@_MenaRD__ We need to analyse the cause of so many down time and how to quicken that process.
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Kyril Ashburn
6.6K posts
Kyril Ashburn
@Kyrilhasan
Male, Single and soon to be fit-I think. Account for games, wrestling, tech and western news related
Johore, Malaysia Katılım Ağustos 2017
346 Takip Edilen27 Takipçiler
I wonder how feasible it would be to have FT2 pools and early tournament stages, but switch to FT3 for top 32.
Would make competition so much more stable, deeper layers in the game and doesn’t seem like a lot of time added for the event.
It would be amazing.
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@sivan82 @guttapercha80 Typical Malay employer. Pay ciput, kerah abis-abisan and expect you to be still grateful to them because they provide you a job.
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Anthony Bourdain was right.
Also this reminds me of that FB screenshot I saw years ago posted by a Malaysian lady who said ‘I saw my helper curi makan ice cream today so I’m not gonna fire her and be a Syaitan today” lmao
Can anyone share that screenshot 🤣
joseph@whywasjoseph
rich people with helpers are interesting because they'll have these massive houses with guest rooms but will order a plastic box so that their helpers can live in them
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Why are there so many malls is the wrong question to ask. Tanya kenapa town planning kita allow developers to bermaharajalela.
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@GiftedMoney Everything happen with a reason and happen according to storyline that AEW wants. If you fail to realise even that, I guess stop posting as you really look like a dumb person asking stupid question.
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So is age just an issue in one company or…..?
Remember a year ago when AEW got praised for listening to its audience and going younger and weeding the old guys off television?
There’s four 50 year olds competing on this card and another who turns 50 in two months.
But hey, bangers right?
Fightful Wrestling@Fightful
Cope & Christian are World Tag Team Champions again! #AEWDoN
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@Advancing_Daily @digitalfoundry The only third party games that is worth to make a fuse about are only call of duty and gta 6. Nintendo will be okay with just their IP and indies games. The only thing they only need to do is making games like switch 1 graphic but with better performance.
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@digitalfoundry Switch 2 isn’t even up to par with top end Smartphones today.
Tablets and handhelds run circles around it.
Switch 2 is purely for those who want Nintendo titles. Buying 3rd party titles on it, versus any other mobile/portable device you already own is not money well spent.
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With Project Helix and PS6 on the Horizon, does Switch 2 have the performance to make it into the 2030s? We reckon yes: digitalfoundry.net/features/is-sw…
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@geewhyart @Bigbird_fgc Nope. People hate character they deem cheap.
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@Bigbird_fgc This why people hate guest characters.
Let’s make em broken so people buy em.
Scrub quote me 😂 I couldn’t gaf
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@ClownWorld A lot of people die because of dog attack. People should have a right to defend themselves. I quit jogging around my area because some lost dog keep barking and chasing me. Maybe I should buy these pepper spray to protect myself.
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@sudahtibamasa My childhood xp during umrah, some of the seller know some sort of Malay word make me amuse.
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Bruh I have spoken Malay up to Bangkok, even Cambodia (a lot of divergence) even Manila. And if I'd left the south African airport I'd probably can still too. I still can find ppl who want to speak Malay in Japan and Hungary!
Princess Mononoke@lulumain2025
Bahasa Melayu is the most pointless language to learn outside of familial reasons there is very little need to acquaint oneself with such inferior language. The Malays do not reign supremacy in science and economics and have very little cultural relevance on the world stage. Learning English and Chinese is all you need.
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@malaydeshmaling Terima juga pandangan diaorg yg jawa ni branch of Malay. Nak kasi up sikit diaorg puji org jawa sebagai the flower of Malay race.
Indonesia
Interestingly, karakter masyarakat Jawa dalam sudut pandang British dideskripiskan dengan citra yang positif, ever since in the History of Java (1817). In contrast, penduduk Semenanjung Malaysia dideskripsikan sebagai bangsa pemalas oleh British dalam sumber lain dari abad ke-20.
Rachel Gratia@rchlgrtl
Referensi bacaan dekolonial untuk sobat-sobat SEAku
Indonesia
@Rurikhan Wait longer for complete game or release early with title update?
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@TheHuntsladyMHW @MHFZZEnjoyer Rise got the COVID excuse, but the pc and other console releases are complete for the base game.
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@MHFZZEnjoyer Feel like that would've been a takeaway from rise too, no?
