Metagood

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Metagood

Metagood

@Metagood_com

Shaping the future of digital assets and tokenization.

Katılım Ağustos 2021
16 Takip Edilen4.1K Takipçiler
Metagood
Metagood@Metagood_com·
Tokenization isn’t about putting old finance on-chain. It’s about re-architecting ownership with trust, compliance, and scale built in. Learn more at metagood.com on how we’re thinking about the next era of digital assets. Culture 🤝 Capital 🤝 Code
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Amanda Terry
Amanda Terry@amandaterry·
2025 was a defining year for Metagood. What started as on-chain art on Bitcoin and evolved into a global community of builders has become the foundation for institution-grade on-chain infrastructure. Art was the proving ground. Tokenization is the next chapter. Read more 👇
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OnChainMonkey®
OnChainMonkey®@OnChainMonkey·
We spent years building on-chain art: infrastructure, creators, community. Now the tokenization era has arrived. ⚡ OCM will be first in line to benefit from what we create. Stay tuned.
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Metagood
Metagood@Metagood_com·
@RWAwatchlist_ Couldn't agree more, the wave is here and fast moving!
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Real World Asset Watchlist
Real World Asset Watchlist@RWAwatchlist_·
📘💡 CZ at Davos 2026: "I'm talking with probably a dozen governments about tokenizing some of the assets" This isn't hype - countries are racing to tokenize first. Government-led RWA tokenization accelerating 📊
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danny huuep
danny huuep@huuep·
Bitcoin is a powerful platform for tokenizing high-value assets, especially digital art. OCM Genesis is a good example. 10,000 unique artworks were inscribed on Bitcoin in Inscription 20219, and tokenized using Ordinals, each bound to a specific satoshi. The tokenization was done in the most clear on-chain way possible: 10,000 artworks → 10,000 sequential Block 9 sats. On the same sats: • the original PFP art (Genesis) • an abstract generative work (Deconstructed) • a synthesis of the two (Perspectives) Each token (or sat) carries multiple works. Finally, the conceptual work, OCM Certificate of Ownership, links each sat to an off-chain asset, similar to real-world asset (RWA) tokenization. Art on Bitcoin 🧡
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danny huuep
danny huuep@huuep·
Tokenization is crypto's massive opportunity. Today's news of SEC approving DTCC for Tokenization is the tip of the iceberg. The potential tokenization market is enormous, and institutional momentum is building, especially around real-world assets (RWAs). We're seeing more regulatory green lights, new partnerships, funding rounds, and projections for explosive growth in 2026!
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OnChainMonkey®
OnChainMonkey®@OnChainMonkey·
@huuep More background: "A line" was possible because of an earlier work, Inscription 203112 (Feb 2023). Inscription 203112 contains fflate which was required to decompress p5.js on-chain. This work also contains the three.js library and the 300 OCM Dimensions collection! 👀
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danny huuep
danny huuep@huuep·
OCM Genesis is special in PFP art - the entire collection is generated from on-chain code defining every color, shape, and line. The complete building blocks are 14 rectangles, 19 circles, 1 ellipse, 15 lines, and 60 colors. From this, 10,000 unique monkeys emerge through on-chain randomization. When the algorithm creates aesthetic symmetry - like a hat and clothes forming a “reverse-color match” - it’s a rare generative moment. That’s @OnChainMonkey and art on Bitcoin.
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danny huuep
danny huuep@huuep·
Bitcoin and Ordinals can both be viewed as conceptual art. Bitcoin explores the concept of digital ownership. Ordinals, the concept of immaterial objects. @OnChainMonkey (OCM), expressed through a distinctive PFP, is conceptual art created around the question of how far one can go in creating purely on-chain art. In 2021, OCM became one of the first fully on-chain collections - unique for being completely on-chain and yet natively viewable across all explorers such as OpenSea. This ensured that the on-chain art could be both permanent and accessible, preserving it from being lost to time. In 2023, OCM helped standardize recursion and parent–child provenance for Ordinals and demonstrated how generative art could live on Bitcoin. By inscribing shared creative libraries such as p5.js and Three.js, OCM built a foundation for others to create upon. These innovations turned inscriptions into an interconnected ecosystem, allowing art on Bitcoin to grow as a living network of creation. (check out OCM Dimensions) The Ordinals protocol enabled Bitcoin to become both a medium for art and a public museum. Yet Ordinals itself is invisible to Bitcoin’s code. In 2025, OCM created the conceptual artwork, The Digital Rosetta Stone, to address this. Like the ancient Rosetta Stone that made hieroglyphs readable millennia later, the Digital Rosetta Stone inscribes multiple translations - including the complete Ordinals source code - onto Bitcoin, ensuring that future generations can decode and rediscover the art on Bitcoin. (Inscription 99600577) Art on Bitcoin.🔥
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danny huuep
danny huuep@huuep·
NFTs got a bad name last cycle. Speculation and scams drowned out innovation. "Bubble" became the label. But NFTs are digital ownership. Tokenization, the hottest trend today, is NFTs applied to the world’s largest markets, ie real estate and RWAs. Some early NFT art has proven lasting. @OnChainMonkey, launched over 4 years ago as one of the first fully on-chain art collections, continues to grow with the art on Bitcoin movement. Today, the final OCM Certificates of Ownership are being inscribed. Inspired by Yves Klein’s pioneering conceptual art, the Certificates reflect on the immaterial digital asset, NFTs themselves, as a work of conceptual art on Bitcoin.🔥
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danny huuep
danny huuep@huuep·
“The story of how Bitcoin’s earliest believers built its foundation.” @BitfuryGeorge's must read book, drops Oct 31st, Satoshi Day. There's a chapter on @OnChainMonkey. LFG! 🔥
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danny huuep
danny huuep@huuep·
Next stop: SALT OCM is taking Art on Bitcoin to the whales. From historic firsts to the future of assets on BTC… we’re only getting started.🔥
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OnChainMonkey®
OnChainMonkey®@OnChainMonkey·
OCM Genesis Reinscribed with the Digital Rosetta Stone! The iconic OCM Genesis has been reinscribed with the full Ordinals Protocol source code, transforming it into the Digital Rosetta Stone for Bitcoin art. This artifact fills an entire Bitcoin block (905026) and resides on a block 9, 450x sat with four cursed inscriptions, embodying unmatched provenance, scarcity, and conceptual depth. The new milestone adds to OCM's list of innovative art: 1⃣OCM Genesis: Pioneered generative art collections on Bitcoin - the blueprint for others that followed. 2⃣OCM Dimensions: Revolutionized recursive art with inscribed code libraries (three.js and p5.js) for creators, plus the first immutable, evolving inscriptions and randomized reveals. 3⃣The Digital Rosetta Stone: Preserves the Ordinals protocol on Bitcoin, and now all inscriptions are completely on-chain! This piece is more than conceptual art. It's infrastructure, history, self-reference, and preserves all Ordinals and Art on Bitcoin forever! 🔥🔥🔥
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danny huuep
danny huuep@huuep·
Getting to business in LACMA's boardroom with CEO Michael Govan and the curatorial team. Exciting times ahead for art + tech. LACMA is going to the world leading museum for digital art! This was the inaugural acquisition meeting with the LACMA Digital Leaders (LDL), founded by @collectionist and @jeannievu. LFG!🔥
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LACMA@LACMA

