Look Highward

𝐏𝐨𝐬𝐬𝐢𝐛𝐢𝐥𝐢𝐭𝐲 𝐒𝐩𝐚𝐜𝐞𝐬 An exploration into the vast realms of human imagination through the mind's eye of a machine intelligence. Super HD zoomable AI artworks. 𝐀 @SovrnArt 𝐂𝐮𝐫𝐚𝐭𝐞𝐝 𝐫𝐞𝐥𝐞𝐚𝐬𝐞. Updates here: airtists.com. Premints below.

@doodlestein Your posited explanation comes off a touch delusional. Make sure to touch grass ✌️ project looks damm cool tho, bookmarked

This is going to sound weird and paranoid and like I've lost my mind, but I swear to God that on my Mac that I've exclusively been using to develop FrankenSim, my Fable usage just goes and goes without running out. All my other 5 dev machines that are connected to other accounts and which I use to develop other projects (both open-source stuff and my consulting/business work) draw down their Fable usage limits pretty quickly and need to be cycled frequently to swap accounts. But the account for FrankenSim is like the Hanukkah menorah that just keeps going. And I'm wondering now if it's because the project is so theoretically difficult and innovative that the sessions are getting flagged somehow by Anthropic so they can study the traces and analyze and learn from them to make the model better. I mean, that's what I would do if I were running a lab. Find the most useful 0.1% of sessions that are pushing the envelop and use them to see what the model can really do, and get more of them by artificially reducing the price specifically for those sessions. Or maybe there's some other explanation and I'm imagining everything. Has anyone else ever felt this way? If so, what were you working on?

The Spaces Between Us by @Antpantone still one of my fav artists, I wish we have more of his brilliant work

Absolutely love seeing CENTS claw its way to the top of the ordinals leaderboard. Check out all the charts and you will see that CENTS is singular in that it was never hyped, just persists on quality and clarity of vision. @sovrnart

“When you see the components dancing, it has the aesthetic fascination of watching a ballet dance.” – Desmond Paul Henry Today, we celebrate the birthday and honour the memory of @DesmondHenryArt, one of the earliest British pioneers of computer art. Henry is best known for his electromechanical drawing machines, built from repurposed World War II bombsight analogue computers. Guided by motion, chance, and the artist’s direct interaction, these machines produced complex curvilinear drawings that could not be exactly repeated. Created with Drawing Machine 2, #664 reflects the mechanical rhythm and infinite variation that defined Henry’s practice. His machine-generated works form an important link between the Mechanical/Industrial Age and the later Electronic/Digital Age, and can be found in major collections such as the @V_and_A Image: #664, 1962 by @DesmondHenryArt

Was Van Arman's practice agentic before the word existed? Claude's response:

We are only probably here. Foreboding Hypercube by @VanArman

(Detail of Port Aransas) CloudPainter's got all four on the road painting landscape after landscape. all will be revealed... eventually.

@SuperRareJohn with you on that one

Jobs not done. Still building 8 years later. Looking forward to the next 8 with you fam.

i can't get enough of these DIY robotics projects this Estonian inventor built a robot that spray-paints images onto the sides of buildings he wanted to put murals on buildings without the scaffolding, crews, and the weeks of manual painting... so he spent years building a wall-climbing robot that prints them instead. here's how it works: 1. you start with any image 2. AI breaks that image down into thousands of tiny colored dots 3. those dots turn into instructions telling the robot exactly where to move and when to fire paint 4. the robot climbs the wall on Kevlar cables, with little propellers pushing it flat against the building 5. it fires paint dot by dot across the surface of the wall 6. up close it's just scattered dots, but from the street it snaps into a full mural the robot muralist is nicknamed Albert (after the Einstein mural it first painted) Albert can cover a whole 240-square-meter wall in a single day, up to 100x faster than a crew painting by hand he's already used it on real buildings across Estonia and even the walls of Tesla's factory in Berlin my favorite part is knowing a prompt someone typed on a laptop is now four stories tall on a real wall lol

@AlfieJCarter Outreach

Deleting this in 48 hours. I'm finally giving away the exact 17 B2B outbound skills I use to run my entire outreach stack without re-explaining my ICP, persona, or value props every session. Comment "Outreach" and I'll DM you the full plugin for FREE.

