MrExo3D 🇨🇦

@projecthailmary $100 with shipping in Canada!? Common now

Wonder if there’s anywhere you could pre-order a Rocky plush? 🤔 Oh, yeah! Right here: a.co/d/0fvOsylo

@CultureCrave @screenrant He also said to be working on a Phm sequel

'Project Hail Mary' & 'The Martian' author Andy Weir confirms he's writing a new book 📕 "It's science fiction, of course, and it's a new standalone story. It's not a sequel to anything" (via @screenrant)

@BeingJWood No because they are well into the very stupid category

Do Trump supporters ever feel kinda stupid?

@ttaz92 @KmaFr_ Dune 3 definitely won’t top it

@KmaFr_ I thought it was very good. Probably give it an 8.5-9/10. But hard to say “I don’t know how anything tops it this year” when dune 3 and the odyssey are still to come.

i don’t know how any movie can top this this year , this is seriously one of the best movies ive ever seen i don’t put that lightly at all

@philiplord @projecthailmary @chrizmillr Please add two hours of deleted things to the movie when it’s out to buy

It’s a privilege to make a movie. A bigger one to do it with your best friend. Bigger still to have so much help from so many brilliant artists and friends old and new. But the biggest privilege of all is when people you’ve never met give you their time and attention and take a seat. Without that generosity a film cannot exist. Thank you, friends. Thank you strangers. Hope you love it.

@luke_leisher_ Both are great

Better than interstellar.

@AnishA_Moonka They still use CG, even if it’s not green screen

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

@mickitiki And he’s definitely made a lot of shit

Exactly 💥🔥🇺🇸👊

@MarkJCarney It will all be wasted in bureaucracy. Stop billing street cars on rails and instead build bus street cars. You don’t need the tracks.

We’re putting nearly $200M toward critical infrastructure upgrades across Toronto, including public transit — improving the TTC for faster, more reliable commutes.

@elonmusk Everyone deserves some empathy.

Have empathy for the victims, not those who inflict pain on others

@elonmusk You mean, like not starting a war with Iran?

Why is that?

@DANIELPEMBERTON Movie was really good. Wish it was five hours long.

Arriving everywhere at midnight folks!! #ProjectHailMary CDs + Vinyl details coming soon too… wooo!

@shrekers7 @Tesla Being better doesn’t make it free

@Tesla You’re going to run into moral issue here. If it makes the roads that much safer, how can you justify making people pay for it? Can’t put a price on lives.

@GoogleLabs @stitchbygoogle What does an export can I get a print ready CMYK PDF out of this? can I open that PDF in Adobe illustrator and make edits?

Introducing the new @stitchbygoogle, Google’s vibe design platform that transforms natural language into high-fidelity designs in one seamless flow. 🎨Create with a smarter design agent: Describe a new business concept or app vision and see it take shape on an AI-native canvas. ⚡️ Iterate quickly: Stitch screens together into interactive prototypes and manage your brand with a portable design system. 🎤 Collaborate with voice: Use hands-free voice interactions to update layouts and explore new variations in real-time. Try it now (Age 18+ only. Currently available in English and in countries where Gemini is supported.) → stitch.withgoogle.com

@ML3democrats Your holding back and being too kind.

America, your President is a clown

@jayjjalen @x0Starlight Hell no it will be the best of the year

@x0Starlight project hail mary

delete one upcoming movie from existence

@x0Starlight Spider-Man

@HailMaryLogs Won’t be a problem

@CRRJA5 @elonmusk It won’t be supervision. It will be the most pixelated rainiest abstract representation of reality. It’s still a monumental achievement, but that’s not over hype what the actual outcome will be.

.@elonmusk 🔴BREAKING: Elon Musk just dropped this mind-blowing update on Neuralink… “In the next 6 to 12 months, we’ll be doing our first implants for vision — even if somebody is completely blind, we can write directly to the visual cortex.” Blindness? Cured. Sight? Restored. Humanity? Upgraded. 👀⚡ From zero vision → potential superhuman sight (infrared, UV, radar… like a real-life superhero). This is no longer sci-fi. It’s happening NOW. What do you think — game-changer or too wild? 🔥 Drop your thoughts below!

@khaliltooshort I will take project Hail Mary over those any day

The kids can have Avengers Doomsday. The men will be at Dune 3