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RoSheezus
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RoSheezus
@RoSheezus
New Yorker to the ❤️, Softball Player ⚾️ ,Photographer 📸 .. IG:@ SNIPEDBYSHEEZUS #NYM #NYG #NYK
Respectfully Im From Brooklyn Katılım Eylül 2011
1.1K Takip Edilen177 Takipçiler

@Peterson_IsKing @MrMetKevC Taking Vientos would just be adding another Miguel Vargas
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No matter which moniker you knew him by, Sid’s intensity was palpable across the ring and through your TV screen. A multi-time champion in @WWE and WCW, and a two-time #WrestleMania main event, it’s a pleasure to announce that he will take his rightful place in the 2026 Legacy Class of the #WWEHOF.
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@DanClarkSports Lolol remember when Yankee fans were talking crazy saying her was better than Soto 🤣🤣🤣
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@SleeperMets Where do i start ? Doesnt get on base at the pace he used to , has bad feet , not fast , weak arm & should never have been batting 5th on top of all that at 20m a year. Mets didnt win this deal but they also didnt lose it either , but moving him allowed for maneuvering to happen
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Will Sammon in his latest article about Brandon Nimmo:
Mets president of baseball operations David Stearns told him, “I did not shop you around.” Nimmo said that Stearns told him the Rangers wanted Nimmo and how “it got to a point where we felt like this is beneficial for both sides.”
Nimmo asked at one point during talks with Stearns, “Why am I not part of the solution?”

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@Acyn Dumb ass Sage Steele. The halftime show has never been a celebration or theme of football. The Rolling Stones, McCartney, Shania Twain, Clint Black, Tanya Tucker, Tony Bennett, etc. It’s only now it’s supposed to be about “football”???
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@NavyDoc68 @MLBNetworkRadio @Mets Its comical … a large majority of these journalists & analysts hate the mets but want the mets to sign everyone & then complain about how much money they spend
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@RoSheezus @MLBNetworkRadio @Mets Correct and not to mention he doesn't fit on the current pitching staff
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"You want to win? Framber Valdez can get you there."
Could the be a new King in Queens?
@Mets | 🔗 sxm.app.link/mlbnetworkradio
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@XLuminant @AaronSwerdlove The exact same things George warned us about nearly 30 years ago
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Sure, fair opinion if that's how you see it.
To me, It's the type of special that trancends comedy.
Comedy, much like music, poetry, or even painting, holds a different meaning from person to person. It's a layered art.
Listening to Dave's special reminded me of another person. I think much of what Dave said will have an impact that lasts decades beyond him, like late great George Carlin.

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Dave Chappelle’s story is one of the rawest examples of what happens when a black genius gets too powerful for the machine to handle—and how he clawed his way out on top.
Back in 2003, Chappelle’s Show hit Comedy Central and changed everything. Those sketches—Rick James, Clayton Bigsby, the Racial Draft—weren’t just hilarious; they cut straight through America’s bullshit on race and power. The show blew up, pulling millions of viewers and raking in hundreds of millions from DVDs and reruns. Dave was thirty, suddenly the sharpest voice in comedy.
But the deal he’d signed early on gave him almost nothing on the back end. Comedy Central—and its parent Viacom, run by the Redstone family—kept the real money. Dave watched his work get bootlegged and monetized while he got crumbs.
Then Season 3 rolled around in 2005. During filming, something felt off. One sketch had a Black character in a pixie costume, and a white executive was laughing a little too hard, in a way that made Dave’s skin crawl. He started telling people privately, “They’re trying to make me wear a dress.” In Hollywood, that’s code for forcing Black men into emasculating roles to diminish their threat—think of the patterns with Eddie Murphy, Martin Lawrence, or countless others.
The pressure built. They dangled a $50 million deal for two more seasons. Insane money on paper, but Dave could smell the trap: even less control, more ways to twist his voice into something that served the system instead of exposing it.
So he did what almost nobody does—he walked away. Dropped the $50 million, got on a plane, and vanished to South Africa. Stayed on a farm in Durban with a Muslim friend, took a breath, and reflected. The media went feral: “Chappelle’s having a breakdown,” “crack addiction,” “mental health crisis.” Same smear playbook they use on anyone who says no—Kanye, Katt Williams, you name it. Label them crazy, bury the real story.
While he was gone, Comedy Central took the unfinished Season 3 footage, slapped it together as “The Lost Episodes,” and aired it anyway. Hosted by Charlie Murphy and Donnell Rawlings, no Dave in sight. They still made bank off his genius, sending a clear message: We own your art even if you run.
For years after, Hollywood painted him as difficult, unstable, the guy who “blew” $50 million. Doors quietly closed. No big specials, no major movies. Dave went underground—small clubs, quiet tours—rebuilding on his own terms.
Then, around 2016-2017, Netflix came knocking. This time Dave negotiated like a boss: massive paydays—reportedly $20 million per special—full creative control, real ownership. His comeback specials dropped and hit harder than ever. He talked openly about the “dress” incident, the industry’s traps for Black artists, the way they try to break you.
In *Sticks & Stones*, he shredded cancel culture. In *The Closer*, he took on the trans debate and refused to bend. The outrage machine came for him full force—walkouts, petitions, headlines screaming “transphobe.” Didn’t matter. Arenas sold out, Grammys won, legacy cemented.
And the sweetest part? In 2022, after years of the show being pulled from streaming (Dave had publicly asked platforms not to run it until he got paid fairly), HBO Max finally caved. They cut him a proper check, and Chappelle’s Show came back—with Dave in control.
Fast-forward to right now, December 2025: Dave just surprise-dropped his newest Netflix special, The Unstoppable recorded live in his hometown Washington, D.C. back in October. In it, he dives fearless into the chaos of the year—Charlie Kirk’s assassination, Puff Daddy’s downfall, the Riyadh comedy fest backlash, National Guard deployments, free speech crackdowns, and wraps with an epic 30-minute closer weaving American history from Jack Johnson to Nipsey Hussle.
Bold truths, no holds barred, and as unstoppable as ever.
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