
David Milner@djjmilner·
Does feel mad to tear this piece of history down and replace it with anywhere architecture
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Christian Rutherford
Christian Rutherford@Impitoyable·
@DKryzhanovski @djjmilner I’m afraid you don’t get to speak on behalf of “most people”, chum. London has never been stuck in a period. It has always moved forward; always innovated, and that’s why Londoners love it.
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Daniel Kryzhanovski
Daniel Kryzhanovski@DKryzhanovski·
@Impitoyable @djjmilner I think you’re making a difficult case that most people disagree with… that today’s London looks better than pre-WWII London. When most people lament the loss of beauty, but people in charge (who agree with you) overrule such “sentimental” drivel, that is undemocratic in spirit.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@DKryzhanovski @djjmilner The City is immeasurably richer for its modern buildings. I know people who live in the Barbican and love it. The contrast between old and new is stimulating: the Lloyds building on the Medieval street plan; the Gherkin and Temple Church, the list goes on.
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Daniel Kryzhanovski
Daniel Kryzhanovski@DKryzhanovski·
@Impitoyable @djjmilner I challenge you to look at old photos of the City of London (The Square Mile) and compare them to what it’s like today. And then to tell me that what replaced it is actually more beautiful, and not a violation of everything that makes London… London.
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Rio Veradonir
Rio Veradonir@RioVeradonir·
@Impitoyable I love Monet’s paintings. But you’re missing the point of my original tweet.
Rio Veradonir@RioVeradonir

@warrbo We agree the value comes from believing it to be a real painting physically painted by a specific human who no longer lives. If a forgery is later found out, it instantly loses all formerly misattributed value.

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Christian Rutherford
Christian Rutherford@Impitoyable·
@DKryzhanovski @djjmilner I grew up in London, and some of my absolute favourite buildings there are post-war. London is filled with outstanding architecture and I love the contrast between old and new, but it’s absurd to be sentimental about indifferent high street filler like this.
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Daniel Kryzhanovski
Daniel Kryzhanovski@DKryzhanovski·
@Impitoyable @djjmilner It is this mentality that, in addition to the blitz, made London a shadow of its former self in terms of beauty and identity. It’s ironic that your own country managed to destroy its aesthetic identity even more than the Nazis did.
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Christian Rutherford
Christian Rutherford@Impitoyable·
@anon_opin Eating in the cinema is barbaric, and that includes popcorn. If you can't wait a couple of hours before stuffing your face, you should stay at home.
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Anon Opin.
Anon Opin.@anon_opin·
My local cinema will happily sell me a burger and over a litre of fizzy drink but refuses to serve hot soup. This is unacceptable. I just want to watch an MCU film while dunking bread into hot tomato soup. Tinned tomato soup would do.
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Tom
Tom@t462819104·
@PolitlcsUK Nothing but theatre. They’re all laughing at us.
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Politics UK
Politics UK@PolitlcsUK·
🚨 WATCH: Keir Starmer and Kemi Badenoch have a friendly chat as they arrive for the King's Speech
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Christian Rutherford
Christian Rutherford@Impitoyable·
@Huganay This album came out in three versions: black and white in 1938, colour in 1943 and finally the definitive 1966 edition, completely re-worked with more authentically British details for the English edition.
Christian Rutherford tweet mediaChristian Rutherford tweet media
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Huganay
Huganay@Huganay·
Algunas viñetas de Hergé son de una belleza espectacular.
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