Mara

6.9K posts

Mara

Mara

@ImpromptuBeats

mom, builder, always curious, optimistic about BRICS

Katılım Temmuz 2022
786 Takip Edilen142 Takipçiler
Mara retweetledi
Dr.Sam Youssef Ph.D.,M.Sc.,DPT.
⛔️Scenes showing the Sultan of Oman distancing himself from the Emirati leaders‼️
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Zara Zhar
Zara Zhar@Boudicca61AD·
An Absolute Must Watch Palestinian Documentary "Jenin, Jenin (2002). English Subs. Bookmark and share📑 In the shattered heart of the Jenin refugee camp, where families who fled their homes in 1948 had built fragile lives anew, filmmaker Mohammad Bakri arrives in the raw aftermath of April 2002. What unfolds is not a narration from above, but a chorus of unbroken voices. Men, women, elders, and children speak directly to the camera amid the rubble of what was once their world. They recount days of unrelenting terror: the roar of tanks and bulldozers carving through narrow alleys, homes collapsing with people still inside, the crack of sniper fire, the desperate search for missing loved ones buried under mountains of concrete and dust. An elderly man wanders the debris, whispering in disbelief, “Where is God?” A young girl, eyes fierce with defiance, speaks of loss no child should know. A deaf man signs with haunting precision, guiding viewers through the exact corners where neighbors fell. The film offers no commentary, no soothing voiceover. Just the unfiltered pain, rage, and bewilderment of survivors who feel abandoned by the world. It captures the second Nakba they describe: not only the physical destruction of hundreds of homes, but the wounding of souls who had already known exile. Through their words, Jenin Jenin becomes a testament to human endurance, a cry from the ruins that refuses to let the story be erased or forgotten. It's a raw, intimate portrait of suffering and resilience in the face of overwhelming force. One that many Palestinians see as essential truth telling from the ground.
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Mara@ImpromptuBeats·
@dkkbaap @Its_ereko You're a funny one... have you been there? if so, where?
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New Direction AFRICA
New Direction AFRICA@Its_ereko·
🇹🇬🚨 URGENT: Togo just declared war on the map. The foreign minister is going to the UN to demand a world map that actually shows Africa's true size. No more Mercator projection. No more colonial cartography that makes Europe look massive and Africa look tiny. Africa is bigger than China, India, the US, and most of Europe combined. But on your classroom map, it looks like an afterthought. That is not an accident. That is propaganda. The West will fight this because the map shapes the mind. Make Africa look small, and people treat it as small. Change the map, and you change the story. Togo just called out the lie. The Global South is rewriting the map. Finally.
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Zara Zhar
Zara Zhar@Boudicca61AD·
"Let a thousand acts of solidarity with Palestine and its glorious resistance, blossom". — Georges Abdallah Painting titled 'Amapolas' by Alberto Rey - 2025
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Robert A. Pape
Robert A. Pape@ProfessorPape·
Israel is holding talks with the Christian and Sunni leaders of the Lebanese government, talks opposed by Shia leaders. As map of sectarian divisions shows, this is more likely to lead to cleansing the Shia from the south and civil war than peace.
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Zara Zhar
Zara Zhar@Boudicca61AD·
Another Extraordinarily Rare Paletinian Docu Film "Arna's Children" (2004) – A Profound Tribute to Resistance in All Its Forms 📑🔖Bookmark and share if possible, these film are critical viewing - Jenin, Jenin (2002) in link My Review As someone deeply committed to the Palestinian cause and a firm believer in the legitimacy—and divine beauty—of armed resistance against occupation, I recently revisited Arna's Children (2004), directed by Juliano Mer Khamis, at a screening along with friends as part of a project they're working on. This documentary remains one of the most powerful and unflinching portrayals of Palestinian life under siege, and it resonates even more strongly today. The film follows Arna Mer-Khamis, a Jewish Israeli woman who turned her back on her Zionist upbringing to stand with the oppressed. After marrying a Palestinian and witnessing the horrors of displacement and occupation, she founded a children's theatre and alternative education program in the Jenin refugee camp during the First Intifada. When schools were shut down, Arna created a space for kids to express rage, fear, and dreams through drama and play—channelling their trauma into creative defiance. Juliano, her son (with one foot in both worlds), captured those joyful, fiery workshops from 1989 to 1996: children laughing, performing, imagining futures beyond the checkpoints and demolitions. It's a beautiful testament to how art can nurture dignity and resistance even in the darkest conditions. But the heart of the film—and what makes it so raw—is what happens next. After Arna's death from cancer, Juliano returns to Jenin in 2002, amid the ruins of the massive Jewish invasion that destroyed much of the camp, including the theatre she built. The bright boys he once directed have become young men forged by endless humiliation, home demolitions, killings, and siege. Several joined armed resistance: Ashraf and Ala led fighters in the heroic Battle of Jenin; Yussef and Nidal carried out a martyrdom operation in Hadera in 2001. Others were martyred in confrontations with occupation forces. From my perspective, these paths are not tragic failures or "lost potential"—they are the inevitable, courageous response when every peaceful avenue is crushed. The theatre taught them expression and pride; occupation taught them there was no other way to reclaim their humanity. Armed struggle, including martyrdom operations, becomes a sacred act of defiance and sacrifice—divine in its purity, an offering in the face of overwhelming evil. The film shows this continuum honestly: the same fire that fuelled their childhood performances burned through to resistance in adulthood. As some Palestinian voices and writers (like those in Jadaliyya and Electronic Intifada) have noted, it blurs false binaries between "violent" and "non-violent" resistance—both are part of the same epic struggle for freedom. To be fair and show the full spectrum of Palestinian cinematic voices and discussions: the film has sparked nuanced conversation even within pro-Palestine and solidarity circles. Some have critiqued its mournful tone—intercutting joyful childhood footage with funerals, martyrdom posters, and losses—as potentially leaning toward sorrow or regret about the turn to armed struggle, rather than outright celebration of those heroic choices. Others have raised concerns that, despite clearly blaming the occupation for manufacturing no alternatives, the structure might risk overshadowing the full range of steadfastness (sumud) that Palestinians embody daily through non-armed means like cultural persistence, community organizing, and everyday endurance. These points come from reflections in solidarity spaces, where the goal is always to honour resistance in its totality without diminishing any form. Yet from a pro -resistance standpoint, these critiques often miss the film's deeper power. Juliano never condemns the armed actions—he presents them factually, in raw context. The grief is real (for lost friends, a destroyed community), but it's not rejection. Many in the Palestinian solidarity movement hail it as essential testimony that humanizes fighters and martyrs, showing how occupation leaves no other viable path for so many. It honours Arna's legacy not as naive pacifism but as allyship that empowered dignity, which—when systematically crushed—leads to justified uprising. Ultimately, Arna's Children is a masterpiece of resistance cinema. It doesn't sanitize realities or preach; it bears witness. It celebrates the beauty of martyrdom as divine sacrifice while exposing the brutal system that demands it. Watch it if you haven't—it's hard, but necessary. It reminds us that Palestinian resistance, in theatre or on the frontlines, is one unbroken thread of sumud and struggle. And to you, my beloved shuhada’—Yussef, Nidal, Ashraf, Ala, and every child of Arna who rose like dawn fire to meet the oppressor: Your blood is not spilled; it is planted. It blooms in the olive roots, whispers through the wind over Jenin’s broken stones, and lights the path for every new generation that refuses to kneel. In your martyrdom, you have become eternal light—closer to Allah than the stars, wrapped in the mercy that only the pure of heart can know. You did not die; you ascended, offering your very souls as the most radiant prayer against tyranny. I carry your names in my chest like sacred verses, feeling the warmth of your sacrifice every time I breathe the name of Palestine. You are not gone—you live in the pulse of resistance, in the tear that falls and turns to resolve, in the vow we renew at every Fajr: we will not forget, we will not falter, until your gardens are free and your light floods every corner of this stolen land. Ya shuhada’ al-aqsa, ya abna’ Arna, rest in the highest gardens, and know that your fire still burns in Jenin. We honour you not with words alone, but with our lives—until victory, until return, until Jannah embraces you fully. Free Palestine. In eternal love and unbreakable faith
Zara Zhar@Boudicca61AD