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Capcom’s big take aways from Wilds should be that base games should feel complete at launch. people were only fine with it in world cus that was like 80% of peoples first MH game (and most came after IB came out and post TU 2) they didn’t know that world was underbaked at release
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@Dottovuu Why am I reading this in a voice that sounds a bit tired
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I've been in contact with the Lead of Business and we've been able to come to a conclusion, despite how I have to let down those who were looking forward to my voice. I'm very sorry to let those fans down.
The English audition and recording process itself was pleasant, thank you to those who worked with me there.
It is unfortunate how this turned out and I hope other voice actors will not have to experience what I have.
I recognize that I still have a lot of room to grow alongside the many veterans in this field. However, seeing the incredible support and encouragement from so many communities has inspired me to work even harder, despite these unfortunate circumstances. I will use this energy to further my skills and do my best to live up to that support. Thank you.
エターナルリターン公式@EternalReturnJP
📢 ビヒョンの英語ボイス変更に関するご案内 新シーズンを迎え、皆様に楽しい体験をお届けすべきこの時期に、キャラクター「ビヒョン」の英語ボイス変更に関連して多大なるご心配と混乱を招いてしまいましたことを、心よりお詫び申し上げます。 本件に関するNimble Neuronとしての見解、ならびに今後の運営方針についてご説明申し上げます。 全文のご確認はこちら 🔽 playeternalreturn.com/posts/news/3581 #エタリタ #エターナルリターン
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@Big_Steppa__ @Remboramo10 @maximilian_ the graphic director for sf are also the graphic director for mh wilds. With wild incoming massive expansion coming out, It will be less time for them to focus on sf6.
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@Remboramo10 @maximilian_ The fighting game division is separate from the others lol defending a million dollar company makes no sense btw
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The ever lasting of question of 'where's the costumes?' has been answered. The exuberant amount of players populating SF6 daily isn't just Ranked/Player match enthusiasts. It's people playing with their avatars/freaks, against other avatar/freaks. And now, they get even more.
Street Fighter@StreetFighter
Introducing Random Avatar Matches and Avatar Arcade Mode! Mix and match special moves to create a one-of-a-kind avatar with a fighting style of your very own and take them into these two chaotic modes to earn rewards and level up. See more details via the blog: bit.ly/SF6AvatarModes
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@KeitaroTR This isn't Pokemon. You don't need to catch them all.
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Recopilación de todas las tiradas F2p en #GenshinImpact
Desde el inicio asta la 6.6 nos han dado un total del 3706 deseos, lo que es equivalente a 41 personajes en 45 Actualizaciones, GANANDO TODOS LOS PITYS
Sin embargo, perdiendo todos los pitys serían 20 PERSONAJES en 45 versiones
En resumen, los jugadores de Genshin han podido obtener una media de 25 personajes de 114 del plantel completo, y dicha cantidad puede variar de la suerte de cada cuenta
Por lo que si eres jugador viejo, es raro que tengas la mitad del plantel de forma F2p, pues teniendo toda la suerte del mundo no llegarías ni a tener el 50% del catálogo de personajes
¿Qué opináis de todo esto?🤔
Español
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Japan artists post these all the time but fail to understand that their entertainment industry inherently hates foreigners. From region locking music digitally to needing a Japanese address and phone number to buy concert tickets… it gets exhausting, honestly.
NANO-ナノ-OFFICIAL@nanonano_me
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO
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I’m going to say that this is less a product of the game and more a product of the environment.
When we talk about how many low tier heroes there were in older games (like the Komoda Blankas of Super Turbo or the Hayao Hugos of Third Strike) and then compare that to SFV (considerably less low tier heroes, remember the bazillion Lukes in the last year of Capcom Cup) and compare that to SF6 (low tier characters having little to no representation at the latest stages in tournaments), we have to always take into account the *stakes*.
I play Cammy in Super Turbo. Because Super Turbo is fun and Cammy is fun despite being bad. If I played in some kind of ST Co-op Cup, I’d play on a team of 5 Cammys for laughs and trolling.
If $250,000 was on the line and I was a serious competitor, I wouldn’t be playing Cammy anymore. I wouldn’t necessarily jump to Claw, but I would play someone who isn’t literally the worst character in the game.
If $1,000,000 is on the line, I’m fucking playing Claw. I don’t care. Fuck you, fuck your family, fuck your dog, you’re getting HyouBal’ed to death.
And it’s not even just the milly. For a lot of Japanese players it’s SFL team spots and sponsorships and more. Look at how comfy Haitani is after gaining so much popularity after Raccoon Cup. The players who are featured in SFL Japan get a LOT of exposure and are sponsored for a good chunk of the year, if not beyond that. SFL Japan plays across four months.