“Art is long, museums are short,” insists Michael Govan, CEO and director of LACMA. “They are a frame, and they have to keep changing to embrace multiple points of view, new contexts, new indices.”—@ArchDigestbit.ly/3GlOwVH

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Tad Smith
Tad Smith@tadtweets·
It was great to meet up with @huuep and @amandaterry on a quick trip to NYC. Key things on our mind were what creates value in digital art work. Obviously appearance, scarcity, and narrative drive price, but the question on my mind is whether art can be “built” on an underlying digital store of value in a way that is akin to painting on a “digital canvas”. The analogy is to Casascius coins. $BTC I think the OCM community has a vital role to play in the future of digital art.
danny huuep@huuep

Meeting to discuss how to grow Art on Bitcoin with OCM community member and former CEO of Sotheby’s, Tad Smith 🔥

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danny huuep
danny huuep@huuep·
Honored to have Tad Smith collect @OnChainMonkey and use an OCM Genesis as his profile picture. Tad was the CEO of Sotheby's and Madison Square Garden, and currently chairman of the Fine Art Group and Adj Prof at NYU Stern. He has a wealth of knowledge on art and assets that he generously shares, and he has an incredible art collection! We share a common passion in Bitcoin, and in growing Art on Bitcoin 🔥
Tad Smith@tadtweets

“Never hold discussions with the monkey when the organ grinder is in the room.” — Winston Churchill

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hafftka
hafftka@hafftka·
I was inspired by my meeting with Danny Yang @huuep Connecting art mediums and artists, being inspired by the past and present takes a new form on the BTC blockchain. You might no see Rauschenberg and DeKooning here but I do LFG
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danny huuep
danny huuep@huuep·
"Bitcoin was NOT designed for art. It's hard money on the most secure decentralized digital ledger to ever exist!" This is why Art on Bitcoin is meaningful. Gold wasn't designed for art. Marble wasn't designed for art. Cave walls weren't designed for art. Yet they all serve as the material for some of humanity's greatest art. If Bitcoin keeps growing, some of humanity's greatest art will be on it. Art on Bitcoin 🔥🔥🔥
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