An Absolute Must Watch Palestinian Documentary "Jenin, Jenin (2002). English Subs. Bookmark and share📑 In the shattered heart of the Jenin refugee camp, where families who fled their homes in 1948 had built fragile lives anew, filmmaker Mohammad Bakri arrives in the raw aftermath of April 2002. What unfolds is not a narration from above, but a chorus of unbroken voices. Men, women, elders, and children speak directly to the camera amid the rubble of what was once their world. They recount days of unrelenting terror: the roar of tanks and bulldozers carving through narrow alleys, homes collapsing with people still inside, the crack of sniper fire, the desperate search for missing loved ones buried under mountains of concrete and dust. An elderly man wanders the debris, whispering in disbelief, “Where is God?” A young girl, eyes fierce with defiance, speaks of loss no child should know. A deaf man signs with haunting precision, guiding viewers through the exact corners where neighbors fell. The film offers no commentary, no soothing voiceover. Just the unfiltered pain, rage, and bewilderment of survivors who feel abandoned by the world. It captures the second Nakba they describe: not only the physical destruction of hundreds of homes, but the wounding of souls who had already known exile. Through their words, Jenin Jenin becomes a testament to human endurance, a cry from the ruins that refuses to let the story be erased or forgotten. It's a raw, intimate portrait of suffering and resilience in the face of overwhelming force. One that many Palestinians see as essential truth telling from the ground.

