Kazu

I’m deeply honored to share that my work “Memories of Digital Data” has been included in Rhizome ArtBase. For over three decades, Rhizome (@rhizome) has stood at the center of digital art and internet culture — not only preserving born-digital artworks, but contributing to how these works are understood, studied, and referenced in the evolving history of digital art. To have this work become part of that history is one of the most meaningful milestones in my artistic life. This piece was originally released in 2023 as an Art Blocks Curated project, and I’m sincerely grateful to the Art Blocks team (@artblocks_io) as well as to the collectors who believed in the work. I also extend my deepest thanks to Rhizome for this extraordinary opportunity.🙏

In a world defined by speed, we choose something different. 🌿 SAKAZUKI connects people, culture, and experience. 🤝 Not products. Not tours. But something that stays with you. New website coming soon. ✨

Arduino IDEからESP32S3にコード転送でエラーが出て、いろいろ試したものの解決せず。redditの投稿に行きついて、解決策が無給電のUSBハブ経由にすると何故かエラーが解決する、と書かれていて、そんなわけあるかーいと思ってやってみたら本当にエラーが出ず転送できた。redditニキすごい。

短歌を色に変換したイメージとオリジナルパターンが、風呂敷とお菓子になりました。 Kyoto Crafts Exhibition DIALOGUE (3.11-3.14) にて、Studio皓々さんから茶道具と共に出品していただきました。 dialoguekyoto.com 見わたせば　花も紅葉も　なかりけり 浦の苫屋の　秋の夕暮れ - 藤原定家

🌸NEORT++ 4th Anniversary | MOMENT🌸 - Celebrating four years of digital springs - 🌸 April 4 (Sat) 16:00–21:00 📍 NEORT++ Free Admission / Capacity 70 - Community artworks & Light snacks - Mint your flower for MOMENT 2026 🌸 Join us in person 🙌 ▶︎ luma.com/ewnefdwi

Harvey Rayner @harvey_rayner debuts this week at @ArtBasel in Hong Kong, March 27 - 29 for the public (VIP starting March 25).  Rayner will be revealing Algorithmic Synesthesia at the Zero 10 exhibition space, Level 3 Booth Z3. Limited edition Artist Curated pieces are now available. See below.

It operates spontaneously and autonomously in accordance with an embedded program. Its output is generated from internal processes that are independent of direct human compositional manipulation. Its behavior cannot be fully reduced to a single, univocal determinism, and it retains a certain degree of unpredictability.

PERSON in Shibuya PARCO Key visual by @chihyu_chen_ @ayumu_naga @shibuya_parco @dialog_asia

ずっと放置していたMac mini 2014が起動しなくなった。SSDのデータ救出できるかな。

My new single “Snowdrop” is out now via @epidemicsound! It’s available on all streaming platforms. Hope you enjoy!

no extension Bitcoin transactions that are also files. These are Bitcoin transactions confirmed on mainnet. They are also files—HTML, PDF, ZIP—that open directly in your browser. No conversion. No extraction. The bytes are the same. "Ceci n'est pas une pipe." — René Magritte, 1929 Magritte's pipe could not be smoked—it was only a representation. Here, the representation is the thing. This work was inspired by knotslies .com, which demonstrated during the BIP-110 debate that this capability had always existed. "no extension" visualizes the duality of interpretation. ⇩website

Thank you for 46 mints so far! Primitives is a work that emerged from my curiosity. My work has often been mistaken for code-based art. That led me to wonder—what if I actually tried to recreate my work as code art? Conveniently, with the help of AI, it became possible for me to attempt this on my own. However, what I didn’t anticipate was that AI wouldn’t interpret my intentions as well as I had expected. At first, I tried feeding my previous works into the system and instructing it to generate them through code, but it didn’t work at all. In the end, I had no choice but to spend time generating everything through text prompts. On top of that, it took additional time to fine-tune the output so it could be minted on Highlight. I’m grateful to KZ_LAB_E for the support. I consider this work to be experimental. It is not something complete, but rather something still in process. Even so, I wanted to share it because it reflects the time we live in—not visually, but technically. I believe it is still relatively rare for an artist without coding knowledge to use AI to generate p5.js-based artwork. Whether that holds value is up to each individual, and I myself don’t yet have an answer. That is precisely why I limited the mint to a small circle of friends and chose not to set a price. As some of you may know, I have been exploring how to engage with AI since last year. This work is one example of that exploration. In the end, I may return to creating without AI, or I may move further toward AI-based practices (most likely, I’ll continue moving between both). Either way, what I find important is that the artist fully understands both the process and the outcome of their work. As long as that is maintained, I believe any tool can be valid—not just AI. Finally, I want to emphasize that my foundation remains in hand-drawn creation. At the same time, I have deep respect for code art created through manual coding, and I am constantly inspired by it. (In fact, working with AI this time has only strengthened that feeling.)

Introducing the Art Blocks MCP server. Any AI agent can now discover, browse, and collect from 500+ on-chain generative art projects.  Plus countless other possibilities. Check out potential use cases for Collectors, Artists, Researchers and Developers 👇

Art conversations online are being obscured by bots and constantly changing algorithms. RCS is developing a new vision of our platform to address this issue, but first, we'd love to know your thoughts. Where do you go now for healthy, informative digital art discourse?

🐕🐈 很開心去年跟Ayumu的生成藝術作品dialog () 2025能繼續延伸被當作PARCO Shibuya春季活動PERSON的主視覺 我們的「程式交換日記」也能直接在網站上看到！ - Very happy to continue the dialog()2025 work with @ayumu_naga into 2026, creating the key visual for Parco Shibuya’s spring event “PERSON” :) Can also see our conversation directly on the website! - #generativeart #glsl

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今治タオル デジタルアートギャラリー 展示情報です ✨💐✨   AI・ジェネラティブアート × 五彩織り 巡回展 ■ 今治タオル南青山店 ～ 4/10（金） 「Fragile Beauty」   ■ 今治タオル本店 ～ 3/23（月） 「Blooming in Crystal」   「Mikan Jewels」タオルを特設コーナーにて限定販売していただいております。   ご来場者様には「キラキラカード」「ポストカード」を無料でプレゼントしてくださるそうですので、ぜひ足をお運びいただけますと嬉しいです。   Credis: Artist: Saeko Ehara（Tokyo） Production: FUJITAKA CO., LTD (Imabari, Ehime) 今治タオル工業組合 企業番号：0315 @official_towel Produced by MA3world @ma3_world

Wabi Sabi #190 by @KZ_LAB_E acquired by C34 for 0.7 ETH ($1,438.59) view: artblocks.io/token/1/0x99a9…

Have you ever wondered how many art galleries are actively selling digital art today? In our new Who’s Who in Web3: The Galleries, we identified 75+ active galleries worldwide involved with digital art. This new member resource was created for collectors who want a clearer view of the market today, with:
- regional maps
- an active gallery directory
- a list of historical projects
- useful contacts and resources Our selection focuses on active commercial organizations that have sold blockchain-based art, work across digital and physical formats, and have exhibited IRL through art fairs, pop-ups, or permanent spaces. It does not include online-only platforms, non-selling curatorial practices, nonprofits, or foundations. A practical tool for collectors tracking the digital art market. Join 100 collectors to access the full directory. 100collectors.art