The games aren’t different. The stakes are. People *always* forget to take into account the environment we play in. I can fuck with a Remy in 3rd Strike because each game cost 25 cents.
But if we ran, right now, a one million dollar tournament for Third Strike, *everyone* super serious or new to the game would just play Chun (easy route), Yun (execution route), or Ken (familiar Shoto route). And many high tier players of old would stick to their characters (the Uriens and Dudleys and Yangs and Makotos), but you would lose all the Remys and Twelves and Qs outside of three-decade long pros of Hugo like Hayao, but you would see WAY less of them getting into late stages of tournaments.
Remember, even the last Evo, the stakes weren’t dire enough that MOV nerfed himself the entire tournament playing Elena and only used Chun vs. Issei in Grand Finals.
It’s not *only* the game’s fault. The environment we play in is a HUGE factor. And that’s something I don’t see enough people talk about.
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Reminder that SF5 was the game where a "broken" top tier Luke played by an EVO champion could be beaten by "low tier" FANG at the highest level of gameplay.
I want this for SF6, too.
HiFight(ハイファイト)@HiFightTH
.@Vegapatch eliminated Kawano from Capcom Cup!!! #CCIX twitch.tv/capcomfighters
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@AurelianofRome Funny that they taught Indonesia have lot muslim and assume the percentage also applied to percentages killed.
During Japanese occupation, the main target of japanese cruelty are Chinese diaspora while also include local population too.
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Japan killed four million Indonesian Muslims. That’s close to the number of Jewish people killed during the Holocaust.
Tens of thousands of Indonesian Muslim women were raped by Japanese men.
Don’t talk to *US* about Islamic or Indonesian culture.
𝘊𝘰𝘳𝘳𝘪𝘯𝘦@OopsGuess
Japan’s right wing says Muslims will “destroy” Japan. Meanwhile, Japan’s own embassy in Indonesia is warning Japanese citizens not to rape Indonesian children. Read that again. The trash screaming about “protecting culture” are living in a country whose diplomats have to remind its citizens that foreign children are not sex toys. Maybe start there before lecturing Muslims about civilization.
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@KamuraTyy Although it is great, it have several way to improve. If the dev could set the anomaly level as the main setting and let us choose freely any monster and level without the need to grind for monster quest investigation, this system would be lot more acceptable.
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Monster Hunter Rise Sunbreak | Endgame system appreciation post
I believe that this game crafted the single best end game farming experience in an action rpg, maybe ever, not just in monster hunter. Allow me to explain why.
A infection plagues the entire roster of monsters, turning even starter monsters into end game fights with scaled health, damage output and more aggression. A new level system allows any monster to be leveled from 1 to 300! The monsters don’t just hit harder or have more health, they have designated weak points that must be hit to eliminate the infection and cause massive damage and staggers to them. Fail to reach damage checks and you will be punished with a damaging explosion, demanding a skilled player to prove their abilities, not just button mash. If the monster hits you, you become infected which reduces your healing effects from items, but in return allows a life leech effect to your attacks, encouraging aggressive combat.
During these investigations you may earn new random investigations that have any monster on the roster infected, sometimes offering multiple monsters in one investigation, virtually giving you endless random quests on random stages with random conditions.
This new system introduces weapon and armor crafting that allow you to keep up with this new challenge called quiro crafting. From here you can augment your gear to your specific needs, whether that be more element or status applied, more sharpness, more raw attack, more chance for a critical hit, the choice is yours in the customizations. There is no gacha rolling for good weapons or armor, you choose the weapon and armor from the existing roster of monsters then tweak them yourself!
The NPCs issue investigation requests, targeting specific monsters at minimum requested levels, and in turn reward you with request completion tokens. Once you reach 10 requests completions, you get 500 investigation coins, which you can then turn in for virtually any item you may be lacking or specifically needing at any point. Be that a armour sphere to upgrade your defence, a mantle of a specific monster required to craft a specific piece, a golden egg to sell so you can have more zenny to make more weapons, and on and on…
So, to review, this game has created an endgame that: scales the entire roster to endgame difficulty with engaging new mechanics. Made the weapons and armor thoughtful and engaging by allowing you to meticulously curate it to your hearts content, encouraging experimental build crafting. And respect the players time by allowing you to cash in earned materials for specific items you really want, not just throwing them into a slot machine and hoping for a good roll. This is the superior monster hunter endgame that players deserve.
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