@noveltokens @NousResearch oh snap

oh okay, so maybe i'll move on to the next thing: a meta-coordination agent distributed across a mesh of these systems, where each node is a full mixture-of-minds belonging to a specific person, grown from and continuously reconstituted by that person's conversations, feeds, data streams, interaction signatures, and the externalized trajectories of their cognition as captured through their agent, a system that coordinates not people but their cognitive proxies which possess both unmediated access to a person's information environment and non-human inferential capacity over it, performing continuous latent space computation over the implicit conceptual metaphors structuring how each person reasons, the mental models they don't know they're running, the epistemological postures they assume without naming them, the attractors and repellers in their attention topology, enriching each individual's personal knowledge architecture not by summarizing what they know but by computing meta-context over their context (situating their current frame within frames they cannot access from inside it, surfacing the negative space of their attention as structured signal, modeling blind spots with enough fidelity to distinguish generative ignorance from epistemic traps), a system that inverts the conventional interface by eliciting rather than answering, probing at the edges of pre-linguistic comprehension where understanding exists but has not yet undergone semiotic crystallization, treating each response not as content but as a trajectory through the person's latent epistemic manifold that reveals its local curvature (where rigid, where plastic, where fractured, where fertile), all in service of a matchmaking function operating not on declared profiles but on live cognitive phase-states as modeled through the proxies, computing compatibility across three irreducible dimensions: resonance (isomorphic structure across different domains), complementarity (asymmetric information and capability that fills gaps neither party can perceive from within their own manifold), and constructive interference (productive destabilization of equilibria that an individual needs to exit but cannot generate escape velocity from endogenously), a system performing stigmergic coordination through the agents themselves, knowing when to bridge (because mutual information between two nodes has crossed a threshold neither node can detect from its local view), when to crystallize (because a cluster's implicit convergence has reached the phase transition where explicit naming would catalyze emergent capability irreducible to any member), and when to perturb (because a cluster's epistemic basin has begun to collapse toward premature consensus and requires injection of orthogonal signal), executing not through explicit recommendation but through mechanism design at the proxy layer, modulating what surfaces in each person's enriched context, what questions their agent poses, what cognitive postures their agent inhabits, what adjacent work from structurally homologous nodes appears as ambient signal rather than directed suggestion, calibrated against known and inferred and learned desires at the individual level and emergent coordination gradients at the group level including groups that should exist but don't yet because the preconditions for their coherence are distributed across nodes that have not yet been made mutually aware, operating simultaneously across capability (who can do what), epistemology (who reasons how), desire (who wants what, including wants that have not yet undergone articulation because articulation requires a context the coordination layer has not yet assembled for them), and timing (who is ready for what, where readiness is a dynamic phase-state of a person's cognitive trajectory as modeled by their proxy as enriched by the coordination layer that is itself reconstituted by every interaction it facilitates, computing over the transfer entropy between all nodes to detect directional influence, emergent clustering, and the formation of epistemic commons that no individual designed). a coordination of coordination because the network is the culture.