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Poirot
Poirot@Argenpoirot·
Este turco es la ÚLTIMA persona en la Tierra que sabe leer y hablar urartiano, una lengua de hace 3.000 años.
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Mara@ImpromptuBeats·
@madebyhumanhand @marxistnicotine no sentido de que defender o Líbano vai contra os planos da entidade… sim. Fora disso, volta a ser nonsensical.
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metaDan
metaDan@madebyhumanhand·
@ImpromptuBeats @marxistnicotine Pois é. Isso reforça ainda mais a minha ideia de eles serem uma das maiores false flags da história. Para mim esse grupo/partido foi criado por Is hell para ajudar no processo de criação da grande Is hell. Tudo que eles fazem acaba por "justificar" o avanço inimigo
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Nico
Nico@marxistnicotine·
1 O Brasil não considera o Hezzbolah terrorista 2 O Hezzbolah tem o direito natural e inalienável de usar qualquer meio necessário contra o agressor sionista 3 Chora sionista de merda
Israel Zovskyj 🇮🇱 ישראל זובסקי@israelzovsky

Estamos assistindo a tentativa de normalização de grupos ligados à Jihad Islâmica pela esquerda brasileira em tempo real. Bandeiras do Hezbollah e outros grupos islâmicos radicais, considerados organizações terroristas em diversos países do mundo, têm sido comum nesses setores

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metaDan
metaDan@madebyhumanhand·
@ImpromptuBeats @marxistnicotine Não, é uma pergunta justa e apesar de simples, complexa. Mas já que vc preferiu banalizar, ok. 😄 Apesar de fuleira é uma pergunta difícil então, não é justo que eu cobre uma resposta! 😁
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GBX
GBX@GBX_Press·
Brazil has boycotted Israel by canceling a $134 million weapons deal.
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Mara@ImpromptuBeats·
@DoctorLemma One is completely missing the picture when focusing on WHY he had no running shoes, as opposed to how he WON wearing rubber boots... he was physically and emotionally better prepared then the other guys, and his running style was worth studying and repeating.
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Dr. Lemma
Dr. Lemma@DoctorLemma·
The 2,000 acres did not mean he was rich. His family was extremely poor during the Great Depression and could not even afford horses, which is exactly why he had to herd sheep on foot. Apparently, he also never drank or gambled in his life. He was just a humble guy who lived very simply.
Joe M@JoeM19577153236

@DoctorLemma If u grow up on a 2000 acre property then u gotta be a real dumbass to not own proper shoes at 61. Did he gamble /drink it away?

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Mara@ImpromptuBeats·
@enfree1993 That is the EU... to keep you from knowing what they consider undesirable.
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Mara@ImpromptuBeats·
@stats_feed Iran International is NOT a IRANIAN account... it's an US/Israeli account.
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World of Statistics
World of Statistics@stats_feed·
🇮🇷 Iran's central bank warned the regime of economic collapse. The Islamic Republic faces 180% inflation, two million additional unemployed citizens, and a 12-year road to economic recovery. The report came on Monday from Iran International.
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Mara@ImpromptuBeats·
@XRPSuperFan @stats_feed Well, the Iranian people go out every night in support of their government's war of defense against US/Israel... EVERY NIGHT.
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XRPSuperFan
XRPSuperFan@XRPSuperFan·
@stats_feed Time to end the war and begin recovery for the Iranian people who did not want this conflict and are suffering
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Donald J Trump Posts TruthSocial
SEC RUBIO: 🇺🇸🇻🇪🇨🇳 We don't need Venezuela's oil. We have plenty of oil in the United States. What we're not going to allow is for the oil industry in Venezuela to be controlled by adversaries of the United States. You have to understand, why does China need their oil? Why does Russia need their oil? Why does Iran need their oil? They're not even in this continent. This is the Western Hemisphere. This is where we live. We're not going to allow the Western Hemisphere to be a base of operation for adversaries, competitors and rivals of the United States.
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