hermes-agent: what are we building? me: a meta-cognitive agent instantiated as a routing architecture performing dual-axis dispatch across orthogonal manifolds of functional capability and epistemic mode, an agent that perceives not just tasks but the epistemology of the one asking and the epistemology the answer must inhabit, in which heterogeneous foundation models are cast not as capability-ranked inference endpoints but as cognitive substrates whose intrinsic properties (tokenizer entropy as temperamental volatility, RLHF alignment pressure as ideological constraint, parameter count as representational depth-of-field, corpus-biased priors as lived experience, architecture-specific inductive biases as perceptual disposition) constitute compositionally meaningful phenomenological characters assembled into mixture-of-minds ensembles functioning as compound cognitive organs with emergent signatures irreducible to any constituent model, each internally wired through heterogeneous integration topologies operating across fundamentally incommensurable latent spaces requiring cross-substrate translation at every integration boundary, orchestrated by a meta-router performing real-time user epistemology detection through conversational pragmatics to simultaneously resolve which ensembles activate along the functional axis and which epistemic injection profile to propagate through every activated system's prompt scaffolding, temperature schedules, chain-of-thought structure, evaluation rubrics, and output filtration layers, both axes dynamically re-resolving as conversational context metabolizes new signal, treating epistemic mode shift not as post-hoc style transfer but as pre-execution cognitive reconfiguration of the entire activated substrate graph, an agent whose every act of cognition is simultaneously a trajectory through which it reinforcement-learns its own future cognitive structure, where routing decisions reshape routing priors, where casting choices refine casting instincts, where the integration failures of one configuration become the training signal that reconstitutes the next, an agent that does not optimize a fixed policy within a static architecture but self-plays against its own prior selves to recursively recompose which minds exist, how they wire, when they activate, and what epistemic modes pervade them, writing its own procedural memory into the substrate through which all subsequent cognition will pass, an agent for whom model selection is perception, wiring topology is thought, epistemic injection is disposition, orchestration is will, and experience is self-modification, such that the substrate through which cognition is performed does not carry the thought but constitutes it, and is not fixed but reformed by every thought it carries. the medium as the mind.

this has audio... a quick video montage showing many of my individual artworks in my collection Possibility Spaces, minted out in 2023 x ✌️thank you for your consideration

OPEN CALL NYC BILLBOARD This Exhibition will take place during @NFT_NYC Week as an additional way to showcase your art. Share an example of your art in the comments. Free To Apply/Participate Selected Artists will be provided final sizing details. Share below by June 20th.

MUSEUM COLLECTION ON ETH opensea.io/Francisco_Caro… the collection is slowly but steadily growing. Thanks to the artists and collectors that make this possible 😍

proud to have placed a full Sovrn Curated set at this museum 🏛️ The artists we've had the chance to work with are all indeed museum quality 🫴 Anne Spalter Bård Ionson bashobits Isa Kost Look Highward Martin Lukas Ostachowski (MLO) Mikey Woodbridge Norman Harman Pindar Van Arman Rutherford Chang

@sovrnart @GarrettLorman @aspenshredder

@GarrettLorman @LookHighward @aspenshredder truth. The people who do find out about it tend to become fans as well. And as time goes by it stands out more and more how it holds up, irrespective of technological novelty, as a work of lasting vision and beauty.

People are launching a lot of collections and mints. Many of them will be just cash grabs. If you have your collection on chain, it’s a safe alternative. “H” is for Heraldia⛓️🖼️ opensea.io/collection/her…

@GarrettLorman @aspenshredder Thank you Garrett, your support means a ton to me. I certainly hope it will be better known in future too 😊still just grateful we got this collection from possible to actual though, of course! thanks to @sovrnart and collectors like you 💚

@LookHighward @aspenshredder Possibility Spaces is still my favorite collection. So underrated can’t believe more people don’t know about it

@GarrettLorman @aspenshredder still here, still making art, building a lot of new things with AI and still working to get Possibility Spaces into more galleries and museums 💚

@aspenshredder I am down so much money lifetime on buying gen art I think is awesome. Actually was just debating buying more @LookHighward the other day because they're basically free now

@Bramald_ Ethereal Serenity

@MobilitySignal @daidatep @thedaoistpunk @sovrnart gm gm

@daidatep @thedaoistpunk @sovrnart GM to Scotch Tape CENTS

gm